Appropriating Blackness

Appropriating Blackness PDF

Author: E. Patrick Johnson

Publisher: Duke University Press

Published: 2003-08-13

Total Pages: 388

ISBN-13: 9780822331919

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DIVA consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity./div

White Negroes

White Negroes PDF

Author: Lauren Michele Jackson

Publisher: Beacon Press

Published: 2019-11-12

Total Pages: 202

ISBN-13: 0807011800

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Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.

Transcending Blackness

Transcending Blackness PDF

Author: Ralina L. Joseph

Publisher: Duke University Press

Published: 2013

Total Pages: 249

ISBN-13: 0822352923

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The author critiques the depictions of multiracial Americans in contemporary culture.

Soul Thieves

Soul Thieves PDF

Author: T. Brown

Publisher: Springer

Published: 2014-12-17

Total Pages: 572

ISBN-13: 1137071397

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Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.

Speech Is My Hammer

Speech Is My Hammer PDF

Author: Max A. Hunter

Publisher: Wipf and Stock Publishers

Published: 2022-09-30

Total Pages: 271

ISBN-13: 1666703079

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With Speech Is My Hammer, Max Hunter draws on memoir and his own biography to call his readers to reimagine the meaning and power in literacy. Defining literacy as a “spectrum of skills, abilities, attainments, and performances,” Hunter focuses on dispelling “literacy myths” and discussing how Black male artists, entertainers, professors, and writers have described their own “literacy narratives” in self-conscious, ambivalent terms. Beginning with Frederick Douglass’s My Bondage My Freedom, W. E. B. Dubois’s Soul of Black Folks, and Langston Hughes’s Harlem Renaissance–memoir The Big Sea, Hunter conducts a literary inquiry that unearths their double-consciousness and literacy ambivalence. He moves on to reveal that for many contemporary Black men the arc of ambivalence rises even higher and becomes more complex, following the civil rights and the Black Power movements, and then sweeping sharply upward once again during the War on Drugs. Hunter provides rich illustrations and probing theses that complicate our commonsense reflections on their concealed angst regarding Black authenticity, respectability politics, and masculinity. Speech Is My Hammer moves the reader beyond considering literacy in normative terms to perceive its potential to facilitate transformative conversations among Black males.

Reframing Blackness and Black Solidarities through Anti-colonial and Decolonial Prisms

Reframing Blackness and Black Solidarities through Anti-colonial and Decolonial Prisms PDF

Author: George J. Sefa Dei

Publisher: Springer

Published: 2017-05-19

Total Pages: 223

ISBN-13: 3319530798

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This book grounds particular struggles at the curious interface of skin, body, psyche, hegemonies and politics. Specifically, it adds to current [re]theorizations of Blackness, anti-Blackness and Black solidarities, through anti-colonial and decolonial prisms. The discussion challenges the reductionism of contemporary polity of Blackness in regards to capitalism/globalization, particularly when relegated to the colonial power and privileged experiences of settler. The book does so by arguing that this practice perpetuates procedures of violence and social injustice upon Black and African peoples. The book brings critical readings to Black racial identity, representation and politics informed by pertinent questions: What are the tools/frameworks Black peoples in Euro-American/Canadian contexts can deploy to forge community and solidarity, and to resist anti-Black racism and other social oppressions? What critical analytical tools can be developed to account for Black lived experiences, agency and resistance? What are the limits of the tools or frameworks for anti-racist, anti-colonial work? How do such critical tools or frameworks of Blackness and anti-Blackness assist in anti-racist and anti-colonial practice? The book provides new coordinates for collective and global mobilization by troubling the politics of “decolonizing solidarity” as pointing to new ways for forging critical friends and political workers. The book concludes by offering some important lessons for teaching and learning about Blackness and anti-Blackness confronting some contemporary issues of schooling and education in Euro-American contexts, and suggesting ways to foster dialogic and generative forums for such critical discussions.

White Rebels in Black

White Rebels in Black PDF

Author: Priscilla D Layne

Publisher: University of Michigan Press

Published: 2018-03-09

Total Pages: 272

ISBN-13: 0472123831

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Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell.

White Rebels in Black

White Rebels in Black PDF

Author: Priscilla Layne

Publisher: University of Michigan Press

Published: 2018-03-13

Total Pages: 273

ISBN-13: 0472130803

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Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany

Charting the Afrofuturist Imaginary in African American Art

Charting the Afrofuturist Imaginary in African American Art PDF

Author: Elizabeth Carmel Hamilton

Publisher: Taylor & Francis

Published: 2022-08-12

Total Pages: 164

ISBN-13: 1000627101

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This book examines Afrofuturism in African American art, focusing specifically on images of black women and how those images expand the discourse of representation in visual culture of the United States. This volume defines a visual language of Afrofuturism that includes materiality, temporality, and black liberation. Elizabeth Hamilton discusses the visual progenitors of Afrofuturism. In the artworks of Pierre Bennu, Sanford Biggers, Alison Saar, Mequitta Ahuja, Robert Pruitt, Renee Cox, Dawolu Jabari Anderson, Alma Thomas, and Harriet Powers, the fantastic narratives of Afrofuturism are uncovered through in-depth case studies. These case studies engage with Afrofuturism as a black feminist visual theory that helps to unburden the images of black women from the stereotypical visual scripts that are so common in contemporary visual culture of the United States. The book will be of interest to scholars working in art history, visual studies, American literature, gender studies, popular culture, and African American studies.