Brook Evans

Brook Evans PDF

Author: Susan Glaspell

Publisher: New York : Frederick A. Stokes Company

Published: 1928

Total Pages: 294

ISBN-13:

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Advances in Stochastic Models for Reliablity, Quality and Safety

Advances in Stochastic Models for Reliablity, Quality and Safety PDF

Author: Waltraud Kahle

Publisher: Springer Science & Business Media

Published: 1998-08-25

Total Pages: 426

ISBN-13: 9780817640491

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In 24 papers from a 1997 workshop near Magdeburg, Germany, theoreticians, applied statisticians, and practitioners discuss their current work and compare and evaluate models and methods. Within sections on lifetime analysis, reliability analysis, network analysis, and process control, they consider such topics as acceptance regions and their application in lifetime estimation, stochastic models for the return of used devices, a unified approach to the reliability of recurrent structures, and controlling a process with three different states. Annotation copyrighted by Book News, Inc., Portland, OR

Disclosing Intertextualities

Disclosing Intertextualities PDF

Author:

Publisher: BRILL

Published: 2016-08-29

Total Pages: 307

ISBN-13: 9401203466

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For the first time, this volume brings together essays by feminist, Americanist, and theater scholars who apply a variety of sophisticated critical approaches to Susan Glaspell’s entire oeuvre. Glaspell’s one-act play, “Trifles,” and the short story that she constructed from it, “A Jury of Her Peers,” have drawn the attention of many feminist critics, but the rest of her writing—the short stories, plays and novels—is largely unknown. The essays gathered here will allow students of literature, women’s studies and theater studies an insight into the variety and scope of her oeuvre. Glaspell’s political and literary thinking was radicalized by the turbulent Greenwich Village environment of the first decades of the twentieth century, by progressive-era social movements and by modernist literary and theatrical innovation. The focus of Glaspell studies has, till recently, been dominated by the feminist imperative to recover a canon of silenced women writers and, in particular, to restore Glaspell to her rightful place in American drama. Transcending the limitations generated by such a specific agenda, the contributors to this volume approach Glaspell’s work as a dialogic intersection of genres, texts, and cultural phenomena—a method that is particularly apt for Glaspell, who moved between genres with a unique fluidity, creating such modernist masterpieces as The Verge or Brook Evans. This volume establishes Glaspell’s work as an “intersection of textual surfaces,” resulting for the first time in the complex aesthetic appreciation that her varied life’s work merits.