Black Feminism and Traumatic Legacies in Contemporary African American Literature

Black Feminism and Traumatic Legacies in Contemporary African American Literature PDF

Author: Apryl Lewis

Publisher: Rowman & Littlefield

Published: 2023-01-09

Total Pages: 159

ISBN-13: 1666921394

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Black Feminism and Traumatic Legacies in Contemporary African American Literature expands on a literary tradition where Black writers articulate the impact of slavery's legacy over time. Along with Black Feminist studies, this book demonstrates how trauma studies can transcend Eurocentric roots by encompassing traumatic experiences of other cultures through intersectionality.

Reading Contemporary African American Literature

Reading Contemporary African American Literature PDF

Author: Beauty Bragg

Publisher: Lexington Books

Published: 2014-11-12

Total Pages: 141

ISBN-13: 0739188798

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Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg’s study addresses why such work should be the subject of scholarly examination, describes the events and attitudes which account for the critical neglect of this body of work, and models a critical approach to such narratives that demonstrates the distinctive ways in which this literature captures the complexities of post-civil rights era black experiences. In making her arguments regarding the value of popular writing, Bragg argues that black women’s popular fiction foregrounds gender in ways that are frequently missing from other modes of narrative production. They exhibit a responsiveness and timeliness to the shifting social terrain which is reflected in the rapidly shifting styles and themes which characterize popular fiction. In doing so, they extend the historical function of African American literature by continuing to engage the black body as a symbol of political meaning in the social context of the United States. In popular literature Beauty Bragg locates a space from which black women engage a variety of public discourses.

African American Novels in the Black Lives Matter Era

African American Novels in the Black Lives Matter Era PDF

Author: E. Lâle Demirtürk

Publisher: Rowman & Littlefield

Published: 2019-08-09

Total Pages: 269

ISBN-13: 1498596223

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African American Novels in the Black Lives Matter Era: Transgressive Performativity of Black Vulnerability as Praxis in Everyday Life explores the undoing of whiteness by black people, who dissociate from scripts of black criminality through radical performative reiterations of black vulnerability. It studies five novels that challenge the embodied discursive practices of whiteness in interracial social encounters, showing how they use strategic performances of Blackness to enable subversive practices in everyday life, which is constructed and governed by white mechanisms of racialized control. The agency portrayed in these novels opens up alternative spaces of Blackness to impact the social world and effects transformative change as a forceful critique of everyday life. African American Novels in the Black Lives Matter Era shows how these novels reformulate the problem of black vulnerability as a constitutive source of the right to life in their refusal of subjection to vulnerability, enacted by white institutional and individual forms of violence. It positions a white-black-encounter-oriented reading of these “neo-resistance novels” of the Black Lives Matter era as a critique of everyday life in an effort to explore spaces of radical performativity of blackness to make happen social change and transformation.

Ancestral Voices, Healing Narratives

Ancestral Voices, Healing Narratives PDF

Author: Kristina S. Gibby

Publisher: Rowman & Littlefield

Published: 2023-12-06

Total Pages: 131

ISBN-13: 1666909653

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Ancestral Voices, Healing Narratives: Female Ghosts in Contemporary US and Caribbean Fiction examines four novels by Erna Brodber, Zoé Valdés, Sandra Cisneros, and Maryse Condé. In this unique comparative analysis, Kristina S. Gibby explores the significance of female ghosts—specifically maternal figures, who haunt female narrators, inspiring them to transcribe the dead’s obfuscated (hi)stories and recover their family memory. The author argues that these female ghosts subvert historiographic power structures through a matrilineal succession of knowledge via oral traditions of storytelling, inevitably broadening historical consciousness and asserting the value of fiction in the face of historical rupture. Gibby contends that in form and content, these novels disrupt patriarchal and Western expectations of time and epistemology. They favor cyclical temporality (highlighted by the spirits’ uncanny return), which underscores relational understanding and challenges the exclusive and limiting constraints of linear time. This book makes important contributions to inter-American literary criticism with its narrow focus on female authors who confront the horrors of history through maternal spirits.

Existentialist Thought in African American Literature before 1940

Existentialist Thought in African American Literature before 1940 PDF

Author: Melvin G. Hill

Publisher: Lexington Books

Published: 2015-12-07

Total Pages: 111

ISBN-13: 1498514812

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Existentialist Thought in African American Literature Before 1940 is the first collection of its kind to break new ground in arguing that long before its classification by Jean-Paul Sartre, African American literature embodied existentialist thought. To make its case, this daring book dissects eight notable texts: Frederick Douglass’s Narrative of the Life of Frederick Douglass (1845) and My Bondage and My Freedom (1855), Sojourner Truth’s Ain’t I A Woman (1861), Harriet Jacobs’s Incidents in the Life of A Slave Girl (1861), Sutton E. Griggs’s Imperium in Imperio (1899), James Weldon Johnson’s Autobiography of an Ex-Colored Man (1912), and Nella Larsen’s Quicksand (1928) and Passing (1929). It explores and addresses a wide range of complex philosophical concepts such as: authenticity, potentiality-for-authentic living, bad faith, and existentialism from the Christian point of view. The use of interdisciplinary studies such as gender studies, queer studies, Christian ethics, mixed-race studies, and existentialism, allows the authors within this book to lend unique perspectives in examining selected African American literary works.

