British Film Design

British Film Design PDF

Author: Laurie N. Ede

Publisher: Bloomsbury Publishing

Published: 2010-03-30

Total Pages: 264

ISBN-13: 0857711091

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"British Film Design" is about the things that you see when you close your eyes and think of British cinema: "Dr. No's Hideaway", the buffet of "Brief Encounter", Vera Drake's parlour, "Hogwarts School"...and a thousand other visions of British films. This book is also about the people who have created those visions. The physical environments of films are made by Production Designers/Art Directors. Their efforts have tended to go unnoticed by cinema audiences. "British Film Design" offers the first comprehensive historical survey of British art direction. It takes a chronological journey through British film design, starting with the efforts of the film 'primitives' of the silent era and ending with the modern day purveyors of part built/part computer generated 'blended design'. Certain themes recur en route. These include British cinema's obsession with realism; the Production Designer's continual struggle for recognition; influence from European artists and the benefits - and perils - of American finance. The book succeeds in expressing the joy of looking at films from inside out; seeing beyond the stars to recognise sets as silent players in the action.

British Film Posters

British Film Posters PDF

Author: Sim Branaghan

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 288

ISBN-13: 1838714847

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The first complete history of illustrated film posters in the UK covers every aspect of design, printing and display from the Victorian era to the arrival of DeskTop Publishing in the 1980s. British Film Posters examins the contribution 'vintage' film posters have made to British popular art of the 20th century.

British Film Culture in the 1970s

British Film Culture in the 1970s PDF

Author: Sue Harper

Publisher: Edinburgh University Press

Published: 2013-01-28

Total Pages: 336

ISBN-13: 0748654283

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This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.

Black Film British Cinema II

Black Film British Cinema II PDF

Author: Clive Nwonka

Publisher: MIT Press

Published: 2021-03-02

Total Pages: 250

ISBN-13: 1912685639

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The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Contributors Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Ozlem Koksal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford

History of British Film (Volume 4)

History of British Film (Volume 4) PDF

Author: Rachael Low

Publisher: Routledge

Published: 2013-09-13

Total Pages: 569

ISBN-13: 1136206345

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This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

Production Design

Production Design PDF

Author: Jane Barnwell

Publisher: Wallflower Press

Published: 2004

Total Pages: 148

ISBN-13: 9781903364550

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This work explores the role of the production designer through a historical overview that maps out landmark film and television designs. Films and television programmes analysed include 'Trainspotting', 'The English Patient', 'Mansfield Park' and 'Eastenders'.

Fake Love Letters, Forged Telegrams, and Prison Escape Maps

Fake Love Letters, Forged Telegrams, and Prison Escape Maps PDF

Author: Annie Atkins

Publisher: Phaidon Press

Published: 2020-02-26

Total Pages: 0

ISBN-13: 9780714879383

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A behind-the-scenes look at the extraordinary and meticulous design of graphic objects for film sets Although graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up by a cinema audience, they are designed in painstaking detail. Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.