Basic Atonal Theory
Author: John Rahn
Publisher:
Published: 1980
Total Pages: 172
ISBN-13: 9780028731605
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The Structure of Atonal Music
Author: Allen Forte
Publisher: Yale University Press
Published: 1973-01-01
Total Pages: 244
ISBN-13: 9780300021202
DOWNLOAD EBOOK →Describes and cites examples of pitch-class sets and relations in atonal music
Instrumentation and Orchestration
Author: Alfred Blatter
Publisher: Cengage Learning
Published: 1997
Total Pages: 0
ISBN-13: 9780534251871
DOWNLOAD EBOOK →The second edition features a new discussion of the bugle, information on percussion instruments of American and African origin, an extensively rewritten section on the organ, and the addition of Spanish terms to the existing English, French, German, and Italian. Appendixes on MIDI, guitar fingering, and guitar chords are new to the second edition, and the material on electronic instruments and electronic sound modification has been revised and expanded. The revision also includes nearly 100 new musical examples.
Basic Atonal Theory
Author: John Rahn
Publisher: MacMillan Publishing Company
Published: 1987
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOK →Analyzing Atonal Music
Author: Michiel Schuijer
Publisher: University Rochester Press
Published: 2008
Total Pages: 334
ISBN-13: 9781580462709
DOWNLOAD EBOOK →For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.
Basic Atonal Counterpoint
Author: Stanley A. Funicelli
Publisher: Createspace Independent Publishing Platform
Published: 2009-12-22
Total Pages: 0
ISBN-13: 9781449929534
DOWNLOAD EBOOK →Basic Atonal Counterpoint is a guided course in atonal contrapuntal composition using pitch groups known as "sets." Included are sections on set theory, melodic construction, counterpoint in two and multi-voice writing, nesting, phrase structure and formal construction and innovative sections on transformations and variants, and the gradation of dissonance. Over 100 original examples.
Serial Composition and Atonality
Author: George Perle
Publisher: Univ of California Press
Published: 1972
Total Pages: 220
ISBN-13: 9780520019355
DOWNLOAD EBOOK →Understanding Post-Tonal Music
Author: Miguel A. Roig-Francolí
Publisher: Routledge
Published: 2021-02-25
Total Pages: 432
ISBN-13: 1000332632
DOWNLOAD EBOOK →Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
Twentieth-century Music Theory and Practice
Author: Edward Pearsall
Publisher: Routledge
Published: 2012
Total Pages: 314
ISBN-13: 0415888956
DOWNLOAD EBOOK →Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening. Access additional resources and online material here: http: //www.twentiethcenturymusictheoryandpractice.net and https: //www.motivichearing.com/.
The Musician's Guide to Theory and Analysis
Author: Jane Piper Clendinning
Publisher: W. W. Norton & Company
Published: 2016-06-01
Total Pages: 16
ISBN-13: 0393600483
DOWNLOAD EBOOK →The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.
