Art Made Tongue-tied by Authority

Art Made Tongue-tied by Authority PDF

Author: Janet Clare

Publisher: Manchester University Press

Published: 1999

Total Pages: 260

ISBN-13: 9780719056956

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In this work, Janet Clare maintains that to understand dramatic and theatrical censorship in the Renaissance we need to map its terrain, not its serial changes and examine the language through which it was articulated. In tracing the development of dramatic censorship from its origins in the suppression of the medieval religious drama to the end of the Jacobean period, she shows how the system of censorship which operated under Elizabeth I and James I was dynamic, unstable and unpredictable. The author questions notions which regard censorship as either consistently repressive or as irregular and negotiable, arguing that it was governed by the contingencies of the historical moment.

Shostakovich Studies

Shostakovich Studies PDF

Author: David Fanning

Publisher: Cambridge University Press

Published: 2006-11-02

Total Pages: 296

ISBN-13: 9780521028318

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These eleven essays lay a foundation for a proper understanding of Shostakovich's musical language and provide new insights into issues surrounding his composition.

Boris Pasternak

Boris Pasternak PDF

Author: Christopher Barnes

Publisher: Cambridge University Press

Published: 2004-02-12

Total Pages: 516

ISBN-13: 9780521520737

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This concluding volume of Christopher Barnes's acclaimed biography of the Russian poet and prose-writer Boris Pasternak covers the period from 1928 to his death, during which he wrote the famous Dr Zhivago and was awarded the Nobel Prize for Literature. Drawing on archive material (including the Pasternak family archive), eyewitness accounts and a huge range of biographical and background information, Barnes brings to light many aspects of Pasternak's personality and private life, while illuminating his relations with the Communist régime and the literary establishment. There is a detailed discussion of Pasternak's original writing (with ample quotation in English translation), and his translations of Goethe, Shakespeare and others. The growth story of Dr Zhivago is traced, and the personal and political implications of the novel's controversial publication explored. The biography concludes with a discussion of Pasternak's Nobel Prize award, final years and death, with a brief account of his posthumous and artistic legacy.

The Cambridge Companion to Shostakovich

The Cambridge Companion to Shostakovich PDF

Author: Pauline Fairclough

Publisher: Cambridge University Press

Published: 2008-10-30

Total Pages: 488

ISBN-13: 1139827383

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As the Soviet Union's foremost composer, Shostakovich's status in the West has always been problematic. Regarded by some as a collaborator, and by others as a symbol of moral resistance, both he and his music met with approval and condemnation in equal measure. The demise of the Communist state has, if anything, been accompanied by a bolstering of his reputation, but critical engagement with his multi-faceted achievements has been patchy. This Companion offers a starting point and a guide for readers who seek a fuller understanding of Shostakovich's place in the history of music. Bringing together an international team of scholars, the book brings research to bear on the full range of Shostakovich's musical output, addressing scholars, students and all those interested in this complex, iconic figure.

Shake-speare: the Hidden Author

Shake-speare: the Hidden Author PDF

Author: Chris Summers

Publisher: Austin Macauley Publishers

Published: 2021-07-30

Total Pages: 300

ISBN-13: 1398414336

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Over the course of literary history there have been many instances of ghost writing between husband and wife, where the wife has been the genius while the husband takes the kudos for any success. A recent film, The Wife, is but one instance of how a wife may allow her husband to take the credit for her genius. In this book you will find the greatest instance of a wife sacrificing her literary genius in order to immortalise her husband. The name William Shakespeare conjures up images of an uneducated man becoming the greatest writer in English history, fêted from the stages of London to his famous poems going through several reprints. After over 400 years of bardolatry, his name appears unassailable. What if, though, the adoration and the fame afforded him has been tragically misplaced? What if, contrary to common acceptance, it was to be proven that he is not the author? What if it can be shown that the real author of Shake-speares Sonnets, and by extension, the plays and poems attributed to him have to be re-imagined as being from the pen of someone so close to him that she has been overlooked for centuries? What if, like so many other women geniuses hidden from view, the real author is none other than his wife, Anne Shakespeare? This book presents evidence that the real author of Shake-speares Sonnets is his wife, Anne, and the young man who is the subject of them is none other than her husband, William Shakespeare.

Coriolanus

Coriolanus PDF

Author: Lee Bliss

Publisher: Cambridge University Press

Published: 2010-01-21

Total Pages: 377

ISBN-13: 113983519X

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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Coriolanus, edited by Lee Bliss, provides a thorough reconsideration of what was probably Shakespeare's last tragedy. In the introduction, Bliss situates the play within its contemporary social and political contexts and pays particular attention to Shakespeare's manipulation of his primary source in Plutarch's Lives. The edition is alert to the play's theatrical potential, while the stage history also attends to the politics of performance from the 1680s onwards, including European productions following the Second World War. A new introductory section by Bridget Escolme accounts for recent theatrical productions as well as scholarly criticism of the last decade, with particular emphasis on gender and politics.

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