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Anton Bruckner

Author: Constantin Floros

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

Published: 2015

Total Pages: 0

ISBN-13: 9783631662038

While unappreciated and controversial during most of his life, Anton Bruckner is today regarded as the greatest symphonist between Beethoven and Gustav Mahler - in terms of originality, boldness and monumentality of his music. The image of Bruckner the man, however, is still extreme instance of the tenacious power of prejudice. No less a figure than Gustav Mahler coined the aperçu about Bruckner being «a simpleton - half genius, half imbecile». The author is out to correct that misperception. His thesis in this study is that contrary to what has hitherto been asserted, there is an intimate relation between Bruckner's sacred music and his symphonies from multiple perspectives: biographical data, sources and influences, the psychology of creation, musical structure, contemporary testimony and reception history. Additional chapters assess important Bruckner recordings and interpreters and the progressiveness of his music.

Anton Bruckner Eleven Symphonies

Author: William Carragan

Publisher:

Published: 2020-03-30

Total Pages:

ISBN-13: 9781938911590

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The Austrian composer Anton Bruckner (1824-1896) revised his symphonies many times during his lifetime, and editions are now available for most of those versions, with many distinguishing variants. This book describes in great detail how the listener can easily distinguish them, with many musical examples. There are also 300 associated sound files accessible through quick-recognition codes to assist the reader who is unfamiliar with musical notation.

The Cambridge Companion to Bruckner

Author: John Williamson

Publisher: Cambridge University Press

Published: 2004-07-15

Total Pages: 340

ISBN-13: 9780521008785

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This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.

Bruckner: Symphony No. 8

Author: Benjamin M. Korstvedt

Publisher: Cambridge University Press

Published: 2000-03-30

Total Pages: 156

ISBN-13: 9780521635370

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This book explores Bruckner's Eighth Symphony (1890) from several angles, offering an accessible guide to its musical design.

Bruckner Studies

Author: Timothy L. Jackson

Publisher: Cambridge University Press

Published: 1997-11-27

Total Pages: 332

ISBN-13: 9780521570145

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This 1997 book presents musicological and theoretical research on the life and music of Anton Bruckner.

Anton Bruckner

Author:

Publisher: PediaPress

Published:

Total Pages: 165

ISBN-13:

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Bruckner's Symphonies

Author: Julian Horton

Publisher: Cambridge University Press

Published: 2004-11-25

Total Pages: 294

ISBN-13: 1139455699

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Few works in the nineteenth-century repertoire have aroused such extremes of hostility and admiration, or have generated so many scholarly problems, as Anton Bruckner's symphonies. In this 2004 book, Julian Horton seeks fresh ways of understanding the symphonies and the problems they have accrued by treating them as the focus for a variety of inter-disciplinary debates and methodological controversies. He isolates problematic areas in the works' analysis and reception, and approaches them from a range of analytical, historical, philosophical, literary, critical and psychoanalytical viewpoints. The symphonies are thus explored in the context of a number of crucial and sometimes provocative themes, including the political circumstances of the works' production, Bruckner and post-war musical analysis, issues of musical influence, the problem of editions, Bruckner and psychobiography, and the composer's controversial relationship to the Nazis.

The New Bruckner

Author: Dermot Gault

Publisher: Routledge

Published: 2016-03-03

Total Pages: 294

ISBN-13: 1317022998

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The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.

The New Bruckner

Author: Mr Dermot Gault

Publisher: Ashgate Publishing, Ltd.

Published: 2013-01-28

Total Pages: 298

ISBN-13: 1409494217

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The Wind and Wind-Chorus Music of Anton Bruckner

Author: Keith Kinder

Publisher: Bloomsbury Publishing USA

Published: 2000-01-30

Total Pages: 158

ISBN-13: 0313030251

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This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. Organized chronologically, the music is studied and classified within set time periods. Each wind work of a particular period is reviewed according to the historical circumstances contributing to its creation, its specific musical content, and its success as a musical work in relation to wind music and specifically to Bruckner's development. The analyses of Bruckner's compositions are enhanced by musical examples throughout the text.