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Author: Dan Levine
Publisher: Empire Press
Published: 2005-02-25
Total Pages: 198
ISBN-13: 9781891603266
DOWNLOAD EBOOK →Chicago gets the razzle-dazzle treatment in this eye-opening expos of the city's hip and hidden attractions. This guide provides thorough coverage of sights both on and off the beaten path, and lets readers discover true local hideouts and where to go for upscale drinks, downtown meals, and cross-town musical experiences. Photos, illustrations, and maps.
Author: Marjorie Perloff
Publisher: University of Chicago Press
Published: 2003-12-03
Total Pages: 344
ISBN-13: 9780226657387
DOWNLOAD EBOOK →This volume examines the flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Futurism was an artistic and social movement that was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere. The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature. This work looks at the prose, visual art, poetry, and the manifestos of Futurists from Russia to Italy. The author reveals the Moment's impulses and operations, tracing its echoes through the years to the work of "postmodern" figures like Roland Barthes. This updated edition reexamines the Futurist Moment in the light of a new century, in which Futurist aesthetics seem to have steadily more to say to the present
Author: Marc James Léger
Publisher: Intellect Books
Published: 2019-10-15
Total Pages: 437
ISBN-13: 1789380901
DOWNLOAD EBOOK →The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde – And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today’s world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theatre, performance, intermedia and music.
Author: Bernard Gendron
Publisher: University of Chicago Press
Published: 2002-02
Total Pages: 402
ISBN-13: 9780226287379
DOWNLOAD EBOOK →When and how did pop music earn so much cultural capital? This text investigates five key moments when popular music and avant-garde art transgressed the rigid boundaries separating high and low culture to form friendly alliances.
Author: Henry M. Sayre
Publisher: University of Chicago Press
Published: 1989
Total Pages: 328
ISBN-13: 0226735583
DOWNLOAD EBOOK →Looks at the development of American avant-garde art, including performance art, environmental art, conceptual art, video, and photo-realism.
Author: Ara H. Merjian
Publisher: University of Chicago Press
Published: 2020
Total Pages: 285
ISBN-13: 022665527X
DOWNLOAD EBOOK →"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
Author: Diana Crane
Publisher: University of Chicago Press
Published: 1987
Total Pages: 241
ISBN-13: 0226117901
DOWNLOAD EBOOK →Discusses the social aspects of art, popular culture as art, galleries, museums, and the meaning of art.
Author: David Vichnar
Publisher: Charles University in Prague, Karolinum Press
Published: 2023-11-01
Total Pages: 510
ISBN-13: 8024649373
DOWNLOAD EBOOK →The Avant-Postman explores a broad range of innovative postwar writing in France, Britain, and the United States. Taking James Joyce’s "revolution of the word" in Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines through the work of more than fifty writers up to the present, including Alain Robbe-Grillet, B. S. Johnson, William Burroughs, Christine Brooke-Rose, Georges Perec, Kathy Acker, Iain Sinclair, Hélène Cixous, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five writing strategies employed by Joyce—narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologising the logos—the book reveals the striking continuities and developments from Joyce’s day to our own.
Author: Patricia Leighten
Publisher: University of Chicago Press
Published: 2013-11-08
Total Pages: 269
ISBN-13: 0226471381
DOWNLOAD EBOOK →The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
