Ottaviano Petrucci

Ottaviano Petrucci PDF

Author: Stanley Boorman

Publisher: Oxford University Press on Demand

Published: 2006

Total Pages: 1294

ISBN-13: 0195142071

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This bibliographic study of the output of the Petrucci presses includes a study of technique and house-style, and provides a catalogue of editions and copies.

Choral Music in Nineteenth-century America

Choral Music in Nineteenth-century America PDF

Author: N. Lee Orr

Publisher: Scarecrow Press

Published: 1999

Total Pages: 156

ISBN-13: 9780810836648

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Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.

Music, Libraries, and the Academy

Music, Libraries, and the Academy PDF

Author: James P. Cassaro

Publisher: A-R Editions, Inc.

Published: 2007-01-01

Total Pages: 279

ISBN-13: 0895796120

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This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.