British Theatre Companies: 1980-1994: Joint Stock Theatre Company, Gay Sweatshop, Théâtre de Complicité, Forced Entertainment, Women's Theatre Group, and Talawa

British Theatre Companies: 1980-1994: Joint Stock Theatre Company, Gay Sweatshop, Théâtre de Complicité, Forced Entertainment, Women's Theatre Group, and Talawa PDF

Author: John Stanley Bull

Publisher:

Published: 2015

Total Pages:

ISBN-13:

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"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies."--Publisher.

British Theatre Companies 1980-1994

British Theatre Companies 1980-1994 PDF

Author: Graham Saunders

Publisher:

Published: 2015

Total Pages: 304

ISBN-13: 9781408175477

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This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980†“1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work.

British Theatre Companies: 1980-1994

British Theatre Companies: 1980-1994 PDF

Author: Graham Saunders

Publisher: Bloomsbury Publishing

Published: 2015-02-26

Total Pages: 317

ISBN-13: 1408175509

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This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)

British Theatre Companies: 1995-2014

British Theatre Companies: 1995-2014 PDF

Author: Liz Tomlin

Publisher: Bloomsbury Publishing

Published: 2015-02-26

Total Pages: 341

ISBN-13: 1408177307

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This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream. Leading academics provide case studies of six of the most important companies, including: * Mind the Gap, by Dave Calvert (University of Huddersfield, UK) * Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK) * Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic) * Punchdrunk, by Josephine Machon (Middlesex University, UK) * Kneehigh, by Duška Radosavljevic (University of Kent, UK) * Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)

Actor Training in Anglophone Countries

Actor Training in Anglophone Countries PDF

Author: Peter Zazzali

Publisher: Routledge

Published: 2021-07-29

Total Pages: 155

ISBN-13: 100042328X

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Actor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those who teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary. Using drama schools and universities as its subjects of inquiry, this book investigates acting programs in the UK, Ireland, the US, Canada, Australia, and New Zealand. Among the case studies are the Royal Academy of Dramatic Art, National Theatre School of Canada, Western Australian Academy of Performing Arts, and Carnegie Mellon University. All recognized for their distinguished reputations by industry professionals and acting teachers alike, the book examines each program’s pedagogical approach, administrative structure, funding apparatus, and alumni success. In doing so, it identifies the challenges facing acting schools today and offers a new direction for training in the twenty-first century. Actor Training in Anglophone Countries will be of interest to theatre and performance scholars, artists, students, and teachers.

Not in Front of the Audience

Not in Front of the Audience PDF

Author: Nicholas de Jongh

Publisher: Routledge

Published: 1992-03-26

Total Pages: 325

ISBN-13: 1134967292

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First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Impertinent Decorum

Impertinent Decorum PDF

Author: Ian Lucas

Publisher: Burns & Oates

Published: 1994

Total Pages: 205

ISBN-13: 9780304327973

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Impertinent Decorum examines 'gay theatrical manoeuvres' from a new and exciting perspective which moves beyond the traditional analyses of a 'gay contribution' to mainstream British theatre and looks instead at some of the ways in which gay men in Britain have adopted theatrical manoeuvres to create, affirm and protect sexual identities. The book investigates and celebrates the varied and imaginative uses of drama in gay subculture. Ian Lucas tracks the evolution of these subcultures by focusing on the body as a stage for sexual identity, the appropriation of gay spaces and the use of semiotics as a mechanism for protection. The queer body has become visible and vulnerable through its exposition of drag and cross-dressing and as the stage for theatrical manoeuvres in the face of the AIDS crisis. Changing sexual identities have been accompanied by a changing use of spaces, claimed both legally and illicitly, from the eighteenth-century molly-houses to the annual Lesbian and Gay Pride marches in central London; the use of semiotics has developed from the fusion of languages that created Polari to the use of camp and codes, as demonstrated to great effect by contemporary direct-action groups such as ACT-UP and OutRage!

Black British Women's Theatre

Black British Women's Theatre PDF

Author: Nicola Abram

Publisher: Springer Nature

Published: 2020-10-12

Total Pages: 264

ISBN-13: 3030514595

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This book marks a significant methodological shift in studies of black British women’s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals’ personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice. Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women’s Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green. Drawing on new interviews with the playwrights/practitioners and their peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women’s creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women’s Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past.

Who's Who in Contemporary World Theatre

Who's Who in Contemporary World Theatre PDF

Author: Daniel Meyer-Dinkgrafe

Publisher: Routledge

Published: 2003-05-20

Total Pages: 364

ISBN-13: 1134767862

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Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.

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