Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today

Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today PDF

Author: Simon Morrison

Publisher: Liveright Publishing

Published: 2016-10-11

Total Pages: 512

ISBN-13: 0871408309

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In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.

Swan Dive

Swan Dive PDF

Author: Georgina Pazcoguin

Publisher: Henry Holt and Company

Published: 2021-07-27

Total Pages: 290

ISBN-13: 1250244293

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"Don't expect just tulle and toe shoes. In this fascinating insider's tale, NYCB dancer Pazcoguin reveals her world. . . . A striking debut." —People Award-winning New York City Ballet soloist Georgina Pazcoguin, aka the Rogue Ballerina, gives readers a backstage tour of the real world of elite ballet—the gritty, hilarious, sometimes shocking truth you don’t see from the orchestra circle. In this love letter to the art of dance and the sport that has been her livelihood, NYCB’s first Asian American female soloist Georgina Pazcoguin lays bare her unfiltered story of leaving small-town Pennsylvania for New York City and training amid the unique demands of being a hybrid professional athlete/artist, all before finishing high school. She pitches us into the fascinating, whirling shoes of dancers in one of the most revered ballet companies in the world with an unapologetic sense of humor about the cutthroat, survival-of-the-fittest mentality at NYCB. Some swan dives are literal: even in the ballet, there are plenty of face-plants, backstage fights, late-night parties, and raucous company bonding sessions. Rocked by scandal in the wake of the #MeToo movement, NYCB sits at an inflection point, inching toward progress in a strictly traditional culture, and Pazcoguin doesn’t shy away from ballet’s dark side. She continues to be one of the few dancers openly speaking up against the sexual harassment, mental abuse, and racism that in the past went unrecognized or was tacitly accepted as par for the course—all of which she has painfully experienced firsthand. Tying together Pazcoguin’s fight for equality in the ballet with her infectious and deeply moving passion for her craft, Swan Dive is a page-turning, one-of-a-kind account that guarantees you'll never view a ballerina or a ballet the same way again.

Marius Petipa

Marius Petipa PDF

Author: Nadine Meisner

Publisher: Oxford University Press, USA

Published: 2019-06-03

Total Pages: 553

ISBN-13: 0190659297

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One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor's Ballet Master covers the choreographer's life and work in full within the context of remarkable historical and political surroundings. Over the course of ten well-researched chapters, Nadine Meisner explores Marius Petipa's life and legacy: the artist's arrival in Russia from his native France, the socio-political tensions and revolution he experienced, his popularity on the Russian imperial stage, his collaborations with other choreographers and composers (most famously Tchaikovsky), and the conditions under which he worked, in close proximity to the imperial court. Meisner presents a thrilling and exhaustive narrative not only of Petipa's life but of the cultural development of ballet across the 19th and early 20th centuries. The book also extends beyond Petipa's narrative with insightful analyses of the evolution of ballet technique, theatre genres, and the rise of male dancers. Richly illustrated with archival photographs, this book unearths original material from Petipa's 63 years in Russia, much of it never published in English before. As Meisner demonstrates, the choreographer laid the foundations for Soviet ballet and for Diaghilev's Ballets Russes, the expatriate company which exercised such an enormous influence on ballet in the West, including the Royal Ballet and Balanchine's New York City Ballet. After Petipa, Western ballet would never be the same.

Dancing in Petersburg

Dancing in Petersburg PDF

Author: Mathilde Kschessinska

Publisher:

Published: 2019-03-20

Total Pages: 232

ISBN-13: 9781789870787

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Mathilde Kschessinska, Prima ballerina of the St. Petersburg Imperial Theatre in pre-Revolutionary Russia, tells her life story in these moving and dramatic memoirs.

Rasputin

Rasputin PDF

Author: Douglas Smith

Publisher: Farrar, Straus and Giroux

Published: 2016-11-22

Total Pages: 848

ISBN-13: 0374711232

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On the centenary of the death of Rasputin comes a definitive biography that will dramatically change our understanding of this fascinating figure A hundred years after his murder, Rasputin continues to excite the popular imagination as the personification of evil. Numerous biographies, novels, and films recount his mysterious rise to power as Nicholas and Alexandra's confidant and the guardian of the sickly heir to the Russian throne. His debauchery and sinister political influence are the stuff of legend, and the downfall of the Romanov dynasty was laid at his feet. But as the prizewinning historian Douglas Smith shows, the true story of Rasputin's life and death has remained shrouded in myth. A major new work that combines probing scholarship and powerful storytelling, Rasputin separates fact from fiction to reveal the real life of one of history's most alluring figures. Drawing on a wealth of forgotten documents from archives in seven countries, Smith presents Rasputin in all his complexity--man of God, voice of peace, loyal subject, adulterer, drunkard. Rasputin is not just a definitive biography of an extraordinary and legendary man but a fascinating portrait of the twilight of imperial Russia as it lurched toward catastrophe.

Everyday Stalinism

Everyday Stalinism PDF

Author: Sheila Fitzpatrick

Publisher: Oxford University Press

Published: 1999-03-04

Total Pages: 312

ISBN-13: 0195050002

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Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.

