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Black Stars of the Harlem Renaissance

Author: Jim Haskins

Publisher: John Wiley & Sons

Published: 2003-02-17

Total Pages: 130

ISBN-13: 0471462632

AFRICAN AMERICAN HISTORY COMES TO LIFE Discover why young people all over the country are reading the Black Stars biographies of African American heroes. Here is what you want to know about the lives of great black men and women during the fabulous Harlem Renaissance: louis "satchmo" armstrong eubie blake thomas andrew dorsey w. e. b. du bois duke ellington james reese europe jessie redmon fauset marcus garvey w. c. handy fletcher henderson langston hughes zora neale hurston hall johnson henry johnson oscar micheaux philip payton jr. gertrude "ma" rainey paul robeson augusta savage noble sissle bessie smith james van der zee dorothy west carter g. woodson "The books in the Black Stars series are the types of books that would have really captivated me as a kid." -Earl G. Graves, Black Enterprise magazine "Inspiring stories that demonstrate what can happen when ingenuity and tenacity are paired with courage and hard work." -Black Books Galore! Guide to Great African American Children's Books "Haskins has chosen his subjects well . . . catching a sense of the enormous obstacles they had to overcome. . . . Some names are familiar, but most are little-known whom Haskins elevates to their rightful place in history." -Booklist "The broad coverage makes this an unusual resource-a jumping-off point for deeper studies." -Horn Book

Black Stars Of The Harlem Renaissance

Author: Eleanora E. Tate

Publisher: Turtleback

Published: 2002-09-01

Total Pages: 122

ISBN-13: 9780613841092

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Explains the history of the Harlem Renaissance through biographies of prominent African Americans living in the era, such as Louis Armstrong, Duke Ellington, Zora Neale Hurston, and Dorothy West.

Rhapsodies in Black

Author: Richard J. Powell

Publisher: Univ of California Press

Published: 1997

Total Pages: 212

ISBN-13: 9780520212633

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Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.

Carl Van Vechten and the Harlem Renaissance

Author: Emily Bernard

Publisher: Yale University Press

Published: 2012-02-28

Total Pages: 300

ISBN-13: 0300183291

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By the time of his death in 1964, Carl Van Vechten had been a far-sighted journalist, a best-selling novelist, a consummate host, an exhaustive archivist, a prescient photographer, and a Negrophile bar non. A white man with an abiding passion for blackness.

Black Music in the Harlem Renaissance

Author: Samuel A. Floyd

Publisher: Univ Tennessee Press

Published: 1993

Total Pages: 248

ISBN-13:

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Paper edition of the 1990 Greenwood Press work which was initiated as a special issue of Black Music Research Journal but grew too big for that format. Ten essays address a variety of subjects connected with African-American music of the 1920s, e.g. vocal concert music, musical theater, Duke Ellington, and the relationship of the music to literature and art. Includes an extensive bibliography of works composed during the period. Annotation copyright by Book News, Inc., Portland, OR

Lost Plays of the Harlem Renaissance, 1920-1940

Author: James Vernon Hatch

Publisher: Wayne State University Press

Published: 1996

Total Pages: 472

ISBN-13: 9780814325803

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The topics of the plays cover the realm of the human experience in styles as wide-ranging as poetry, farce, comedy, tragedy, social realism, and romance. Individual introductions to each play provide essential biographical background on the playwrights.

African American Art

Author: Smithsonian American Art Museum

Publisher:

Published: 2012

Total Pages: 264

ISBN-13:

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"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.

Gay Voices of the Harlem Renaissance

Author: A.B. Christa Schwarz

Publisher: Indiana University Press

Published: 2003-07-18

Total Pages: 228

ISBN-13: 9780253216076

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"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.

Black Culture and the Harlem Renaissance

Author: Cary D. Wintz

Publisher:

Published: 1996

Total Pages: 296

ISBN-13:

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Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it. First published in 1988, Black Culture and the Harlem Renaissance examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social and intellectual history of early twentieth-century America. He begins with Booker T. Washington, W. E. B. Du Bois, and others whose work broke barriers for the Renaissance writers to come. With an emphasis on social issues--like writers and politics, the role of black women, and the interplay between black writers and the white community--Wintz traces the rise and fall of the movement. Of special interest is material from the Knopf Collection and the papers of several Renaissance figures acquired by the Harry Ransom Humanities Research Center at the University of Texas at Austin. It reveals much of interest about the relationship between the publishing world, its writers, and their patrons--both black and white.

Countee Cullen

Author: Charlotte Etinde-Crompton

Publisher: Enslow Publishing, LLC

Published: 2019-07-15

Total Pages: 104

ISBN-13: 1978504136

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For a few shining years Countee Cullen seemed destined to define the African American urban experience. A gifted poet, Cullen wrote some of the outstanding works of the 1920s, and when he married Yolande Du Bois, in what was proclaimed the social event of the decade, his success and fame seemed assured. It was not to be. The marriage failed, and with it Cullen lost his best patrons and his poetic productivity declined sharply. After remarrying, Cullen was on the cusp of reinventing himself, as a writer for the theatre, when he died an untimely death. Through it all, he remained faithful to his vision of words, poetry, and the duty of a person who felt his blackness, but did not wish to be constrained by it.