British Satire, 1785-1840, Volume 5

British Satire, 1785-1840, Volume 5 PDF

Author: John Strachan

Publisher: Routledge

Published: 2003-11-25

Total Pages: 0

ISBN-13: 9781138751217

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This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 3

British Satire, 1785-1840, Volume 3 PDF

Author: John Strachan

Publisher: Routledge

Published: 2020-04-28

Total Pages: 425

ISBN-13: 1000748103

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This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840

British Satire, 1785-1840 PDF

Author: John Strachan

Publisher: Taylor & Francis

Published: 2022-07-30

Total Pages: 2177

ISBN-13: 1000743918

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This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 2

British Satire, 1785-1840, Volume 2 PDF

Author: John Strachan

Publisher: Routledge

Published: 2020-04-28

Total Pages: 455

ISBN-13: 100074809X

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This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 4

British Satire, 1785-1840, Volume 4 PDF

Author: John Strachan

Publisher: Routledge

Published: 2020-04-28

Total Pages: 595

ISBN-13: 1000748111

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This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

British Satire, 1785-1840, Volume 1

British Satire, 1785-1840, Volume 1 PDF

Author: John Strachan

Publisher: Routledge

Published: 2020-04-01

Total Pages: 2184

ISBN-13: 1000712613

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This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.

The Cambridge Companion to Irish Poets

The Cambridge Companion to Irish Poets PDF

Author: Gerald Dawe

Publisher: Cambridge University Press

Published: 2018

Total Pages: 473

ISBN-13: 1108420354

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A fresh, accessible and authoritative study that conveys the richness and diversity of Irish poets, their lives and times.

Libel and Lampoon

Libel and Lampoon PDF

Author: Andrew Benjamin Bricker

Publisher: Oxford University Press

Published: 2022

Total Pages: 341

ISBN-13: 0192846159

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Libel and Lampoon shows how English satire and the law mutually shaped each other during the long eighteenth century. Following the lapse of prepublication licensing in 1695, the authorities quickly turned to the courts and newly repurposed libel laws in an attempt to regulate the press. In response, satirists and their booksellers devised a range of evasions. Writers increasingly capitalized on forms of verbal ambiguity, including irony, allegory, circumlocution, and indirection, while shifty printers and booksellers turned to a host of publication ruses that complicated the mechanics of both detection and prosecution. In effect, the elegant insults, comical periphrases, and booksellers' tricks that came to typify eighteenth-century satire were a way of writing and publishing born of legal necessity. Early on, these emergent satiric practices stymied the authorities and the courts. But they also led to new legislation and innovative courtroom procedures that targeted satire's most routine evasions. Especially important were a series of rulings that increased the legal liabilities of printers and booksellers and that expanded and refined doctrines for the courtroom interpretation of verbal ambiguity, irony, and allegory. By the mid-eighteenth century, satirists and their booksellers faced a range of newfound legal pressures. Rather than disappearing, however, personal and political satire began to migrate to dramatic mimicry and caricature-acoustic and visual forms that relied less on verbal ambiguity and were therefore not subject to either the provisions of preperformance dramatic licensing or the courtroom interpretive procedures that had earlier enabled the prosecution of printed satire.

Thomas Moore and Romantic Inspiration

Thomas Moore and Romantic Inspiration PDF

Author: Sarah McCleave

Publisher: Routledge

Published: 2017-08-18

Total Pages: 280

ISBN-13: 1351984152

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Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore. This collection reflects the rich variety of cutting-edge work being done on this significant and prolific figure. Sarah McCleave and Brian Caraher have contributed an introduction that positions Moore in his own time (1800-1850), addresses subsequent neglect in the twentieth century, and contextualises the contemporary re-evaluation of Thomas Moore as a figure of considerable interdisciplinary artistic and cultural significance. The contributions to this collection establish Moore’s importance in the fields of Neoclassical and Romantic lyricism, musical performance, song-writing, postcolonial criticism, Orientalism and biographical writing— as well as defining the significance of his voice as an engaged social and political commentator of a strongly cosmopolitan and pluralistic inclination.