Art in Chicago, 1945-1995

Art in Chicago, 1945-1995 PDF

Author: Jeff Abell

Publisher:

Published: 1996

Total Pages: 312

ISBN-13: 9780933856417

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Art in Chicago, 1945-1995 examines the unique development of artistic traditions within the cultural, social, and political life of this quintessential American city during the second half of the twentieth century. Capturing the verve and innovation that characterized each decade, the book considers painting, sculpture, photography, drawing, and media arts (film, video, performance) by 150 artists who have either always lived and worked in Chicago or have created significant bodies of work in residence there. Among the artists profiled are Roger Brown, Harry Callahan, Ruth Duckworth, Jeanne Dunning, Leon Golub, Robert Heinecken, Richard Hunt, June Leaf, Kerry James Marshall, Laszlo Moholy-Nagy, Archibald J. Motley, Jr., Jim Nutt, Ed Paschke, Hirsch Perlman, Martin Puryear, Arnaldo Roche Rabell, Miroslaw Rogala, Alejandro Romero, Kay Rosen, Hollis Sigler, Aaron Siskind, Nancy Spero, Tony Tasset, H. C. Westermann, Claire Zeisler, and the Zhou Brothers. More than 170 color reproductions are set amidst a running timeline of historical events in both Chicago and beyond, and over 140 black-and-white photographs complement the text.

Art in Chicago, 1945-1995

Art in Chicago, 1945-1995 PDF

Author: Lynne Warren

Publisher: Thames & Hudson

Published: 1996

Total Pages: 316

ISBN-13:

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Significant bodies of work in residence there. Among the artists profiled are Roger Brown, Harry Callahan, Ruth Duckworth, Jeanne Dunning, Leon Golub, Robert Heinecken, Richard Hunt, June Leaf, Kerry James Marshall, Laszlo Moholy-Nagy, Archibald J. Motley, Jr., Jim Nutt, Ed Paschke, Hirsch Perlman, Martin Puryear, Arnaldo Roche Rabell, Miroslaw Rogala, Alejandro Romero, Kay Rosen, Hollis Sigler, Aaron Siskind, Nancy Spero, Tony Tasset, H.C. Westermann, Claire Zeisler,

Art in Chicago, 1945-1995

Art in Chicago, 1945-1995 PDF

Author: Lynne Warren

Publisher: Thames & Hudson

Published: 1996

Total Pages: 320

ISBN-13:

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Significant bodies of work in residence there. Among the artists profiled are Roger Brown, Harry Callahan, Ruth Duckworth, Jeanne Dunning, Leon Golub, Robert Heinecken, Richard Hunt, June Leaf, Kerry James Marshall, Laszlo Moholy-Nagy, Archibald J. Motley, Jr., Jim Nutt, Ed Paschke, Hirsch Perlman, Martin Puryear, Arnaldo Roche Rabell, Miroslaw Rogala, Alejandro Romero, Kay Rosen, Hollis Sigler, Aaron Siskind, Nancy Spero, Tony Tasset, H.C. Westermann, Claire Zeisler,

Jeff Koons

Jeff Koons PDF

Author: Rainald Goetz

Publisher: Oberon Books

Published: 2004

Total Pages: 124

ISBN-13:

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A puzzling and enticingly experimental play from a celebrated German writer.

Life, Death, Love, Hate, Pleasure, Pain

Life, Death, Love, Hate, Pleasure, Pain PDF

Author: Elizabeth A. T. Smith

Publisher:

Published: 2002

Total Pages: 398

ISBN-13:

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With its title taken from a signature work by Bruce Nauman, Life, Death, Love, Hate, Pleasure, Pain presents a selection of approximately 190 works from the collection of the Museum of Contemporary Art, Chicago. A wide-ranging, insightful survey, arranged in roughly chronological order, it features work by such artists as Vito Acconci, Magdalena Abakanowicz, Francis Bacon, Matthew Barney, Joseph, Beuys, Christo, Iìigo Manglano-Ovalle, KerryJames Marshall, Mariko Mori, Martin Puryear, Richard Serra, Yinka Shonibare and H. C. Westermann. In an introductory essay, chief curator Elizabeth Smith discusses key trends in art from World War II to the present and provides a brief history of the MCA and its collection. Additional, accessible short texts by the curatorial staff of the MCA focus on individiual works.

How New York Stole the Idea of Modern Art

How New York Stole the Idea of Modern Art PDF

Author: Serge Guilbaut

Publisher: University of Chicago Press

Published: 2020-09-15

Total Pages: 305

ISBN-13: 022679184X

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"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review