Balletball

Balletball PDF

Author: Erin Dionne

Publisher: Charlesbridge Publishing

Published: 2020-02-25

Total Pages: 36

ISBN-13: 1580899390

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Nini loves everything about ballet--the sparkles, the costumes, the twirling! But in the spring there's only baseball practice. Baseball is nothing like ballet. Or is it? Nini hates baseball. She hates that baseball is not ballet. She especially hates that Mom signed her up to play, but now she's stuck with the sport. Nini just can't bring herself to try. Her team starts to lose, but not even her teammates' disappointment will change her feelings. A pep talk from her coach and sparkly shoelaces help--a little. When Nini makes a game-winning catch using her ballet moves, she realizes that change might not be so bad after all, and ballet and baseball have more in common than she thought.

Balletball

Balletball PDF

Author: Erin Dionne

Publisher: Charlesbridge Publishing

Published: 2020-02-25

Total Pages: 32

ISBN-13: 1632897970

DOWNLOAD EBOOK →

Nini loves everything about ballet--the sparkles, the costumes, the twirling! But in the spring there's only baseball practice. Baseball is nothing like ballet. Or is it? Nini hates baseball. She hates that baseball is not ballet. She especially hates that Mom signed her up to play, but now she's stuck with the sport. Nini just can't bring herself to try. Her team starts to lose, but not even her teammates' disappointment will change her feelings. A pep talk from her coach and sparkly shoelaces help--a little. When Nini makes a game-winning catch using her ballet moves, she realizes that change might not be so bad after all, and ballet and baseball have more in common than she thought.

Todd Bolender, Janet Reed, and the Making of American Ballet

Todd Bolender, Janet Reed, and the Making of American Ballet PDF

Author: Martha Ullman West

Publisher: University Press of Florida

Published: 2021-05-18

Total Pages: 296

ISBN-13: 0813065844

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Martha Ullman West illustrates how American ballet developed over the course of the twentieth century from an aesthetic originating in the courts of Europe into a stylistically diverse expression of a democratic culture. West places at center stage two artists who were instrumental to this story: Todd Bolender and Janet Reed. Lifelong friends, Bolender (1914–2006) and Reed (1916–2000) were part of a generation of dancers who navigated the Great Depression, World War II, and the vibrant cultural scene of postwar New York City. They danced in the works of choreographers Lew and Willam Christensen, Eugene Loring, Agnes de Mille, Catherine Littlefield, Ruthanna Boris, and others who West argues were just as responsible for the direction of American ballet as the legendary George Balanchine and Jerome Robbins. The stories of Bolender, Reed, and their contemporaries also demonstrate that the flowering of American ballet was not simply a New York phenomenon. West includes little-known details about how Bolender and Reed laid the foundations for Seattle’s Pacific Northwest Ballet in the 1970s and how Bolender transformed the Kansas City Ballet into a highly respected professional company soon after. Passionate in their desire to dance and create dances, Bolender and Reed committed their lives to passing along their hard-won knowledge, training, and work. This book celebrates two unsung trailblazers who were pivotal to the establishment of ballet in America from one coast to the other.

On Stage at the Ballet

On Stage at the Ballet PDF

Author: Robert Barnett

Publisher: McFarland

Published: 2019-07-18

Total Pages: 222

ISBN-13: 147667910X

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 Dancer Robert Barnett trained under legendary choreographer Bronislava Nijinska. His professional ballet career was launched when he joined the Colonel de Basil Original Ballet Russe company. In the late 1940s, when George Balanchine and Lincoln Kirstein formed the New York City Ballet, Barnett was among the first generation of dancers. Under Balanchine's direction, he rose from corps de ballet to soloist. In 1958 he became principal dancer and associate artistic director of the Atlanta Ballet--the oldest continuously operating company in America--and served as artistic director for more than thirty years. He was head coach of the American delegation to the International Ballet Competitions in Varna, Bulgaria, in 1980 and in Moscow in 1981. Barnett's autobiography recounts the life of a dancer and artistic director, offers insight into what is involved in pursuing a professional career in dance and provides a history of ballet in America from the early 1920s through 2019.

Making Ballet American

Making Ballet American PDF

Author: Andrea Harris

Publisher: Oxford University Press

Published: 2017-10-02

Total Pages: 240

ISBN-13: 0190265809

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George Balanchine's arrival in the United States in 1933, it is widely thought, changed the course of ballet history by creating a bold neoclassical style that is celebrated as the first American manifestation of the art form. In Making Ballet American, author Andrea Harris challenges this narrative by revealing the complex social, cultural, and political forces that actually shaped the construction of American neoclassical ballet. Situating American ballet within a larger context of modernisms, the book examines critical efforts to craft new, modernist ideas about the relevance of classical dancing for American society and democracy. Through cultural and choreographic analysis, it illustrates the evolution of modernist ballet during a turbulent historical period. Ultimately, the book argues that the Americanization of Balanchine's neoclassicism was not the inevitable outcome of his immigration or his creative genius, but rather a far more complicated story that pivots on the question of modern art's relationship to America and the larger world.

The Word

The Word PDF

Author: Isaac Mozeson

Publisher: SP Books

Published: 2000

Total Pages: 324

ISBN-13: 9781561719426

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This landmark dictionary proves that English words can be traced back to the universal, original language, Biblical Hebrew. Genesis II supports a 'Mother Tongue' thesis, and the Bible also claims that Adam named the animals. This may seem difficult to accept, but then why do the translations of the following animals' names: Skunk, Gopher, Giraffe and Horse actually have corresponding meanings in Biblical Hebrew, such as: Stinker, Digger, Neck and Plower? The book features overwhelming data suggesting that the roots of all human words are universal, and that words have related synonyms and antonyms that must have been intelligently designed (perhaps by the designer of life himself!) The current hypothesis that language evolved from grunting ape-men may seem like the flat earth theory after reading this book. The 22,000 English-Hebrew links provide surprising evidence, and open new worlds of understanding, once we consider that all of these similar words could not be coincidences.

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