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Author: Mary E. Davis
Publisher: Reaktion Books
Published: 2010-10-15
Total Pages: 258
ISBN-13: 186189757X
DOWNLOAD EBOOK →Beautifully illustrated and drawing on unpublished images and memorabilia, this book illuminates the ways in which innovations by the Ballets Russes in dance, music, sets and costume both mirrored and invigorated contemporary culture. --Book Jacket.
Author: Robert Bell
Publisher:
Published: 2010
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOK →The Ballets Russes has engaged people for 100 years, ever sinceRussian-born Sergei Diaghilev created this dynamic avant-garde company.Diaghilev brought together some of the most important visual artists ofthe 20th century to work as costume and stage designers and workwith composers, choreographers, and dancers, infusing new life andcreative energy into the performing arts of the time. Through thecostumes, drawings, programs, and posters presented in this book, thevisual spectacle of the Ballets Russes is brought back into view for acontemporary audience to appreciate the revolution it was and theongoing influence it continues to have today.
Author: Lynn Garafola
Publisher: Da Capo
Published: 1998
Total Pages: 524
ISBN-13: 9780306808784
DOWNLOAD EBOOK →In the history of twentieth-century ballet, no company has had so profound and far-reaching an influence as the Ballets Russes. Under the direction of impresario extraordinaire Serge Diaghilev (1872–1929), the Ballets Russes radically transformed the nature of ballet—its subject matter, movement idiom, choreographic style, stage space, music, scenic design, costume, even the dancer's physical appearance. From 1909 to 1929, it nurtured some of the greatest choreographers in dance history—Fokine, Nijinsky, Massine, and Balanchine—and created such classics as Les Sylphides, Firebird, Petrouchka, L'Après-midi d'un Faune, Les Noces, and Apollo. Diaghilev brought together some of the leading artists of his time, including composers Stravinsky, Debussy, and Prokofiev; artists Picasso, Braque, and Matisse, and poets Hoffmansthal and Cocteau. Diaghilev's Ballets Russes is the most authoritative history of the company ever written and the first to examine it as a totality—its art, enterprise, and audience. Combining social and cultural history with illuminating discussions of dance, drama, music, art, economics, and public reception, Lynn Garafola paints an extraordinary portrait of the company that shaped ballet into what it is today.
Author: Richard Shead
Publisher:
Published: 1989
Total Pages: 192
ISBN-13: 9781850761341
DOWNLOAD EBOOK →Author: Davinia Caddy
Publisher: Cambridge University Press
Published: 2012-04-26
Total Pages: 255
ISBN-13: 1107014409
DOWNLOAD EBOOK →A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-époque Paris.
Author: Jane Pritchard
Publisher: Victoria & Albert Museum
Published: 2015-05-26
Total Pages: 0
ISBN-13: 9781851778355
DOWNLOAD EBOOK →"This book was published to coincide with the exhibition Diaghilev and the Golden Age of the Ballet Russes 1909-1929 at the Victoria and Albert Museum, London, 25 September 2010-9 January 2011"--Title page verso.
Author: Mary E. Davis
Publisher: Reaktion Books
Published: 2010-10-15
Total Pages: 258
ISBN-13: 186189757X
DOWNLOAD EBOOK →Beautifully illustrated and drawing on unpublished images and memorabilia, this book illuminates the ways in which innovations by the Ballets Russes in dance, music, sets and costume both mirrored and invigorated contemporary culture. --Book Jacket.
Author: Patricia Mears
Publisher: Vendome Press
Published: 2019-10-15
Total Pages: 0
ISBN-13: 9780865653733
DOWNLOAD EBOOK →A gorgeously illustrated look at the profound influence that classical ballet and the ballerina have had on high fashion Ballerina: Fashion's Modern Muse is a revelatory, irresistible treat for dance aficionados and fashionistas alike. Couturiers such as Balmain, Balenciaga, Chanel, Schiaparelli, Charles James, Dior, and Yves Saint Laurent designed ballet-inspired dresses and gowns, many featuring the boned bodices and voluminous tulle skirts of classical tutus. And ready-to-wear designers such as Claire McCardell found inspiration in ballet leotards and other practice clothing, creating knitted separates, bathing suits, and wrap dresses. Written by fashion and ballet experts, the book is illustrated with archival photography by such masters as Richard Avedon, Edward Steichen, Irving Penn, Man Ray, and Cecil Beaton, along with newly commissioned photography of contemporary ballerinas wearing ballet-influenced couture.
Author: Sjeng Scheijen
Publisher: Profile Books
Published: 2010-08-26
Total Pages: 552
ISBN-13: 184765245X
DOWNLOAD EBOOK →This magnificent new biography of the extraordinary impresario of the arts and creator of the Ballets Russes 100 years ago draws on important new research, notably from Russia. 'Scheijen masterfully recounts the phenomenal way in which Diaghilev contrived, under virtually impossible circumstances, to nurture a sequence of works ... he triumphs in making clear the degree to which, despite the cosmopolitanism of so much of the work, Russia was at the core of Diaghilev' Simon Callow, Guardian 'It's a fabulous, complicated, very sexy story and Sjeng Scheijen takes us through it with a steadying calm that fudges none of the outrage on or off stage' Duncan Fallowell, Daily Express 'Magnificent ... filled with extraordinary glamour' Rupert Christiansen, Daily Mail
Author: StephenD. Press
Publisher: Routledge
Published: 2017-07-05
Total Pages: 328
ISBN-13: 1351553062
DOWNLOAD EBOOK →Ballet impresario Sergey Pavlovich Diaghilev and composer Sergey Sergeyevich Prokofiev are eminent figures in twentieth-century cultural history, yet this is the first detailed account of their fifteen-year collaboration. The beginning was not trouble-free, but despite two false starts (Ala i Lolli and the first version of its successor, Chout) Diaghilev maintained his confidence in the composer. With his guidance and encouragement Prokofiev established his mature balletic style. After some years of estrangement during which Prokofiev wrote for choreographer Boris Romanov and conductor/publisher Serge Koussevitsky, Diaghilev came to the composer's rescue at a low point in his Western career. The impresario encouraged Prokofiev's turn towards 'a new simplicity' and offered him a great opportunity for career renewal with a topical ballet on Soviet life (Le Pas d'acier). Even as late as 1928-29 Diaghilev compelled Prokofiev to achieve new heights of expressivity in his characterizations (L'Enfant prodigue). Although Western scholars have investigated Prokofiev's operas, piano works, and symphonies, little attention has been paid to his early ballets written for Diaghilev's Ballets Russes. Despite Prokofiev's devotion to opera, it was his ballets for Diaghilev as much as his concertos and solo piano works that earned his renown in Western Europe in the 1920s. Stephen D. Press discusses the genesis of each ballet, including the important contributions of the scenic designers (Mikhail Larionov, Georgy Yakulov and Georges Rouault) and the choreographer/dancers (Lid Massine, Serge Lifar and George Balanchine), and the special relationship between the ballets' progenitors.
