Junk

Junk PDF

Author: Melvin Burgess

Publisher: A&C Black

Published: 2009-01-01

Total Pages: 81

ISBN-13: 1408118319

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Tar loves Gemma, but Gemma doesn't want to be tied down - not to anyone or anything. Gemma wants to fly. But no one can fly forever. One day, somehow, finally you have to come down. Commissioned and produced by Oxford Stage Company, Junk premiered at The Castle, Wellingborough, in January 1998 and went on to tour throughout the UK in 1998 and 1999. "John Retallack's excellent adaptation of Melvin Burgess's controversial Carnegie Medal winning novel is splendidly unpatronising...a truly cautionary tale" (Independent)

Globalizing Cultural Studies

Globalizing Cultural Studies PDF

Author: Cameron McCarthy

Publisher: Peter Lang

Published: 2007

Total Pages: 580

ISBN-13: 9780820486826

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The contributors to Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy take as their central topic the problematic status of «the global» within cultural studies in the areas of theory, method, and policy, and particularly in relation to the intersections of language, power, and identity in twenty-first century, post-9/11 culture(s). Writing against the Anglo-centric ethnographic gaze that has saturated various cultural studies projects to date, contributors offer new interdisciplinary, autobiographical, ethnographic, textual, postcolonial, poststructural, and political economic approaches to the practice of cultural studies. This edited volume foregrounds twenty-five groundbreaking essays (plus a provocative foreword and an insightful afterword) in which the authors show how globalization is articulated in the micro and macro dimensions of contemporary life, pointing to the need for cultural studies to be more systematically engaged with the multiplicity and difference that globalization has proffered.

Bloodtide

Bloodtide PDF

Author: Melvin Burgess

Publisher: Simon and Schuster

Published: 2011-10-18

Total Pages: 448

ISBN-13: 1442446943

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PART I London is in ruins, a once highly advanced city now a gated wasteland. Within its walls, a bloody war rages between two clans. Hope is sparse, but the people believe the gods have risen from the dead. Odin himself has come to play a part in the lives of two twins, a brother and sister from the Volson clan. Siggy and Signy must come to grips with their destiny as London's future teeters on the edge of a knife....

Tim Burton's The Nightmare Before Christmas (Songbook)

Tim Burton's The Nightmare Before Christmas (Songbook) PDF

Author:

Publisher: Hal Leonard Corporation

Published: 1993-11-01

Total Pages: 86

ISBN-13: 1458437442

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(Piano/Vocal/Guitar Songbook). The revised edition of this book features 11 songs from Tim Burton's creepy animated classic, with music and lyrics by Danny Elfman. Songs include: Jack's Lament * Jack's Obsession * Kidnap the Sandy Claws * Making Christmas * Oogie Boogie's Song * Poor Jack * Sally's Song * This Is Halloween * Town Meeting Song * What's This? * Finale/Reprise.

The Oxford Handbook of the British Musical

The Oxford Handbook of the British Musical PDF

Author: Robert Gordon

Publisher: Oxford University Press

Published: 2016

Total Pages: 777

ISBN-13: 0199988749

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The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.

Dying Swans and Madmen

Dying Swans and Madmen PDF

Author: Adrienne L. McLean

Publisher: Rutgers University Press

Published: 2008-02-19

Total Pages: 320

ISBN-13: 081354467X

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From mid-twentieth-century films such as Grand Hotel, Waterloo Bridge, and The Red Shoes to recent box-office hits including Billy Elliot, Save the Last Dance, and The Company, ballet has found its way, time and again, onto the silver screen and into the hearts of many otherwise unlikely audiences. In Dying Swans and Madmen, Adrienne L. McLean explores the curious pairing of classical and contemporary, art and entertainment, high culture and popular culture to reveal the ambivalent place that this art form occupies in American life. Drawing on examples that range from musicals to tragic melodramas, she shows how commercial films have produced an image of ballet and its artists that is associated both with joy, fulfillment, fame, and power and with sexual and mental perversity, melancholy, and death. Although ballet is still received by many with a lack of interest or outright suspicion, McLean argues that these attitudes as well as ballet's popularity and its acceptability as a way of life and a profession have often depended on what audiences first learned about it from the movies.