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The Reception of Antiquity in Bohemian Book Culture from the Beginning of Printing Until 1547

Author: Kamil Boldan

Publisher: Brepols Publishers

Published: 2014

Total Pages: 0

ISBN-13: 9782503551791

This volume presents the historical development and important personalities of the time of transition from manuscript book culture to book printing in the years 1450-1550. The first part of the volume contains a thorough description of historical, social and technical background influencing the development of book printing in Bohemia and Moravia and the impact of book printing production on the contemporary Czech society. The authors described the specific historical conditions in the Kingdom of Bohemia after the pre-reformation Hussite movement. The newly emerged Utraquist confession spread in important parts of Bohemia which led to decrease of social and economic contacts between the Kingdom of Bohemia and Catholic states in Europe. Apart from that the decreased activity of Prague University had negative impact on literacy in Bohemia. These two main reasons were detrimental to the development of book printing in Bohemia. The low quality of first prints was not attractive for educated readers who rather chose better equipped foreign books, mainly in Latin. Book printing in Bohemia soon became a matter of closed Czech speaking public. One of the important consequences of this process was weak reception of humanism and classical antiquity in Czech culture, although the former was partly embraced in Bohemia in previous centuries anyway. The second part of the book presents the first printers and editors of printed books before 1550 with a summary of their publishing activities.

The Idea of Progress in Classical Antiquity

Author: Ludwig Edelstein

Publisher: JHU Press

Published: 2019-12-01

Total Pages: 262

ISBN-13: 1421435586

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Originally published in 1967. Ludwig Edelstein characterizes the idea of "progress" in Greek and Roman times. He analyzes the ancients' belief in "a tendency inherent in nature or in man to pass through a regular sequence of stages of development in past, present, and future, the latter stages being—with perhaps occasional retardations or minor regressions—superior to the earlier." Edelstein's contemporaries asserted that the Greeks and Romans were entirely ignorant of a belief in progress in this sense of the term. In arguing against this dominant thesis, Edelstein draws from the conclusions of scholars of the nineteenth and early twentieth centuries and discusses ideas of Auguste Comte and Wilhelm Dilthey.

Inside Roman Libraries

Author: George W. Houston

Publisher: UNC Press Books

Published: 2014

Total Pages: 349

ISBN-13: 1469617803

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Inside Roman Libraries: Book Collections and Their Management in Antiquity

Visual Judaism in Late Antiquity

Author: Lee I. Levine

Publisher:

Published: 2012

Total Pages: 582

ISBN-13: 9780300100891

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Surveys Jewish visual culture in the Late Roman and Byzantine eras, including expression via figural images, biblical scenes and religious symbols.

History of the Art of Antiquity

Author: Johann Joachim Winckelmann

Publisher: Getty Publications

Published: 2006-01-15

Total Pages: 452

ISBN-13: 9780892366682

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"Translation of a foundational text for the disciplines of art history and archaeology. Offers a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece that synthesizes the visual and written evidence then available"--Provided by publisher.

Baroque Antiquity

Author: Victor Plahte Tschudi

Publisher: Cambridge University Press

Published: 2017

Total Pages: 325

ISBN-13: 110714986X

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As if in a Bright Mirror -- Conclusion -- Notes -- Abbreviations -- Bibliography of Cited Works -- Index

Readings in Late Antiquity

Author: Michael Maas

Publisher: Routledge

Published: 2012-08-06

Total Pages: 530

ISBN-13: 1136617035

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Late Antiquity (ca. 250-650) witnessed the transition from Classical Antiquity to the Middle Ages in the Mediterranean and Near Eastern worlds. Christianity displaced polytheism over a wide area, offering new definitions of identity and community. The Roman Empire collapsed in Western Europe to be replaced by new "Germanic" kingdoms. In the East, Byzantium emerged, while the Persian Empire reached its apogee and collapsed. Arab armies carrying the banner of Islam reshaped the political map and brought the late antique era to a close. This sourcebook illustrates the dramatic political, social and religious transformations of Late Antiquity through the words of the men and women who experienced them. Drawing from Greek, Latin, Syriac, Hebrew, Coptic, Persian, Arabic and Armenian sources, the carefully chosen passages illuminate the lives of emperors, abbesses, aristocrats, slaves, children, barbarian chieftains, and saints . The Roman Empire is kept at the centre of the discussion, with chapters devoted to its government, cities, army, law, medicine, domestic life, philosophy, Christianity, polytheism, and Jews. Further chapters deal with the peoples who surrounded the Roman state: Persians, Huns, northern "Germanic" barbarians, and the followers of Islam. This revised and updated second edition provides an expanded view of Late Antiquity with a new chapter on domestic life, as well extra material throughout, including passages that appear for the first time in English translation. Readings in Late Antiquity is the only sourcebook that covers such a wide range of topics over the full breadth of the late antique period.

Using Images in Late Antiquity

Author: Stine Birk

Publisher: Oxbow Books

Published: 2014-04-30

Total Pages: 337

ISBN-13: 1782972641

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Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.

The Diffusion of Classical Art in Antiquity

Author: John Boardman

Publisher: Princeton University Press

Published: 2023-10-17

Total Pages: 352

ISBN-13: 069125284X

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From one of the world’s leading authorities on ancient Greek art, a groundbreaking account of how Greek images were understood and used by other ancient peoples, from Britain to China In this book, acclaimed archaeologist and art historian John Boardman explores Greek art as a foreign art transmitted to the non-Greeks of antiquity—peoples who weren’t necessarily able to judge the meaning of Greek art and who may have regarded the Greeks themselves with great hostility. Boardman examines how and why the arts of the classical world traveled and to what effect, from Britain to China, from roughly the eighth century BCE to the early centuries CE. In some places, such as Italy, Greek images were overwhelmingly successful. In Egypt, the Celtic world, the eastern steppes, and other regions with strong local traditions, they were never effectively assimilated. And in cultures where there was a subtler blend of influences, notably in the Buddhist east, classical images served as a catalyst to the generation of new styles. Along the way, Boardman demonstrates that looking at Greek art from the outside provides a wealth of new insights into Greek art itself, and he raises important questions about how images in general are copied and reinterpreted.

The Last Statues of Antiquity

Author: R. R. R. Smith

Publisher: Oxford University Press

Published: 2016-02-04

Total Pages: 544

ISBN-13: 0191067598

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Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions-including North Africa, Asia Minor, and the Near East-as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.