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Bytes and Backbeats

Author: Steve Savage

Publisher: University of Michigan Press

Published: 2019-02-28

Total Pages: 421

ISBN-13: 0472901184

From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music, through which Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer.

Harmonizing Bytes and Beats: The Evolution of Music and Technology

Author: DJ Express

Publisher: Fact Sider

Published: 2023-08-05

Total Pages: 20

ISBN-13:

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In a world where music and technology dance in perfect synchronization, a new breed of artists emerges, wielding beats and algorithms to craft transcendent sonic experiences. "Harmonic Fusion: The Digital DJ's Journey" invites you to step into this dynamic realm, exploring the evolution of DJing through the lens of Justin Nunez, the acclaimed DJ Express. From vinyl records to virtual decks, this captivating journey navigates the historical tapestry of music technology, revealing how digital platforms democratized DJing, allowing creativity to flourish beyond physical constraints. Explore the technical intricacies of beatmatching, where analog meets digital precision, and the canvas of waveform displays transforms mixing into an art form. Delve into the world of controllers and software, where the digital DJ deftly navigates tools that bridge the tactile and the virtual. Witness the fusion of genres, as the digital DJ curates sets that transcend boundaries, evoking emotions that linger long after the last note fades. Step into the spotlight as the digital DJ curates unforgettable journeys, steering the emotional arc of the night. Discover the power of music and emotion, where beats become conduits for feelings that resonate universally. Traverse the landscapes of DJ culture and online communities, where global connections redefine collaboration and fan engagement. As the final notes resound, "Harmonic Fusion" peers into the future, where AI-generated music and virtual reality performances beckon new horizons. In the hands of a digital DJ, technology isn't just a tool; it's a catalyst for innovation, a canvas for connection, and a gateway to uncharted creative territories. Justin Nunez, known as DJ Express, a beacon in the world of music, leads this symphony of innovation. Recognized by industry icons like Sean Paul and DJ Tygga Ty, his journey embodies the fusion of tradition and evolution. "Harmonic Fusion: The Digital DJ's Journey" isn't just a book; it's an invitation to join the chorus of a timeless melody, where technology's harmony with music shapes a legacy that resonates across generations.

Country Boys and Redneck Women

Author: Diane Pecknold

Publisher: Univ. Press of Mississippi

Published: 2016-02-08

Total Pages: 304

ISBN-13: 1496804945

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Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.

Dead Precedents

Author: Roy Christopher

Publisher: Watkins Media Limited

Published: 2019-03-19

Total Pages: 288

ISBN-13: 1912248352

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The story of how hip-hop created, and came to dominate, the twenty-first century. In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium. Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.

The Architecture and Geography of Sound Studios

Author: Even Smith Wergeland

Publisher: Taylor & Francis

Published: 2024-06-21

Total Pages: 267

ISBN-13: 1040048218

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This is a book about sound studios, focusing on their architectural and geographical aspects. It explores how music is materialized under specific spatial and technological conditions and the myths associated with this process. Through ten in-depth studies, it examines the design, evolution and current function of sound studios amidst economic and technological shifts in the music industry. Traditional studios are in flux between the past and future. The industry, while steeped in romanticism and nostalgia, also embraces forward-driven pragmatism and an extensive reuse culture, encompassing heritage audio, building materials and existing buildings. A surprisingly diverse architectural heritage, the most significant feature is the host building, the framework around the studio capsule. Many traditional studios adapt to digitalization with hybrid solutions, reflecting a shift toward smaller, more versatile spaces. In a time when recordings in theory can happen anywhere, destination studios must excel to attract clients, balancing historical legacies with diversification. Although they may be easy to deconstruct, many of the myths endure, sustaining ideas of landmark recordings, unique locations and distinct remnants of sonic heritage. Courtesy of their capacity to keep the past alive in the present, traditional sound studios are best described as museums that work. This book aims to reach scholars and students with an interest in history, theory and preservation, as well as practicing architects and architectural students who wish to find out more about the relationship between sound and space, acoustic design and retrofitting of historical buildings into specialized functions. It also aims to reach practicing musicians, producers, music students and music scholars.

