Brahms and the Scherzo

Brahms and the Scherzo PDF

Author: Ryan McClelland

Publisher: Routledge

Published: 2016-04-15

Total Pages: 407

ISBN-13: 1317172833

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Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.

Scherzo, Op. 4

Scherzo, Op. 4 PDF

Author: Johannes Brahms

Publisher: Alfred Music

Published: 2009-03-25

Total Pages: 22

ISBN-13: 1457434008

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The earliest surviving original composition of Johannes Brahms, Scherzo, Op. 4 in E-flat minor, was composed in 1851 when Brahms was only 18 years old. This brilliant scherzo, with its two trios and a coda, remains one of Brahms’s larger solo piano works. Internationally renowned concert pianist Joseph Banowetz edited this work with a special insight as one of his teachers, Carl Friedberg, studied with Clara Schumann, a close friend of Brahms.

Brahms and the Scherzo

Brahms and the Scherzo PDF

Author: Ryan McClelland

Publisher: Routledge

Published: 2016-04-15

Total Pages: 337

ISBN-13: 1317172841

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Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.

Scherzo, Op. 4

Scherzo, Op. 4 PDF

Author: Alfred Publishing Staff

Publisher: Alfred Publishing Company

Published: 2009

Total Pages: 20

ISBN-13: 9780739061237

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The earliest surviving original composition of Johannes Brahms, Scherzo, Op. 4 in E-flat minor, was composed in 1851 when Brahms was only 18 years old. This brilliant scherzo, with its two trios and a coda, remains one of Brahms's larger solo piano works. Internationally renowned concert pianist Joseph Banowetz edited this work with a special insight as one of his teachers, Carl Friedberg, studied with Clara Schumann, a close friend of Brahms.

The Compleat Brahms

The Compleat Brahms PDF

Author: Leon Botstein

Publisher: W. W. Norton & Company

Published: 1999

Total Pages: 456

ISBN-13: 9780393047080

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The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.

The Music of Brahms

The Music of Brahms PDF

Author: Michael Musgrave

Publisher: Oxford University Press

Published: 1994

Total Pages: 354

ISBN-13: 9780198164012

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Michael Musgrave presents a contemporary view of Brahms 150 years after his birth, seeing him not simply as the "conservative" figure so often stressed in the past, but as one who creatively reinterpreted a wider range of historical elements than any composer of his time. Brahms absorbed his studies directly into his music making and composition and in so doing helped to evolve not merely a personal language which was regarded as progressive and sometimes difficult by a range of contemporaries and successors, but also helped to establish an ethos of historical reference which anticipates the twentieth century. The Music of Brahms concentrates on the music, with Brahms's life discussed briefly in the introduction. The works are considered in four phases according to genre, with an emphasis on connection and on the development and elaboration of a unified language. The list of works includes recent discoveries and a calendar outlines the pattern of his musical life, including relevant information concerning performances.

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