Reconstructing Womanhood

Reconstructing Womanhood PDF

Author: Hazel V. Carby

Publisher: Oxford University Press, USA

Published: 1987

Total Pages: 232

ISBN-13: 0195060717

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"Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist, published in 1987, is a book by Hazel Carby which centers on slave narratives by women. Carby received her Ph.D. in 1984 from Birmingham University. Her doctoral dissertation later became the foundation for the book."--Wikipedia viewed Jan. 7, 2022.

The Commerce of Peoples

The Commerce of Peoples PDF

Author: Biman Basu

Publisher: Lexington Books

Published: 2012

Total Pages: 205

ISBN-13: 073916743X

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Representations and coverage of S&M have become quite common nowadays, whether we see them in the fashion industry, commercials, the news, on television, film, the internet, and so on. But in the population at large and in the academic community, too, it is still persistently stigmatized. This marginalization, along with its ambivalently persecuted status, is a result, significantly, of a nineteenth century legacy. This legacy begins with Kraftt-Ebing's designation of sadomasochism, along with gay and lesbian desire, as a perversion, and continues in the popular and expert (mis)understandings which prevail. More generally, most people today will recognize that all human relations are power relations. Yet most people will also deny this and mask these power relations by invoking all sorts of things, like romantic love, sentimental attachment, companionate marriage, friendship, peace, non-violence, harmony, and the list goes on, ad nauseam. Not that these do not exist in a sadomasochistic relation, but sadomasochists are unflinching in their recognition that all of these are also permeated by power relations. It is not only impossible to purge these relations of power but for sadomasochists it is also undesirable to do so. It is not only more honest to acknowledge the power that saturates these relations but also more instructive in the sense that S&M provides a context in which one learns to exercise power and to submit to it in a responsible way. Even in scholarly critical and theoretical discussions of S&M, the prevailing opinion is that the power exercised in sadomasochism is not "real." It is of course not real in the sense that slavery and violence no longer has a legal status. But reality cannot of course be gauged or even approximated by its legal status alone. For most practitioners, it is hard to deny the reality of pain, of humiliation, of degradation, in the moment of its enactment. One can hardly deny the reality of bringing the whip down on someone's back or of having it sear across one's buttocks.

'THERE WAS TROUBLE LONG BEFORE I WAS AWARE OF IT': CONTEMPORARY AFRICAN AMERICAN WOMEN WRITERS, DISCURSIVE REDEFINITION, AND THE SPECULATIVE

'THERE WAS TROUBLE LONG BEFORE I WAS AWARE OF IT': CONTEMPORARY AFRICAN AMERICAN WOMEN WRITERS, DISCURSIVE REDEFINITION, AND THE SPECULATIVE PDF

Author: Regina Danielle Hamilton

Publisher:

Published: 2012

Total Pages: 122

ISBN-13:

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Why do contemporary African American women writers engage the speculative, and what kind of work does this engagement lend itself to? What is the relationship between the realized experiences of African American women in the 1970s and 1980s and the speculative work by African American women authors of the same time period? What historical, political, and aesthetic labor does this relationship do? Using Kindred by Octavia Butler and Beloved by Toni Morrison, I will investigate how these particular authors use the speculative to engage memory and the legacy of African American enslavement, while creating a contemporary African American female aesthetic. In this second renaissance of black women's letters, also cotemporaneous with second wave feminism, African American women writers were responding to civil rights and "mainstream" feminist movements in both their critical and creative work. It became important to many African American women writers to undo the elision of black female perspectives from the histories, trajectories, and traditions of both African American (male) and (white) feminist centered canons. Often this critical literary re-fashioning of the African American woman subject mirrored the revolutionary actions of black feminists working for the enfranchisement of black women and communities. Many African American women writers, in borrowing from certain Black Arts Movement modalities, argued for the existence of and the necessity to define a black female aesthetic. The use of the speculative is one very important component of the aesthetic that these writers were in the process of defining in this time period.

Traumatic Possessions

Traumatic Possessions PDF

Author: Jennifer L. Griffiths

Publisher: University of Virginia Press

Published: 2010-01-12

Total Pages: 145

ISBN-13: 0813928958

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Studies of traumatic stress have explored the challenges to memory as a result of extreme experience, particularly in relation to the ways in which trauma resonates within the survivor’s body and the difficulties survivors face when trying to incorporate their experience into meaningful narratives. Jennifer Griffiths examines the attempts of several African American writers and playwrights to explore ruptures in memory after a traumatic experience and to develop creative strategies for understanding the inscription of trauma on the body in a racialized cultural context. In the literary and performance texts examined here, Griffiths shows how the self is reconstituted through testimony—through the attempt to put into language and public statement the struggle of survivors to negotiate the limits placed on their bodies and to speak controversial truths. Dessa in her jail cell, Venus in the courtroom, Sally on the auction block, Ursa in her own family history, and Rodney King in the video frame—each character in these texts by Sherley Anne Williams, Suzan-Lori Parks, Robbie McCauley, Gayl Jones, and Anna Deavere Smith gives voice not only to the limits of language in representing traumatic experience but also to the necessity of testimony as the public enactment of memory and bodily witness. In focusing specifically and exclusively on the relation of trauma to race and on the influence of racism on the creation and reception of narrative testimony, this book distinguishes itself from previous studies of the literatures of trauma.

Black Cultural Production after Civil Rights

Black Cultural Production after Civil Rights PDF

Author: Robert J Patterson

Publisher: University of Illinois Press

Published: 2019-08-30

Total Pages: 395

ISBN-13: 0252051637

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The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics. This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions. Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork