Between Hollywood and Moscow

Between Hollywood and Moscow PDF

Author: Stephen Gundle

Publisher: Duke University Press

Published: 2000-12-04

Total Pages: 284

ISBN-13: 9780822325635

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DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div

Between Hollywood and Moscow

Between Hollywood and Moscow PDF

Author: Stephen Gundle

Publisher: Duke University Press

Published: 2000-12-04

Total Pages: 284

ISBN-13: 9780822325635

DOWNLOAD EBOOK →

DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div

Between Hollywood and Moscow

Between Hollywood and Moscow PDF

Author:

Publisher:

Published: 2009

Total Pages:

ISBN-13:

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DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div

The Moscow Rules

The Moscow Rules PDF

Author: Antonio J. Mendez

Publisher: PublicAffairs

Published: 2019-05-21

Total Pages: 272

ISBN-13: 1541762177

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From the spymaster and inspiration for the movie Argo, discover the "real-life spy thriller" of the brilliant but under-supported CIA operatives who developed breakthrough spy tactics that helped turn the tide of the Cold War (Malcolm Nance). Antonio Mendez and his future wife Jonna were CIA operatives working to spy on Moscow in the late 1970s, at one of the most dangerous moments in the Cold War. Soviets kept files on all foreigners, studied their patterns, and tapped their phones. Intelligence work was effectively impossible. The Soviet threat loomed larger than ever. The Moscow Rules tells the story of the intelligence breakthroughs that turned the odds in America's favor. As experts in disguise, Antonio and Jonna were instrumental in developing a series of tactics -- Hollywood-inspired identity swaps, ingenious evasion techniques, and an armory of James Bond-style gadgets -- that allowed CIA officers to outmaneuver the KGB. As Russia again rises in opposition to America, this remarkable story is a tribute to those who risked everything for their country, and to the ingenuity that allowed them to succeed.

The French and Italian Communist Parties

The French and Italian Communist Parties PDF

Author: Cyrille Guiat

Publisher: Routledge

Published: 2004-08-02

Total Pages: 225

ISBN-13: 1135773874

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This volume is a systematic comparative study of the French and Italian Communist parties in the period from the early 1960s to the early 1980s.

Hollywood Party

Hollywood Party PDF

Author: Lloyd Billingsley

Publisher: Prima Lifestyles

Published: 2000

Total Pages: 0

ISBN-13: 9780761521662

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This engrossing tale of intrigue, passion, betrayal, and violence uncovers the true face of communism in Southern California, and names writers and actresses who were seduced by the party's philosophy.

Three Days in Moscow

Three Days in Moscow PDF

Author: Bret Baier

Publisher: HarperCollins

Published: 2018-05-15

Total Pages: 416

ISBN-13: 0062748491

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"An instant classic, if not the finest book to date on Ronald Reagan.” — Jay Winik President Reagan's dramatic battle to win the Cold War is revealed as never before by the #1 bestselling author and award-winning anchor of the #1 rated Special Report with Bret Baier. Moscow, 1988: 1,000 miles behind the Iron Curtain, Ronald Reagan stood for freedom and confronted the Soviet empire. In his acclaimed bestseller Three Days in January, Bret Baier illuminated the extraordinary leadership of President Dwight Eisenhower at the dawn of the Cold War. Now in his highly anticipated new history, Three Days in Moscow, Baier explores the dramatic endgame of America’s long struggle with the Soviet Union and President Ronald Reagan’s central role in shaping the world we live in today. On May 31, 1988, Reagan stood on Russian soil and addressed a packed audience at Moscow State University, delivering a remarkable—yet now largely forgotten—speech that capped his first visit to the Soviet capital. This fourth in a series of summits between Reagan and Soviet General Secretary Mikhail Gorbachev, was a dramatic coda to their tireless efforts to reduce the nuclear threat. More than that, Reagan viewed it as “a grand historical moment”: an opportunity to light a path for the Soviet people—toward freedom, human rights, and a future he told them they could embrace if they chose. It was the first time an American president had given an address about human rights on Russian soil. Reagan had once called the Soviet Union an “evil empire.” Now, saying that depiction was from “another time,” he beckoned the Soviets to join him in a new vision of the future. The importance of Reagan’s Moscow speech was largely overlooked at the time, but the new world he spoke of was fast approaching; the following year, in November 1989, the Berlin Wall fell and the Soviet Union began to disintegrate, leaving the United States the sole superpower on the world stage. Today, the end of the Cold War is perhaps the defining historical moment of the past half century, and must be understood if we are to make sense of America’s current place in the world, amid the re-emergence of US-Russian tensions during Vladimir Putin’s tenure. Using Reagan’s three days in Moscow to tell the larger story of the president’s critical and often misunderstood role in orchestrating a successful, peaceful ending to the Cold War, Baier illuminates the character of one of our nation’s most venerated leaders—and reveals the unique qualities that allowed him to succeed in forming an alliance for peace with the Soviet Union, when his predecessors had fallen short.

Hollywood – a Challenge for the Soviet Cinema

Hollywood – a Challenge for the Soviet Cinema PDF

Author: Franz, Norbert P.

Publisher: Universitätsverlag Potsdam

Published: 2020

Total Pages: 208

ISBN-13: 3869564903

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This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.