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Architecture and Geometry in the Age of the Baroque

Author: George L. Hersey

Publisher: University of Chicago Press

Published: 2001-03

Total Pages: 284

ISBN-13: 0226327833

The age of the baroque -- a time of great strides in science and mathematics -- also saw the construction of some of the world's most magnificent buildings. In this book, George L. Hersey explores the interrelations of the two developments, explaining how the advancements of geometry and the abstractions of mathematicians were made concrete in the architecture of the day. Copyright © Libri GmbH. All rights reserved.

Architecture in the Age of Divided Representation

Author: Dalibor Vesely

Publisher: MIT Press

Published: 2004

Total Pages: 538

ISBN-13: 9780262220675

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Reclaiming the humanistic role of architecture in the age of technology: an examination of architecture's indispensable role as a cultural force throughout history.

The Triumph of the Baroque

Author: Reale Palazzina di caccia di Stupinigi

Publisher: Rizzoli International Publications

Published: 1999

Total Pages: 0

ISBN-13: 9780847822195

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"The baroque style of architecture rose up from the Mannerism of the turn of the seventeenth century, and evolved into the lighter rococo around 1750. At its height, the baroque encompassed all the arts, and the style was freighted with the message of the Counter-Reformation." "This catalogue explores every facet of baroque architecture in Europe. An international team of scholars examines such subjects as the political and religious use of architecture, the birth of the baroque in Rome, landscape, fantasies, and the education of the architect. The second part of the book, a catalogue of works exhibited, illustrates the types of baroque construction: villas and chateaux, military architecture, royal palaces, and gardens."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Architectural Principles in the Age of Humanism

Author: Rudolf Wittkower

Publisher: W. W. Norton & Company

Published: 1971

Total Pages: 244

ISBN-13: 9780393005998

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Sir Kenneth Clark wrote in the Architectural Review, that the first result of this book was "to dispose, once and for all, of the hedonist, or purely aesthetic, theory of Renaissance architecture, ' and this defines Wittkower's intention in a nutshell.

Finding San Carlino

Author: Adil Mansure

Publisher: Routledge

Published: 2019-12-06

Total Pages: 287

ISBN-13: 0429856032

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The church of San Carlo alle Quattro Fontane, also called San Carlino, is an architectural artefact that continues to attract numerous hypotheses and geometric analyses attempting to explain its form and meaning. Numerous investigations have attempted to reveal its underlying geometrical principles, without, however, reaching a consensus. Finding San Carlino presents an edited collection of perspectives on Borromini’s famous Baroque church from a range of established and emerging scholars in architectural history and theory, including Werner Oechslin, Karsten Harries, Michael Hill and Lauren Jacobi amongst others. This book offers the reader different means of engaging with, enjoying and articulating San Carlino’s complexity, non-consensus and ambiguity. It is precisely such a unique disposition that motivates this book to explore multiple modes of architectural enquiry and delve into a series of theoretical and historiographical questions such as: why was Borromini not able to post-rationalize his architecture with his drawings? What is San Carlino’s exemplary value, and why does it continually engender exegetical and hermeneutic desire? What is the role of geometry in architecture, in history and today? Written for researchers, scholars and postgraduate students in architectural history and theory, the book uses San Carlino as an enigmatic centering point for a set of significant contemporary voices to explore new modes of confrontation and comparison.

Classical Architecture in Britain

Author: Giles Worsley

Publisher: Paul Mellon Ctr for Studies

Published: 1995

Total Pages: 349

ISBN-13: 9780300058963

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Giles Worsley notes that architectural styles do not always supersede one another but can co-exist, although one style may be dominant. Focusing on the Palladian classical tradition, introduced by Inigo Jones in the 1610s, he shows that this tradition did not die out with Jones's death and revive only during the first half of the eighteenth century, as is commonly assumed, but remained viable until the end of the eighteenth century, rivalling the baroque and rococo styles. Worsley argues that neo-classicism, generally seen as a generic description of architecture in the late eighteenth century, was actually prevalent in British architecture in varying degrees of strength as early as 1615. He examines the architecture of Scotland, Ireland and North America in the seventeenth and eighteenth centuries and shows how styles were influenced by English Palladianism. He also places Palladianism in a European context, pointing out that it was not an isolated phenomenon but was an important feature of Italian, French, Dutch and German architecture during this time. The book thus not only sheds fresh light on British architecture but also provides a new outlook on European and American architecture as a whole.

The Baroque Age

Author: Giulio Carlo Argan

Publisher: Rizzoli International Publications

Published: 1989

Total Pages: 144

ISBN-13:

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Previously published as pt. 1 of The Europe of the capitals 1600-1700, 1964. Color and bandw illustrations with text present the visual arts as well as the architecture of this age. Annotation copyrighted by Book News, Inc., Portland, OR

Architecture and Mathematics from Antiquity to the Future

Author: Kim Williams

Publisher: Birkhäuser

Published: 2015-02-11

Total Pages: 690

ISBN-13: 3319001434

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Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Through this work, architecture may be seen and understood in a new light, by professionals as well as non-professionals. Volume II covers architecture from the Late Renaissance era, through Baroque, Ottoman, Enlightenment, Modern and contemporary styles and approaches. Key figures covered in this volume include Palladio, Michelangelo, Borromini, Sinan, Wren, Wright, Le Corbusier, Breuer, Niemeyer and Kahn. Mathematical themes which are considered include linear algebra, tiling and fractals and the geographic span of the volume’s content includes works in the United States of America and Australia, in addition to those in Europe and Asia.

The Topkapi Scroll

Author: Gülru Necipoğlu

Publisher: Getty Publications

Published: 1996-03-01

Total Pages: 414

ISBN-13: 0892363355

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Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.

Now We See Now

Author: David Benjamin

Publisher: The Monacelli Press, LLC

Published: 2018-11-20

Total Pages: 609

ISBN-13: 1580935079

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Now We See Now chronicles the projects and findings of a firm that is charting bold new directions in generative design and other intersections of science and architecture. In the context of massive and accelerating change--in technology, science, climate, and society--the nature of architectural design is also evolving and coming to life in new ways. New York-based office The Living has developed a unique design approach that explores projects through the application of new technologies, materials, and the growing field of generative design (design that uses software to emulate nature's evolutionary processes). These methods are futuristic, even utopian, but also raw and immediate in their application of hands-on prototyping and testing through making. The Living addresses urgent issues through reframing design with today's tools. David Benjamin, founding principal of The Living, explains his methodologies through numerous projects and abundant research that are making real inroads to what is increasingly known as generative design. Benjamin executes numerous projects that demonstrate these surprising techniques, including the Princeton Embodied Computation Lab, a new building for research on next-generation design and construction technologies; Hy-Fi, a branching tower for MoMA PS1 made of a new type of biodegradable brick; and using principles of adaptive networks to prototype new structural dividers for Airbus that are nearly 50% lighter than traditional ones. Now We See Now documents this emerging body of work and points to new directions for an evolving discipline, surveying projects at a variety of scales for a variety for clients. For an era where rapid change is the norm, The Living demonstrates how future design practices can embrace uncertainty and generate surprising solutions to tomorrow's challenges.