The Augustan Satire: exemplified on Alexander Pope’s "The Rape of the Lock"

The Augustan Satire: exemplified on Alexander Pope’s

Author: Nadja Groß

Publisher: GRIN Verlag

Published: 2013-03-18

Total Pages: 13

ISBN-13: 3656393141

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Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Trier, course: Alexander Pope, language: English, abstract: “Pope is the standout poet of the eighteenth century. A master of form and register, a maestro of metre, and a doyden of wit, Pope will remain among the most read and most imitated writers in the English language” (Budge 2009, 54.) Alexander Pope is often referred to as one of the greatest critics of all times. He is a great author and his poems are commonly known in the world of Literature. His satirical style is brilliant and exemplified in many of his poems. In the following, I am going to analyze the Augustan poem “The Rape of the Lock”, specifically in terms of its satirical elements. Therefore, I want to start with a look at a few definitions of the Satire. Next, I will go into more detail by defining the Augustan Satire as a subgenre of Satire. After validating these two term’s definitions, there will be the actual analysis. Due to limitations of space, however, I cannot consider all of the satirical elements of the poem, and have decided to put my main focus on the role of Belinda.

Satire and Sentiment, 1660-1830

Satire and Sentiment, 1660-1830 PDF

Author: Claude Julien Rawson

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 332

ISBN-13: 9780300079166

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Claude Rawson examines the evolution of satirical writing in the period 1660-1830. In a sequence of linked chapters, some new and others revised substantially from earlier articles, he focuses on English writers from Rochester to Austen, both within a contemporaneous European context and as part of a tradition deriving from classical and sixteenth-century Humanist predecessors (Homer, Virgil, Erasmus, Montaigne) and leading to later writers like Flaubert and Yeats. Within the period 1660-1830 satire moved from an unusually dominant position to a relatively modest one, softened by the cult of 'sensibility' or 'sentiment'. The transition was connected with large social and cultural changes culminating in the French Revolution. Rawson's method is to concentrate on stress points, on evasions and internal contradictions, and on continuities and discontinuities with earlier and later periods and with literatures and modes of thought outside Britain.

The Practice of Satire in England, 1658–1770

The Practice of Satire in England, 1658–1770 PDF

Author: Ashley Marshall

Publisher: JHU Press

Published: 2013-06-28

Total Pages: 452

ISBN-13: 1421408171

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An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.

English formal satire

English formal satire PDF

Author: Doris C. Powers

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-03-01

Total Pages: 216

ISBN-13: 3111342492

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To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.

Print, Visuality, and Gender in Eighteenth-Century Satire

Print, Visuality, and Gender in Eighteenth-Century Satire PDF

Author: Katherine Mannheimer

Publisher: Routledge

Published: 2012-05-23

Total Pages: 248

ISBN-13: 1136728562

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This study interprets eighteenth-century satire’s famous typographical obsession as a fraught response to the Enlightenment’s "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" — a moment at which widespread attention was being paid, for the first time, to format, layout, and eye-catching advertising strategies. On the one hand, the Augustans were convinced of the ability of their elaborately printed texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers’ physical but also moral vision. On the other hand, they feared that an overly scrutinizing gaze might undermine the viewer’s natural faculty for candor and sympathy, delight and desire. In readings of Pope, Swift, and Montagu, Mannheimer shows how this distrust of the empirical gaze led to a reconsideration of the ethics, and most specifically the gender politics, of ocularcentrism. Whereas Montagu effected this reconsideration by directly satirizing both the era’s faith in the visual and its attendant publishing strategies, Pope and Swift pursued their critique via print itself: thus whether via facing-page translations, fictional editors, or disingenuous footnotes, these writers sought to ensure that typography never became either a mere tool of (or target for) the objectifying gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing.

The Triumph of Augustan Poetics

The Triumph of Augustan Poetics PDF

Author: Blanford Parker

Publisher: Cambridge University Press

Published: 1998-06-11

Total Pages: 282

ISBN-13: 9780521590884

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The Triumph of Augustan Poetics offers an important re-evaluation of the transition from Baroque to Augustan in English literature. Starting with Butler's Hudibras, Blanford Parker describes Augustan satire as a movement away from the 'controversial disputation' of the seventeenth century to a general satire which ridicules Protestant, Anglican and Catholic in equal measure, as well as the poetic traditions that supported them. Once the dominant forms of late medieval and Baroque thought - analogical and fideist, a fully symbolic world and an empty wilderness - were erased, a novel space for the imagination was created. Here a 'literalism' new to European thought can be seen to have replaced the general satire, and at this moment Pope and Thomson create a new art of natural and quotidian description, in parallel with the rise of the novel. Parker's account concludes with the ambiguous or hostile reaction to this new mode seen in the works of Samuel Johnson and others.

A Companion to Satire

A Companion to Satire PDF

Author: Ruben Quintero

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 624

ISBN-13: 1405171995

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This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.

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