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Buying a Fishing Rod for My Grandfather

Author: Gao Xingjian

Publisher: Zondervan

Published: 2009-10-13

Total Pages: 141

ISBN-13: 0061871575

“Precisely detailed and delicately suggestive: the best work of Gao’s yet to appear in English translation.”—Kirkus Reviews A collection of six exquisite short stories from Gao Xingjian, the first Chinese writer to win the Nobel Prize in Literature. These beautifully translated stories take as their themes the fragility of love and life, and the haunting power of memory. In “The Temple,” the narrator’s acute and mysterious anxiety overshadows the delirious happiness of an outing with his new wife on their honeymoon. In “The Cramp” a man narrowly escapes drowning in the sea, only to find that no one even noticed his absence. In the title story the narrator attempts to relieve his homesickness only to find that he is lost in a labyrinth of childhood memories. Everywhere in this collection are powerful psychological portraits of characters whose unarticulated hopes and fears betray the never-ending presence of the past in their present lives.

Buying a Fishing Rod for My Grandfather

Author: Xingjian Gao

Publisher:

Published: 2004

Total Pages: 172

ISBN-13: 9780007170388

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From China's first-ever winner of the Nobel Prize in Literature comes an exquisite new book of fictions, none of which has ever been published before in English. A young couple on honeymoon visit a beautiful temple up in the mountains, and spend the day intoxicated by the tranquillity of the setting; a swimmer is paralysed by a sudden cramp and finds himself stranded far out to sea on a cold autumn day; a man reminisces about his beloved grandfather, who used to make his own fishing rods from lengths of crooked bamboo straightened over a fire... Blending the crisp immediacy of the present moment with the soft afterglow of memory and nostalgia, these stories hum with simplicity and wisdom -- and will delight anyone who loved Gao's bestselling novels, Soul Mountain and One Man's Bible.

Ink Dances in Limbo

Author: Jessica Yeung

Publisher: Hong Kong University Press

Published: 2008-07-01

Total Pages: 199

ISBN-13: 9622099211

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In this pioneering study of the entire written works of Gao Xingjian (高行健), China's first winner of the Nobel Prize for Literature, Jessica Yeung analyses each group of his writing and argues for a reading of Gao's writing as a phenomenon of "cultural translation": his adoption of Modernism in the 1980s is a translation of the European literary paradigm; and his attempt at postmodernist writing in the 1990s and 2000s is the effect of an exilic nihilism expressive of a diasporic subjectivity struggling to translate himself into his host culture. Thus Dr Yeung looks at Gao's works from a double perspective: in terms of their relevance both to China and to the West. Avoiding the common polarized approaches to Gao's works, her dual approach means that she neither extolls them as the most brilliant works of contemporary Chinese literature eligible for elevation to the metaphysical level, nor dismisses them as nothing more than elitist and misogynist mediocre writings; rather she sees this important body of work in a more nuanced way. This book is suitable for all readers who are interested in contemporary Chinese culture and literature. It is particularly valuable to students who are keen to engage with the issue of contemporary China-West cultural relationships.

冷的文學

Author: 高行健

Publisher: Chinese University Press

Published: 2005

Total Pages: 532

ISBN-13: 9789629962456

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"Gao Xingjian, 2000 Nobel Laureate in Literature, approaches his writing with a strong conviction of the purity of literature and its dignity as art. The result is what he calls "Cold Literature", personal, detached, apolitical and antipathetic to noisy slogan-mongering writing; yet this literature also manages to be compelling and engaging with the strongest cogency." "The present anthology contains many gems of Gao's works. It presents an all-round picture of Gao and his many talents - novelist, playwright, poet, painter, and theorist - and takes the reader into a world that is uniquely Gao's, the quest for the self and its salvation, the depth of his understanding of the tragedy of modern man and ultimately, the dignity of being human." "Cold Literature brings together for the first time two English translators of Gao Xingjian's works, Gilbert C. F. Fong and Mabel Lee. Some of the translations in this collection are newly produced, and others have been revised, so that the beauty and musicality of Gao's language are revealed in Chinese as well as in English."--BOOK JACKET.

Polyphony Embodied - Freedom and Fate in Gao Xingjian’s Writings

Author: Michael Lackner

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2014-06-23

Total Pages: 272

ISBN-13: 3110351870

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Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: there are affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

The Unreasonable Virtue of Fly Fishing

Author: Mark Kurlansky

Publisher: Bloomsbury Publishing USA

Published: 2021-03-02

Total Pages: 305

ISBN-13: 1635573084

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National Outdoor Book Award Winner for Outdoor Literature From the award-winning, bestselling author of Cod-the irresistible story of the science, history, art, and culture of the least efficient way to catch a fish. Fly fishing, historian Mark Kurlansky has found, is a battle of wits, fly fisher vs. fish-and the fly fisher does not always (or often) win. The targets-salmon, trout, and char; and for some, bass, tarpon, tuna, bonefish, and even marlin-are highly intelligent, athletic animals. The allure, Kurlansky learns, is that fly fishing makes catching a fish as difficult as possible. The flies can be beautiful and intricate, some made with over two dozen pieces of feather and fur; the cast is a matter of grace and rhythm, with different casts and rods yielding varying results. Kurlansky is known for his deep dives into specific subjects, from cod to oysters to salt. But he spent his boyhood days on the shore of a shallow pond. Here, where tiny fish weaved under a rocky waterfall, he first tied string to a branch, dangled a worm into the water, and unleashed his passion for fishing. Since then, his love of the sport has led him around the world's countries, coasts, and rivers-from the wilds of Alaska to Basque country, from Ireland and Norway to Russia and Japan. And, in true Kurlansky fashion, he absorbed every fact, detail, and anecdote along the way. The Unreasonable Virtue of Fly Fishing marries Kurlansky's signature wide-ranging reach with a subject that has captivated him for a lifetime-combining history, craft, and personal memoir to show readers, devotees of the sport or not, the necessity of experiencing nature's balm first-hand.

