Brazilian and Afro-cuban Jazz Conception- Piano

Brazilian and Afro-cuban Jazz Conception- Piano PDF

Author: Fernando Brandao

Publisher:

Published: 2016-08

Total Pages: 63

ISBN-13: 9783892212270

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Brazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brand�o and features 15 original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music. Rhythm Section: Leandro Braga, piano; Adriano Giffoni, bass; Xande Figueiredo, drums; Zero, percussion. Titles include: Afox� Urbano * Bangu * Bolero for Lucia * El Son Mayo * Frog Samba * Funky Samba * The Island * Latin Tower * Lucas' Cha Cha * Rodrigo No Frevo * Sad Solitude * Sanfona * Samba Dance * Santa Cruz * Snobby.

Latin jazz piano

Latin jazz piano PDF

Author: John Valerio

Publisher: Hal Leonard Corporation

Published: 2010

Total Pages: 96

ISBN-13: 9781423417415

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(Keyboard Instruction). This book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz, the second section deals with Brazilian influenced jazz Bossa Nova and Samba, and the third contains lead sheets of the tunes and instructions for the play-along CD. The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music, including the clave, tumbao, and montuno. Also, there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general. Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo, Cha-cha, etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument, piano and bass, piano lead, and piano solo. The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas, and concludes with a chapter featuring tunes arranged in the same ways as the first section. The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying CD. The reader is encourage to continual change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire.

Afro-Cuban keyboard grooves

Afro-Cuban keyboard grooves PDF

Author: Manny Patiño

Publisher: Alfred Music Publishing

Published: 1997

Total Pages: 84

ISBN-13: 9781576239117

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This book will help any musician unlock the secrets of the Afro-Cuban rhythmic feel. By clearly demonstrating the underlying pattern called the Clave and the comping patterns called Tumbaos that are played over the Clave, this book will help every keyboard player learn these fundamental Latin rhythms. [Matching bass book (EL9707CD) also available.]

How to Play Solo Jazz Piano

How to Play Solo Jazz Piano PDF

Author: John Valerio

Publisher: Hal Leonard Corporation

Published: 2016-08-01

Total Pages: 133

ISBN-13: 1495073661

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(Piano Instruction). Often, jazz pianists are called upon to play solo gigs. This book attempts to ease the transition from group to solo jazz piano playing with a step-by-step practical appraoch to learning and playing standard tunes by dissecting their component parts; melody, harmony and bass. The parts are then reassembled in various ways. Chapters include: chords & voicings * bass lines * swing tunes * ballads * improvisation. Audio demonstraction tracks are provided for download or streaming online with a unique access code included in the book.

From Afro-Cuban Rhythms to Latin Jazz

From Afro-Cuban Rhythms to Latin Jazz PDF

Author: Raul A. Fernandez

Publisher: Univ of California Press

Published: 2006-05-23

Total Pages: 216

ISBN-13: 0520939441

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This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research