Bernar Venet performances, etc. 1961-2006. Ediz. inglese e francese

Bernar Venet performances, etc. 1961-2006. Ediz. inglese e francese PDF

Author: Bernar Venet

Publisher:

Published: 2006

Total Pages: 258

ISBN-13:

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If it is not surprising how many mediums Bernar Venet has worked in, from sculpture to painting to photography to sound to furniture, it is surprising how many he has used in performance. From the first moments of "Performance dans les détritus" in 1961 through sound compositions corresponding to and implicating his visual work, to a ballet for which he wrote the music, created the choreography and designed both the set and costumes, Venet has been omnivorous, recording mathematical poems on vinyl, the engines of the Concorde on CD and finally the sounds of the creation of his own sculpture. In 2004, Venet had three simultaneous solo shows in New York City, two at the Robert Miller and Jim Kempner galleries and a third along the Park Avenue Mall, where his large-scale Indeterminate Line pieces were installed. In 2005 he was named Chevalier de la Légion d'Honneur, France's highest decoration.

Bernar Venet. Paintings. Ediz. multilingue

Bernar Venet. Paintings. Ediz. multilingue PDF

Author: Bernar Venet

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9788881588640

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French artist Bernar Venet (born 1941) is perhaps best known for his steel sculptures, but he was also an accomplished and prolific painter. This publication highlights 50 years of his paintings, from the earliest tar paintings and cardboard reliefs to later, more mathematical works.

Discourse on the State of the Jews

Discourse on the State of the Jews PDF

Author: Simone Luzzatto

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-07-08

Total Pages: 488

ISBN-13: 3110528231

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In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.

Musicians' Mobilities and Music Migrations in Early Modern Europe

Musicians' Mobilities and Music Migrations in Early Modern Europe PDF

Author: Gesa zur Nieden

Publisher: transcript Verlag

Published: 2016-10-31

Total Pages: 429

ISBN-13: 3839435048

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During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.

Six Sonatas

Six Sonatas PDF

Author: George Frideric Handel

Publisher: Alfred Music

Published: 1998-08-06

Total Pages: 100

ISBN-13: 1457469138

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Six Sonatas by George Frideric Handel for Violin and Piano now in one volume: A major, E major, G minor, D major, F major, A major.

Petrarch and the Textual Origins of Interpretation

Petrarch and the Textual Origins of Interpretation PDF

Author: Teodolinda Barolini

Publisher: BRILL

Published: 2007-10-01

Total Pages: 280

ISBN-13: 9047422880

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This volume addresses a far-reaching aspects of Petrarch research and interpretation: the essential interplay between Petrarch’s texts and their material preparation and reception. To read and interpret Petrarch we must come to grips with the fundamentals of Petrarchan philology.

Simone Verovio

Simone Verovio PDF

Author: Augusta Campagne

Publisher: Bohlau Verlag

Published: 2018

Total Pages: 0

ISBN-13: 9783205205067

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Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.

Venice and the Veneto during the Renaissance: the Legacy of Benjamin Kohl

Venice and the Veneto during the Renaissance: the Legacy of Benjamin Kohl PDF

Author: Knapton, Michael

Publisher: Firenze University Press

Published: 2014

Total Pages: 538

ISBN-13: 8866556637

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Benjamin G. Kohl (1938-2010) taught at Vassar College from 1966 till his retirement as Andrew W. Mellon Professor of the Humanities in 2001. His doctoral research at The Johns Hopkins University was directed by Frederic C. Lane, and his principal historical interests focused on northern Italy during the Renaissance, especially on Padua and Venice. His scholarly production includes the volumes Padua under the Carrara, 1318-1405 (1998), and Culture and Politics in Early Renaissance Padua (2001), and the online database The Rulers of Venice, 1332-1524 (2009). The database is eloquent testimony of his priority attention to historical sources and to their accessibility, and also of his enthusiasm for collaboration and sharing among scholars.