Author: Jim Hillier
Publisher: Psychology Press
Published: 1985-03-21
Total Pages: 330
ISBN-13: 0415151058
DOWNLOAD EBOOK →'With admirable clarity, Mrs Peters sums up what determines competence in spelling and the traditional and new approaches to its teaching.' -Times Literary Supplement
Author: Jim Hillier
Publisher: Cambridge, Mass. : Harvard University Press
Published: 1986
Total Pages: 392
ISBN-13:
DOWNLOAD EBOOK →As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade.
Author: Nick Browne
Publisher: Psychology Press
Published: 1996-05
Total Pages: 368
ISBN-13: 9780415150804
DOWNLOAD EBOOK →The Cahiers du Cinema journal has played a major role in establishing film theory and criticism as an essential part of late 20th-century culture. The volumes reprinted here contain articles from 1951 through to 1972.
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
Published: 1990
Total Pages: 988
ISBN-13: 9780838631867
DOWNLOAD EBOOK →The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author: David Brancaleone
Publisher: Bloomsbury Publishing USA
Published: 2021-07-15
Total Pages: 464
ISBN-13: 1501316982
DOWNLOAD EBOOK →How many Zavattinis are there? During a life spanning most of the twentieth century, the screenwriter who wrote Sciuscià, Bicycle Thieves, Miracle in Milan, and Umberto D. was also a pioneering magazine publisher in 1930s Milan, a public intellectual, a theorist, a tireless campaigner for change within the film industry, a man of letters, a painter and a poet. This intellectual biography is built on the premise that in order to understand Zavattini's idea of cinema and his legacy of ethical and political cinema (including guerrilla cinema), we must also tease out the multi-faceted strands of his interventions and their interplay over time. The book is for general readers, students and film historians, and anyone with an interest in cinema and its fate.
Author: Patrick ffrench
Publisher: Bloomsbury Publishing
Published: 2019-10-31
Total Pages: 325
ISBN-13: 1350120529
DOWNLOAD EBOOK →Suspicious of what he called the spectator's “sticky” adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and “myth”. In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films – and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in “leaving the cinema” – disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance – he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.
Author: Jonathan L. Owen
Publisher: Berghahn Books
Published: 2011-02-28
Total Pages: 256
ISBN-13: 9780857451279
DOWNLOAD EBOOK →The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.