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Body Music

Author: Julie Maroh

Publisher: arsenal pulp press

Published: 2017-11-20

Total Pages: 305

ISBN-13: 1551526948

Julie Maroh's first book, Blue Is the Warmest Color, was a graphic novel phenomenon; it was a New York Times bestseller and the controversial film adaptation by French director Abdellatif Kechiche won the Palme d'Or at the Cannes Film Festival in 2013. Maroh's latest book, Body Music, marks her return to the kind of soft, warm palette and impressionistic sensibility that made her debut book so sensational. Set in the languid, European-like neighborhoods of Montreal, Body Music is a beautiful and moving meditation on love and desire as expressed in their many different forms?between women, men, and gender non-conformists alike, all varying in age and race. In twenty separate vignettes, Maroh explores the drama inherent in relationships at different stages: the electricity of initial attraction, the elation of falling in love, the trauma of breaking up, the sweet comfort of a long-standing romance. Anyone who's ever been in a relationship will see themselves in these intimate stories tinged with raw emotion. Body Music is an exhilarating and passionate graphic novel about what it means to fall in love, and what it means to be alive. Julie Maroh studied comic art at the Institute Saint-Luc in Brussels and lithography and engraving at the Royal Academy of Arts in Brussels. She started writing her bestselling book Blue Is the Warmest Color at the age of nineteen.

The Body in Sound, Music and Performance

Author: Linda O Keeffe

Publisher: CRC Press

Published: 2022-07-20

Total Pages: 318

ISBN-13: 1000620476

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The Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice. This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing. This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.

Body Music

Author: Dennis Lee

Publisher: House of Anansi

Published: 1998

Total Pages: 254

ISBN-13: 9780887846274

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Body Music reveals the remarkable depth and range of Dennis Lee as a poet and thinker. In eleven ground-breaking essays, Lee explores the experience of body music: the dance of energy from which poems arise. Whether he is discussing rhythm as a form of cosmology, examining children's verse, or probing what it means to worship without belief, his explorations constantly fascinate and entertain. At a time when literary theory can be highly abstract, Body Music is anchored in a writer's working experience. It opens up dramatic new ways to think about words and the world.

Body, Sound and Space in Music and Beyond: Multimodal Explorations

Author: Clemens Wöllner

Publisher: Taylor & Francis

Published: 2017-04-07

Total Pages: 308

ISBN-13: 1317173473

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Body and space refer to vital and interrelated dimensions in the experience of sounds and music. Sounds have an overwhelming impact on feelings of bodily presence and inform us about the space we experience. Even in situations where visual information is artificial or blurred, such as in virtual environments or certain genres of film and computer games, sounds may shape our perceptions and lead to surprising new experiences. This book discusses recent developments in a range of interdisciplinary fields, taking into account the rapidly changing ways of experiencing sounds and music, the consequences for how we engage with sonic events in daily life and the technological advancements that offer insights into state-of-the-art methods and future perspectives. Topics range from the pleasures of being locked into the beat of the music, perception–action coupling and bodily resonance, and affordances of musical instruments, to neural processing and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.

The Oxford Handbook of Music and the Body

Author: Youn Kim

Publisher: Oxford University Press, USA

Published: 2019

Total Pages: 473

ISBN-13: 0190636238

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This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

Body and Force in Music

Author: Youn Kim

Publisher: Taylor & Francis

Published: 2022-09-01

Total Pages: 178

ISBN-13: 1000607763

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Our understanding of music is inherently metaphorical, and metaphoricity pervades all sorts of musical discourses, be they theoretical, analytical, philosophical, pedagogical, or even scientific. The notions of "body" and "force" are the two most pervasive and comprehensive scientific metaphors in musical discourse. Throughout various intertwined contexts in history, the body–force pair manifests multiple layers of ideological frameworks and permits the conceptualization of music in a variety of ways. Youn Kim investigates these concepts of body and force in the emerging field of music psychology in the late nineteenth and early twentieth centuries. The field’s discursive space spans diverse contexts, including psychological theories of auditory perception and cognition, pedagogical theories on the performer’s bodily mechanism, speculative and practical theories of musical rhythm, and aesthetical discussion of the power of music. This investigation of body and force aims to illuminate not just the past scene of music psychology but also the notions of music that are being constructed at present.

Body, Mind and Music

Author: Laurie Riley

Publisher: Harps Nouveau

Published: 1999-04-01

Total Pages: 112

ISBN-13: 9780967277905

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Plato on Music, Soul and Body

Author: Francesco Pelosi

Publisher: Cambridge University Press

Published: 2010-10-28

Total Pages: 237

ISBN-13: 113949290X

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Plato's reflection on the relationship between soul and body has attracted scholars' attention since antiquity. Less noted, but worthy of consideration, is Plato's thought on music and its effects on human beings. This book adopts an innovative approach towards analysing the soul-body problem by uncovering and emphasising the philosophical value of Plato's treatment of the phenomenon of music. By investigating in detail how Plato conceives of the musical experience and its influence on intelligence, passions and perceptions, it illuminates the intersection of cognitive and emotional functions in Plato's philosophy of mind.

The Sight of Sound

Author: Richard Leppert

Publisher: Univ of California Press

Published: 1993-12-01

Total Pages: 352

ISBN-13: 9780520917170

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Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.

Music, Body, and Desire in Medieval Culture

Author: Bruce W. Holsinger

Publisher: Stanford University Press

Published: 2001

Total Pages: 500

ISBN-13: 9780804740586

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Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.