Understanding and Crafting the Mix

Author: William Moylan

Publisher: CRC Press

Published: 2014-10-17

Total Pages: 518

ISBN-13: 1135017182

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Understanding and Crafting the Mix, 3rd edition provides the framework to identify, evaluate, and shape your recordings with clear and systematic methods. Featuring numerous exercises, this third edition allows you to develop critical listening and analytical skills to gain greater control over the quality of your recordings. Sample production sequences and descriptions of the recording engineer’s role as composer, conductor, and performer provide you with a clear view of the entire recording process. Dr. William Moylan takes an inside look into a range of iconic popular music, thus offering insights into making meaningful sound judgments during recording. His unique focus on the aesthetic of recording and mixing will allow you to immediately and artfully apply his expertise while at the mixing desk. A companion website features recorded tracks to use in exercises, reference materials, additional examples of mixes and sound qualities, and mixed tracks.

Women in the Studio

Author: Paula Wolfe

Publisher: Routledge

Published: 2019-06-25

Total Pages: 229

ISBN-13: 1134776187

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The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women’s work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women’s achievements that is still in evidence in music marketing practices and media representation in the digital era.

The Ringtone Dialectic

Author: Sumanth Gopinath

Publisher: MIT Press

Published: 2013-07-19

Total Pages: 393

ISBN-13: 0262019159

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The rise and fall of the ringtone industry and its effect on mobile entertainment, music, television, film, and politics. A decade ago, the customizable ringtone was ubiquitous. Almost any crowd of cell phone owners could produce a carillon of tinkly, beeping, synthy, musicalized ringer signals. Ringtones quickly became a multi-billion-dollar global industry and almost as quickly faded away. In The Ringtone Dialectic, Sumanth Gopinath charts the rise and fall of the ringtone economy and assesses its effect on cultural production. Gopinath describes the technical and economic structure of the ringtone industry, considering the transformation of ringtones from monophonic, single-line synthesizer files to polyphonic MIDI files to digital sound files and the concomitant change in the nature of capital and rent accumulation within the industry. He discusses sociocultural practices that seemed to wane as a result of these shifts, including ringtone labor, certain forms of musical notation and representation, and the creation of musical and artistic works quoting ringtones. Gopinath examines “declines,” “reversals,” and “revivals” of cultural forms associated with the ringtone and its changes, including the Crazy Frog fad, the use of ringtones in political movements (as in the Philippine “Gloriagate” scandal), the ringtone's narrative function in film and television (including its striking use in the films of the Chinese director Jia Zhangke), and the ringtone's relation to pop music (including possible race and class aspects of ringtone consumption). Finally, Gopinath considers the attempt to rebrand ringtones as “mobile music” and the emergence of cloud computing.

The Pop Palimpsest

Author: Lori Burns

Publisher: University of Michigan Press

Published: 2018-01-29

Total Pages: 381

ISBN-13: 0472130676

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A fascinating interdisciplinary collection of essays on intertextual relationships in popular music

Innovation in Music

Author: Russ Hepworth-Sawyer

Publisher: Routledge

Published: 2019-06-25

Total Pages: 520

ISBN-13: 1351016695

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Innovation in Music: Performance, Production, Technology and Business is an exciting collection comprising of cutting-edge articles on a range of topics, presented under the main themes of artistry, technology, production and industry. Each chapter is written by a leader in the field and contains insights and discoveries not yet shared. Innovation in Music covers new developments in standard practice of sound design, engineering and acoustics. It also reaches into areas of innovation, both in technology and business practice, even into cross-discipline areas. This book is the perfect companion for professionals and researchers alike with an interest in the Music industry. Chapter 31 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9781138498211_oachapter31.pdf