After Auschwitz

After Auschwitz PDF

Author: Northern Centre for Contemporary Art (Sunderland, Tyne and Wear, England)

Publisher:

Published: 1995

Total Pages: 164

ISBN-13:

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The senseless horror of the Holocaust continues to send shockwaves through history. Few would question its profound influence on post-war philosophy, morality, theological and political thinking. Yet the impact of the Holocaust on the Fine Arts, and in particular on contemporary art, has still not received the attention it deserves. This new publication accompanies a pioneering touring exhibition. It comprises a series of illustrated essays by leading experts, addressing: the art produced by victims of the Holocaust during the Holocaust; the influence of the Holocaust on artists who were not camp inmates, working during the war and in the post-war period; Holocaust memorials and their significance; and the work of a younger generation of artists, many of them non-Jews, whose relationship to the Holocaust is more oblique. Among the artists included are R. B. Kitaj, Picasso, Francis Bacon, Magdalena Abakanowicz, Christian Boltanski, Melvin Charney, Shimon Attie, Zoran Music, Susanna Pieratzki, Mick Rooney and Nancy Spero. The works selected have in common a determination not to rely on over-used visual stereotypes, nor to indulge in nostalgia, morbidity or sentimentality. Aesthetically compelling, they force us to reassess a subject all too often dismissed as overworked, and to reconsider the nature and potential of artistic activity 'after Auschwitz', as the century nears its end.

Holocaust Representation

Holocaust Representation PDF

Author: Berel Lang

Publisher: JHU Press

Published: 2003-05-01

Total Pages: 198

ISBN-13: 0801876362

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Since Theodor Adorno's attack on the writing of poetry "after Auschwitz," artists and theorists have faced the problem of reconciling the moral enormity of the Nazi genocide with the artist's search for creative freedom. In Holocaust Representation, Berel Lang addresses the relation between ethics and art in the context of contemporary discussions of the Holocaust. Are certain aesthetic means or genres "out of bounds" for the Holocaust? To what extent should artists be constrained by the "actuality" of history—and is the Holocaust unique in raising these problems of representation? The dynamics between artistic form and content generally hold even more intensely, Lang argues, when art's subject has the moral weight of an event like the Holocaust. As authors reach beyond the standard conventions for more adequate means of representation, Holocaust writings frequently display a blurring of genres. The same impulse manifests itself in repeated claims of historical as well as artistic authenticity. Informing Lang's discussion are the recent conflicts about the truth-status of Benjamin Wilkomirski's "memoir" Fragments and the comic fantasy of Roberto Benigni's film Life Is Beautiful. Lang views Holocaust representation as limited by a combination of ethical and historical constraints. As art that violates such constraints often lapses into sentimentality or melodrama, cliché or kitsch, this becomes all the more objectionable when its subject is moral enormity. At an extreme, all Holocaust representation must face the test of whether its referent would not be more authentically expressed by silence—that is, by the absence of representation.

Caught by History

Caught by History PDF

Author: Ernst van Alphen

Publisher: Stanford University Press

Published: 1997

Total Pages: 252

ISBN-13: 9780804729154

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In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch” is the subject of inquiry that propels this study.

Judenmord

Judenmord PDF

Author: Kathrin Hoffmann-Curtius

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9781780239071

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Judenmord is the first collection of works of art specifically by German artists from the end of the war to the end of the 1960s that comment on the Holocaust.

Memory Effects

Memory Effects PDF

Author: Dora Apel

Publisher: Rutgers University Press

Published: 2002

Total Pages: 266

ISBN-13: 9780813530499

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Dora Apel analyzes the ways in which artists born after the Holocaust-whom she calls secondary witnesses-represent a history they did not experience first hand. She demonstrates that contemporary artists confront these atrocities in order to bear witness not to the Holocaust directly, but to its "memory effects" and to the implications of those effects for the present and future. Drawing on projects that employ a variety of unorthodox artistic strategies, the author provides a unique understanding of contemporary representations of the Holocaust. She demonstrates how these artists frame the past within the conditions of the present, the subversive use of documentary and the archive, the effects of the Jewish genocide on issues of difference and identity, and the use of representation as a form of resistance to historical closure.

Abstraction and the Holocaust

Abstraction and the Holocaust PDF

Author: Mark Godfrey

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 316

ISBN-13: 9780300126761

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Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically.

ArtCurious

ArtCurious PDF

Author: Jennifer Dasal

Publisher: Penguin

Published: 2020-09-15

Total Pages: 289

ISBN-13: 0143134590

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A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

When Memory Speaks

When Memory Speaks PDF

Author: Nelly Toll

Publisher: Praeger

Published: 1998-01-21

Total Pages: 152

ISBN-13:

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Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics—the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

Impossible Images

Impossible Images PDF

Author: Shelley Hornstein

Publisher: NYU Press

Published: 2003-10

Total Pages: 311

ISBN-13: 0814798268

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Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments. Exploring frequently neglected aspects of contemporary art after the Holocaust, the volume demonstrates how visual culture informs Jewish memory, and makes clear that art matters in contemporary Jewish studies. Accepting that knowledge is culturally constructed, Impossible Images makes explicit the ways in which context matters. It shows how the places where an artist works shape what is produced, in what ways the space in which a work of art is exhibited and how it is named influences what is seen or not seen, and how calling attention to certain details in a visual work, such as a gesture, a color, or an icon, can change the meaning assigned to the work as a whole. Written accessibly for a general readership and those interested in art and art history, the volume also includes 20 color plates from leading artists Alice Lok Cahana, Judy Chicago, Debbie Teicholz, and Mindy Weisel.