American Beauty
Author: Lois W. Banner
Publisher:
Published: 2005
Total Pages: 548
ISBN-13: 9781932800272
DOWNLOAD EBOOK →Author: Lois W. Banner
Publisher:
Published: 2005
Total Pages: 548
ISBN-13: 9781932800272
DOWNLOAD EBOOK →Author: Claiborne Swanson Frank
Publisher: Editions Assouline
Published: 2012-02
Total Pages: 204
ISBN-13: 9781614280507
DOWNLOAD EBOOK →"Photographed by Vogue alumna Claiborne Swanson Frank, American Beauty features over 100 portraits of quintessentially American women such as Lily Aldridge, Solange Knowles, and Jenna Lyons—each of whom possesses an original blend of grit, grace, glamour, and gravitas that echo far beyond the pages of this oversize hardcover."--Publisher description.
Author: Susannah Walker
Publisher: University Press of Kentucky
Published: 2007-02-23
Total Pages: 264
ISBN-13: 0813137519
DOWNLOAD EBOOK →Between the 1920s and the 1970s, American economic culture began to emphasize the value of consumption over production. At the same time, the rise of new mass media such as radio and television facilitated the advertising and sales of consumer goods on an unprecedented scale. In Style and Status: Selling Beauty to African American Women, 1920--1975, Susannah Walker analyzes an often-overlooked facet of twentieth-century consumer society as she explores the political, social, and racial implications of the business devoted to producing and marketing beauty products for African American women. Walker examines African American beauty culture as a significant component of twentieth-century consumerism, and she links both subjects to the complex racial politics of the era. The efforts of black entrepreneurs to participate in the American economy and to achieve self-determination of black beauty standards often caused conflict within the African American community. Additionally, a prevalence of white-owned firms in the African American beauty industry sparked widespread resentment, even among advocates of full integration in other areas of the American economy and culture. Concerned African Americans argued that whites had too much influence over black beauty culture and were invading the market, complicating matters of physical appearance with questions of race and power. Based on a wide variety of documentary and archival evidence, Walker concludes that African American beauty standards were shaped within black society as much as they were formed in reaction to, let alone imposed by, the majority culture. Style and Status challenges the notion that the civil rights and black power movements of the 1950s through the 1970s represents the first period in which African Americans wielded considerable influence over standards of appearance and beauty. Walker explores how beauty culture affected black women's racial and feminine identities, the role of black-owned businesses in African American communities, differences between black-owned and white-owned manufacturers of beauty products, and the concept of racial progress in the post--World War II era. Through the story of the development of black beauty culture, Walker examines the interplay of race, class, and gender in twentieth-century America.
Author: Kathy Peiss
Publisher: University of Pennsylvania Press
Published: 2011-11-29
Total Pages: 347
ISBN-13: 081220574X
DOWNLOAD EBOOK →How did powder and paint, once scorned as immoral, become indispensable to millions of respectable women? How did a "kitchen physic," as homemade cosmetics were once called, become a multibillion-dollar industry? And how did men finally take over that rarest of institutions, a woman's business? In Hope in a Jar, historian Kathy Peiss gives us the first full-scale social history of America's beauty culture, from the buttermilk and rice powder recommended by Victorian recipe books to the mass-produced products of our contemporary consumer age. She shows how women, far from being pawns and victims, used makeup to declare their freedom, identity, and sexual allure as they flocked to enter public life. And she highlights the leading role of white and black women—Helena Rubenstein and Annie Turnbo Malone, Elizabeth Arden and Madame C. J. Walker—in shaping a unique industry that relied less on advertising than on women's customs of visiting and conversation. Replete with the voices and experiences of ordinary women, Hope in a Jar is a richly textured account of the ways women created the cosmetics industry and cosmetics created the modern woman.
Author: Thom Filicia
Publisher: Potter Style
Published: 2012
Total Pages: 226
ISBN-13: 0307884902
DOWNLOAD EBOOK →The professional designer and former star of "Queer Eye for the Straight Guy" describes his purchase and renovation of a fixer-upper on Skaneateles Lake, where he had fond memories of vacationing as a child.
Author: Lauren Stowell
Publisher: Page Street Publishing
Published: 2019-07-09
Total Pages: 240
ISBN-13: 1624147917
DOWNLOAD EBOOK →Master Iconic 18th Century Hair and Makeup Techniques Ever wondered how Marie Antoinette achieved her sky-high hairstyle or how women in the 1700s created their voluminous frizz hairdos? The American Duchess Guide to 18th Century Beauty answers all your Georgian beauty questions—and teaches you all you need to know to recreate the styles yourself. Learn how to whip up your own pomatum and hair powder and correctly use them to take your ’dos to the next level. From there, dive into the world of buckles, hair cushions and papillote papers with historically accurate hairstyles straight from the 1700s. And top all your hair masterpieces with millinery from the time period, from a French night cap to a silk bonnet to a simple, elegant chiffonet. With Lauren and Abby’s step-by-step instructions and insightful commentary, this must-have guide is sure to find a permanent place on the shelves of all 18th century beauty enthusiasts.
Author: Tiffany M. Gill
Publisher: University of Illinois Press
Published: 2010-01-29
Total Pages: 209
ISBN-13: 0252095545
DOWNLOAD EBOOK →Looking through the lens of black business history, Beauty Shop Politics shows how black beauticians in the Jim Crow era parlayed their economic independence and access to a public community space into platforms for activism. Tiffany M. Gill argues that the beauty industry played a crucial role in the creation of the modern black female identity and that the seemingly frivolous space of a beauty salon actually has stimulated social, political, and economic change. From the founding of the National Negro Business League in 1900 and onward, African Americans have embraced the entrepreneurial spirit by starting their own businesses, but black women's forays into the business world were overshadowed by those of black men. With a broad scope that encompasses the role of gossip in salons, ethnic beauty products, and the social meanings of African American hair textures, Gill shows how African American beauty entrepreneurs built and sustained a vibrant culture of activism in beauty salons and schools. Enhanced by lucid portrayals of black beauticians and drawing on archival research and oral histories, Beauty Shop Politics conveys the everyday operations and rich culture of black beauty salons as well as their role in building community.
Author: Megan Benton
Publisher: Yale University Press
Published: 2000-01-01
Total Pages: 350
ISBN-13: 9780300082135
DOWNLOAD EBOOK →After World War I, the US was flooded with newspapers, magazines, radio stations and movies. Many feared serious books would disappear altogether. The concern caused a boom in fine editions, valued for beauty, craftsmanship or rarity, rather than content, and this is their story.
Author:
Publisher: National Geographic Society
Published: 1987
Total Pages: 208
ISBN-13: 9780870445880
DOWNLOAD EBOOK →Surveys a selection of the scenic beauty across the United States, from the winter wonders of Cape Cod to lush rain forest on Hawaii's Molokai.
Author: Teresa A. Carbone
Publisher: Skira
Published: 2011
Total Pages: 0
ISBN-13: 9780847837250
DOWNLOAD EBOOK →Catalog of an exhibition held at the Brooklyn Museum, Brooklyn, N.Y., Oct. 28, 2011-Jan. 29, 2012; Dallas Museum of Art, Mar. 4-May 27, 2012; Cleveland Museum of Art, July 1-Sept. 16, 2012.