The Case for Literature

Author: Xingjian Gao

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 200

ISBN-13: 9780300124217

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When Gao Xingjian was crowned Nobel Laureate in 2000, it was the first time in the hundred-year history of the Nobel Prize that this honor had been awarded to an author for a body of work written in Chinese. The same year, American readers embraced Mabel Lee's translation of Gao's lyrical and autobiographical novel Soul Mountain, making it a national best seller. Gao's plays, novels, and short fiction have won the Chinese expatriate an international following and a place among the world's greatest living writers. The bold and extraordinary essays in this volume ... embody an argument for literature as a universal human endeavor rather than one defined and limited by national boundaries. Gao believes in the need for the writer to stand apart from collective movements, regardless of whether these are engineered by political parties or driven by economic or other forces not related to literature. This collection presents Gao's innovative ideas on aesthetics, and it constitutes the very kernel of his thinking on literary creation.--Book jacket.

Memory, Trauma, Asia

Author: Rahul K. Gairola

Publisher: Routledge

Published: 2021-01-28

Total Pages: 143

ISBN-13: 1351378996

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The contributors to this volume re-think established insights of memory and trauma theory and enrich those studies with diverse Asian texts, critically analyzing literary and cultural representations of Asia and its global diasporas. They broaden the scope of memory and trauma studies by examining how the East/ West binary delimits horizons of "trauma" by excluding Asian texts. Are memory and trauma always reliable registers of the past that translate across cultures and nations? Are supposedly pan-human experiences of suffering disproportionately coloured by eurocentric structures of region, reason, race, or religion? How are Asian texts and cultural producers yet viewed through biased lenses? How might recent approaches and perspectives generated by Asian literary and cultural texts hold purchase in the 21st century? Critically meditating on such questions, and whether existing concepts of memory and trauma accurately address the histories, present states, and futures of the non-Occidental world, this volume unites perspectives on both dominant and marginalized sites of the broader Asian continent. Contributors explore the complex intersections of literature, history, ethics, affect, and social justice across East, South, and Southeast Asia, and on Asian diasporas in Australia and the USA. They draw on yet diverge from "Orientalism" and "Area Studies" given today’s need for nuanced analytical methodologies in an era defined by the COVID-19 global pandemic. This book will be of great interest to students and scholars invested in memory and trauma studies, comparative Asian studies, diaspora and postcolonial studies, global studies, and social justice around contemporary identities and 20th and 21st century Asia.

Escape & the Man who Questions Death

Author: Xingjian Gao

Publisher: Chinese University Press

Published: 2007

Total Pages: 156

ISBN-13: 9789629963088

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"This collection contains two plays by Gao Xingjian, winner of the Nobel Prize for Literature 2000. Escape was written in 1989 in the wake of the June 4 Student Movement in Tiananmen Square in Beijing. With the publication ofo the play, Gao was expelled from the Chinese Communist Party, dismissed from his state appointment and ahd his house in Beijing confiscated. Perhaps because of this controversy, Escape has become the most performed of all of Gao's plays: it has been staged in Sweden, Germany, Belgium, France, Poland, Japan, Ivory Coast, Tunisia, and Canada. Wherever it was staged, it was given a locally relevant intepretation and was well received, which lends credence to Gao's claim of the universality of the play he describes as the tragedy of modern man. The Man Who Questions Death is the latest of Gao's plays. It is also one of the most exciting and powerful."--Jacket.

Contemporary Chinese Fiction Writers

Author: Laifong Leung

Publisher: Routledge

Published: 2016-07-28

Total Pages: 411

ISBN-13: 1317516192

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In the years since the death of Mao Zedong, interest in Chinese writers and Chinese literature has risen significantly in the West. In 2000, Gao Xingjian became the first Chinese writer to receive the Nobel Prize for Literature followed by Mo Yan in 2012, and writers such as Ha Jin and Da Sijie have also become well known in the West. Despite this progress, the vast majority of Chinese writers remain largely unknown outside of China. This book introduces the lives and works of eighty contemporary Chinese writers, and focuses on writers from the "Rightist" generation (Bai Hua, Gao Xiaosheng, Liu Shaotang), writers of the Red Guard generation (Li Rui, Wang Anyi), Post-Cultural Revolution Writers, as well as others. Unlike earlier works, it provides detailed, often first-hand, biographical information on this wide range of writers, including their career trajectories, major themes and artistic characteristics. In addition to this, each entry includes a critical presentation and evaluation of the writer’s major works, a selected bibliography of publications that includes works in Chinese, works translated into English, and critical articles and books available in English. Offering a valuable contribution to the field of contemporary Chinese literature by making detailed information about Chinese writers more accessible, this book will be of interest to students and scholars Chinese Literature, Contemporary Literature and Chinese Studies.