The Cambridge Guide to Asian Theatre

The Cambridge Guide to Asian Theatre PDF

Author: James R. Brandon

Publisher: Cambridge University Press

Published: 1997-01-28

Total Pages: 266

ISBN-13: 9780521588225

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A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.

Kuchipudi

Kuchipudi PDF

Author: Sunil Kothari

Publisher: Abhinav Publications

Published: 2001

Total Pages: 249

ISBN-13: 8170173590

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One Of The Seven Major Classical Dance Forms Of India, Kuchipudi In Its Solo Avatara Has Acquired A Status Of A Classical Dance Form Of Andhra Pradesh. The Story Of Kuchipudi From Its Origin As A Dance-Drama And Its Emergence As A Solo Dance Form Is One Of The Most Fascinating Phenomena Engaging Attention Of The Gurus, The Performing Dancers And The Research Scholars. Essentially A Preserve Of The Male Dancers, Who Also Excelled In The Female Roles, Today Kuchipudi Is Being Mainly Performed By The Female Dancers. However, The Tradition Continues To Survive In Kuchipudi Village, Some 30 Kilometres Away From Vijayawada In Andhra Pradesh. The Traditional Dance-Dramas Continue To Exist Along With More Popular Solo Dance Form. Kuchipudi Has Innumerable Votaries Not Only In India But Also Abroad And Their Number Is Ever Increasing. Padma Shri Dr. Sunil Kothari, Dance Historian, Scholar And Critic, Traces In This Volume The Origins Of The Dance-Drama Tradition, Correlating The Prayoga, The Practice And The Shastra, The Theory And How From The Natya, The Drama, Its Integral Elements Nritya, Expressional Dance And Nritta, The Pure Dance In The Hands Of Creative, Traditional Gurus Have Shaped Its Present Solo Format, Giving It Its Own Identity. Based On His Extensive Field Work Dr. Kothari Has Studied The Allied Forms Like Vithi Bhagavatam, Turpubani Vidhi Natakam, Pagati Vesham, Navajanardana Parijatam, Bhagavata Mela Nataka, Kuravanji Dance- Idrama And Offered An Overview Of The Dance Form As It Exists Today And Continues To Develop In Its Many Ramifications. He Has Also Dwelt Upon The All-Pervading Influence Of Vempati Chinna Satyam And His Contibution In Sh Dj'Ing Kuchipudi Into A Solo Form Along With The Dance-Dramas That He Has Choreographed. The Brief Biographies Of The Traditional Gurus And Some Of The Celebrated Exponents I Add Tp The Value Of This Volume, Presenting The Current State Of Kuchipudi On The Contemporary Dance Scene. Profusely Illustrated With 166 Colour And 221 Black And White Photographs By The Ace Photographer A Vinash Pasricha And Designed By The Eminent Artist And Designer Dashrath Patel, Kuchipudi Is A Major Significant Study Of The Classical D'Ance Form Of Andhra Pradesh.

The Cambridge Guide to Theatre

The Cambridge Guide to Theatre PDF

Author: Martin Banham

Publisher: Cambridge University Press

Published: 1995-09-21

Total Pages: 1268

ISBN-13: 9780521434379

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Provides information on the history and present practice of theater in the world.

The Tamil Padam

The Tamil Padam PDF

Author: Matthew Harp Allen

Publisher: CRC Press

Published: 2023-03-31

Total Pages: 534

ISBN-13: 1000779343

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This book is a study of the Bharata Natyam dance genre "padam" focusing on its patrons and composers and its formal structure, texts, and music. It examines the "rewriting" of South Indian dance and the decades-long debates over the classicization and ownership of South Indian music. The control over the representation of the arts is a subject that should resonate with scholars working in a wide variety of genres and across many countries. The study is diachronic (historical) and also synchronic (examining padams’ organizational structure as a system). Importantly, the text includes 30 Tamil language songs, minutely translated and annotated together with a documentation of their performance history in the 20th century. Classical and modern music composers and performers, ethnomusicologists, librettists, singers, choreographers, art historians, dancers, dance scholars, and dance teachers will find them useful in giving students a deep contextual understanding of Bharata Natyam. The book will find an enthusiastic readership with dance teachers who are actively training Bharata Natyam students. It will also attract a scholarly audience as an anthropological and historical study of an artistic form which has a high profile in South Asia and has become prominent in the growing fields of ethnomusicology, dance ethnography and "world dance."