The Oxford Handbook of Contemporary Ballet

The Oxford Handbook of Contemporary Ballet PDF

Author: Kathrina Farrugia-Kriel

Publisher: Oxford University Press

Published: 2021

Total Pages: 1013

ISBN-13: 0190871490

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"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--

I Chose Freedom - The Personal and Political Life of a Soviet Official

I Chose Freedom - The Personal and Political Life of a Soviet Official PDF

Author: Victor Kravchenko

Publisher:

Published: 2007-03-01

Total Pages: 512

ISBN-13: 1406710962

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I CHOSE FREEDOM The Personal and Political Life of a Soviet Official by VICTOR KRAVCHENKO Jfevr Yorfc CHARLES SCRIBNERS SONS 1048, 1946, mr VICTOR jPrfaxted IA tfe United States of tJkr fMi jinPn CJUrlc CONTENTS PACK I. Flight in the Night I II. A Russian Childhood 6 III. Glory and Hunger 19 IV. Youth in the Red 34 V. Break with the Past 50 VI. A Student in Kharkov 59 VII. Triumph of the Machine 74 VIII. Horror in the Village 91 IX. Harvest in Hell IIO X. My First Purge 132 XI. Elienas Secret 148 XII. Engineer at Nikopol 167 XIII. Faster, Faster 187 XIV. Super-Purge 206 XV. My Ordeal Begins 221 xvi. AScan f OT jftllPER YJUN 1949 33 8 XVII. Torture After Midnight 256 XVIII. Labor Free and Slave 278 ft XIX. While History Is Edited 298 MOB XX SStertotfaftoaV. 316 XXI W Europe Fights 332 . XXII. The Unexpected War 352 XXIIL Panic in Moscow 372 XXIV. The Kremlin in Wartime 393 XXV. The Two Truths 412 XXVL Prelude to America 436 XXV1L Stalins Subjects Abroad 455 XXVIIL Fugitive from Injustice 473 Postscript 480 Index 483 I CHOSE FREEDOM CHAPTER t PL1GBT IN THE NIGHT EVKBY MINUTE of the taxi ride between my rented roam and Union Station that Saturday night seemed loaded with danger and witbf destiny. The very streets and darkened buildings seemed frowning and hostile. In my seven months in the capital I had traveled that route dozens of times, light-heartedly, scarcely noticing my surroundings. But this time everything was different tkh time I was running away. The American family with whom I lived in Washington had been friendly and generous to the stranger under their roof. When I fell ill they had watched over me with an easy unaffected solicitude. What had begun as a mere financialarrangement had grown into a warm human relationship to which the barrier of language added a fillip of excitement. 1 sensed that in being kind to one homesick Russian these good Americans were ex pressing their gratitude to all Russians to the brave allies who were then rolling back the tide of German conquest on a thousand-mile front. They gave me full personal credit for every Soviet victory. My rent was mid for a week ahead. Yet I left the house that night without a word of final farewell. I merely said that if my trip should keep me out of town beyond Tuesday, they had my permission to let the room. I wanted my hosts to be honestly ignorant of my whereabouts and of my intention not to return, should there be any inquiries from the Soviet Pur chasing Commission. For several days, at the Commission offices, I had simulated headaches and general indisposition. Casually 1 had remarked that morning to a few colleagues that I had better remain home for a rest that I might iiot come in on Monday. I was playing hard for an extra day of grace before my absence would be discovered. After collecting my March salary-I insisted on straightening out my expense vouchers for the last trip to Lancaster, Pennsylvania, and the trip to Chicago before that. It appeared that about thirty dollars were still due to me. The idea was to erase the slightest excuse for any charges of financial irregularity to explain my flight. I also made sure that all my papers were in perfect order, so that others could take up the work where I had left off. Later, when the news of my getaway was on the front pages of the Washington and New York papers, some of the men and women at the Commission must have recalled apeculiar warmth in my talks with them thai Saturday, a special pressure in my handclasp when I said So long. They must have realtied that I was bidding them a final and wordless fare-, well. Never again, not even here in free America, would any of them dare to meet me. In the months of working together some of these people had 2 CHOSE FREEDOM come close to me without saying much we had understood one another Had I been able to part with them openly, emotionally, Russianly, some of the weight that pressed on my spirits would assuredly have been lifted...

The Boy from Kyiv

The Boy from Kyiv PDF

Author: Marina Harss

Publisher: Farrar, Straus and Giroux

Published: 2023-10-03

Total Pages: 327

ISBN-13: 0374717494

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The Boy from Kyiv is the life story of Alexei Ratmansky, the most celebrated ballet choreographer of our time. Alexei Ratmansky is transforming ballet for the twenty-first century. An artist of daring imagination, the choreographer has created breathtakingly original works for the world’s most revered companies. He has fashioned a singular approach to balletic storytelling that bridges the space between narrative and abstraction and heightens ambiguity and surprise on the stage. He has boldly restored great centuries-old ballets to their former glory, combining archival research with his own choreographic genius to retrieve detail and color once lost to the ages. And above all, he is renowned for fusing the Western and Eastern ballet traditions, and for drawing on the visual arts, literature, music, film, and beyond with inspired vim, to forge a style that is vibrant, eclectic, and utterly new: one that promises to leave an indelible mark on this venerable art form. But before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, “the most sought-after man in ballet,” he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion. In The Boy from Kyiv, the first biography of this groundbreaking artist, the celebrated dance writer Marina Harss takes us behind the curtain to reveal Ratmansky’s fascinating life, from his Soviet boyhood through his globe-spanning career. Over a decade in the making, this biography arrives at a pivotal moment in Ratmansky’s journey, one that has seen him painfully and publicly break ties with Russia, the country in which he made his name, in solidarity with his native Ukraine, and take on a new challenge at the storied New York City Ballet. Told with the lyricism, drama, and verve that befit its subject, The Boy from Kyiv is a riveting account of this major artist’s ascent to the peaks of his field, a mesmerizing study of creativity in action, and a triumphant testament to ballet’s enduring vitality.