Author: Jay L. Halio
Publisher:
Published: 1983
Total Pages:
ISBN-13: 9780810309135
DOWNLOAD EBOOK →Author: Adam Guy
Publisher: Oxford University Press
Published: 2019-12-05
Total Pages: 256
ISBN-13: 0192589946
DOWNLOAD EBOOK →The nouveau roman and Writing in Britain After Modernism recovers a neglected literary history. In the late 1950s, news began to arrive in Britain of a group of French writers who were remaking the form of the novel. In the work of Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, the hallmarks of novelistic writing—discernible characters, psychological depth, linear chronology—were discarded in favour of other aesthetic horizons. Transposed to Britain's highly polarized literary culture, the nouveau roman became a focal point for debates about the novel. For some, the nouveau roman represented an aberration, and a pernicious turn against the humanistic values that the novel embodied. For others, it provided a route out of the stultifying conventionality and conformism that had taken root in British letters. On both sides, one question persisted: given the innovations of interwar modernism, to what extent was the nouveau roman actually new? This book begins by drawing on publishers' archives and hitherto undocumented sources from a wide range of periodicals to show how the nouveau roman was mediated to the British public. Of central importance here is the publisher Calder & Boyars, and its belief that the nouveau roman could be enjoyed by a mass public. The book then moves onto literary responses in Britain to the nouveau roman, focusing on questions of translation, realism, the end of empire, and the writing of the project. From the translations of Maria Jolas, through to the hostile responses of the circle around C. P. Snow, and onto the literary debts expressed in novels by Brian W. Aldiss, Christine Brooke-Rose, Eva Figes, B. S. Johnson, Alan Sheridan, Muriel Spark, and Denis Williams, the nouveau roman is shown to be a central concern in the postwar British literary field.
Author: Julia Jordan
Publisher: Oxford University Press, USA
Published: 2020-03-24
Total Pages: 256
ISBN-13: 0198857284
DOWNLOAD EBOOK →In the decades following the immediately postwar period in Britain, a loose grouping of experimental writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but for the broader movement of the novel through the century. This volume takes some of the claims made about experimental fiction--that it is unreadable, nonlinear, elliptical, errant, plotless--and reimagines these descriptors as historically inscribed tendencies that express the period's investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique: attempting to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts--error, indeterminacy, uncertainty, accident--all bear a relation to that which evades or resists interpretation and meaning. Asking what are the wider political, ethical, and philosophical correlates of this incommensurability, Late Modernism and the Avant-Garde British Novel reads experimental literature in this light, as suffused with anxiety about its adequacy in the light of its status as necessarily imitative and derivative, and therefore redolent of the forms of not-knowing and uncertainty that mark late modernism more generally.
Author: George M. Johnson
Publisher: Gale Cengage
Published: 1995
Total Pages: 456
ISBN-13:
DOWNLOAD EBOOK →Information on the lives and works of British novelists of the late-Victorian and Edwardian era.
Author: James B. Twitchell
Publisher: Columbia University Press
Published: 1999
Total Pages: 328
ISBN-13: 9780231115186
DOWNLOAD EBOOK →Twitchell challenges the self-help movement, the recycling craze, Yuppie Guilt, and Oprah to reveal the heart of consumerism and what it tells us about ourselves. 36 illustrations.
Author: Bradford Lyau
Publisher: McFarland
Published: 2014-01-10
Total Pages: 249
ISBN-13: 0786462175
DOWNLOAD EBOOK →Following World War II, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Their imprint Anticipation specialized in science fiction, but mostly eschewed translations from English, preferring instead French work, thus making the imprint an important outlet for native French postwar ideas and aesthetics. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint, revealing the way these writers criticized midcentury notions of progress while adapting and reworking American genre formats.
Author: Vanessa Guignery
Publisher: Bloomsbury Publishing
Published: 2015-12-01
Total Pages: 192
ISBN-13: 1137405848
DOWNLOAD EBOOK →Jonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes: - A supporting timeline of key dates in literature and current events - An examination of the critical reception to Coe's works - An exclusive interview with Jonathan Coe himself
Author: Robert Layton
Publisher: Cambridge University Press
Published: 1997
Total Pages: 258
ISBN-13: 9780521629829
DOWNLOAD EBOOK →In this innovative introduction, Robert Layton reviews the ideas that have inspired anthropologists in their studies of societies around the world. An Introduction to Theory in Anthropology provides a clear and concise analysis of the theories, and traces the way in which they have been translated into anthropological debates. The opening chapter sets out the classical theoretical issues formulated by Hobbes, Rousseau, Marx and Durkheim. Successive chapters discuss Functionalism, Structuralism, Interactionist theories, and Marxist anthropology, while the final chapters address the competing paradigms of Socioecology and Postmodernism. Using detailed case studies, Professor Layton illustrates the way in which various theoretical perspectives have shaped competing, or complementary, accounts of specific human societies.