Anti-Heimat Cinema

Anti-Heimat Cinema PDF

Author: Ofer Ashkenazi

Publisher: University of Michigan Press

Published: 2020-09-08

Total Pages: 315

ISBN-13: 0472132016

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Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.

No Place Like Home

No Place Like Home PDF

Author: Johannes von Moltke

Publisher: Univ of California Press

Published: 2005-09-06

Total Pages: 320

ISBN-13: 0520244117

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Charting the development of the 'Heimatfilm', Johannes von Moltke focuses on its heyday in the 1950s. Questions of what it could mean to call the German nation 'home' after World War II are present in these films and Moltke uses them as a lens to view contemporary discourses on German national identity.

Generic Histories of German Cinema

Generic Histories of German Cinema PDF

Author: Jaimey Fisher

Publisher: Boydell & Brewer

Published: 2013

Total Pages: 336

ISBN-13: 1571135707

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Offers a fresh approach to German film studies by tracing key genres -- including horror, the thriller, Heimat films, and war films -- over the course of German cinema history

From Hitler to Heimat

From Hitler to Heimat PDF

Author: Anton Kaes

Publisher: Harvard University Press

Published: 1989

Total Pages: 292

ISBN-13: 9780674324565

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Examines changing attitudes among Germans as evident in films of the modern German era, leading away from guilt and atonement and seeking national identity.

Ozu's Anti-cinema

Ozu's Anti-cinema PDF

Author: Yoshishige Yoshida

Publisher: U of M Center for Japanese Studies

Published: 2003

Total Pages: 208

ISBN-13:

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A luminous exploration of one filmmaker's work by another, an artist's personal journey, a manifesto

Nation and Identity in the New German Cinema

Nation and Identity in the New German Cinema PDF

Author: Inga Scharf

Publisher: Routledge

Published: 2008-06-30

Total Pages: 250

ISBN-13: 1135895325

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This book investigates the construction of national identity in films of the New German Cinema using – for the first time – an explicitly cultural studies methodology.

Between Heimat and Hatred

Between Heimat and Hatred PDF

Author: Philipp Nielsen

Publisher: Oxford University Press

Published: 2019-04-15

Total Pages: 272

ISBN-13: 0190930675

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In the decades between German unification and the demise of the Weimar Republic, German Jewry negotiated their collective and individual identity under the impression of legal emancipation, continued antisemitism, the emergence of Zionism and Socialism, the First World, and revolution and the republic. For many German Jews liberalism and also increasingly Socialism became attractive propositions. Yet conservative parties and political positions right-of-center also held appeal for some German Jews. Between Heimat and Hatred studies German Jews involved in ventures that were from the beginning, or became increasingly, of the Right. Jewish agricultural settlement, Jews' participation in the so-called "Defense of Germandom in the East", their place in military and veteran circles and finally right-of-center politics form the core of this book. These topics created a web of social activities and political persuasions neither entirely conservative nor entirely liberal. For those German Jews engaging with these issues, their motivation came from sincere love of their German Heimat-a term for home imbued with a deep sense of belonging-and from their middle-class environment, as well as to repudiate antisemitic stereotypes of rootlessness, intellectualism or cosmopolitanism. This tension stands at the heart of the book. The book also asks when did the need for self-defense start to outweigh motivations of patriotism and class? Until when could German Jews espouse views to the right of the political spectrum without appearing extreme to either Jews or non-Jews? In an exploration of identity and exclusion, Philipp Nielsen locates the moments when active Jewish members of conservative projects became the radical other. He notes that the decisive stage of the transformation of the German Right occurred precisely during a period of republican stabilization, when even mainstream right-of-center politics abandoned the state-centric, Volk-based ethnic concepts of the Weimar republic. The book builds on recent studies of Jews' relation to German nationalism, the experience of German Jews away from the large cities, and the increasing interest in Germans' obsession with regional roots and the East. The study follows these lines of inquiry to investigate the participation of some German Jews in projects dedicated to originally, or increasingly, illiberal projects. As such it shines light on an area in which Jewish participation has thus far only been treated as an afterthought and illuminates both Jewish and German history afresh.

Edgar Reitz's Heimat

Edgar Reitz's Heimat PDF

Author: Rachel Palfreyman

Publisher: Peter Lang Publishing

Published: 2000

Total Pages: 244

ISBN-13:

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This study of Edgar Reitz's 1984 film saga Heimat explores the cultural contexts of the Heimat tradition and examines the political debate surrounding the film's reception. Responses were largely supportive but some critics were disturbed by an apparent tendency to induce a sense of uncritical nostalgia in viewers. Reitz, by contrast, had wanted to make a film which would help people confront their memories of the Third Reich. The author tests hostile critiques not only against the film's elliptical narrative but also against Reitz's filmic techniques. She examines the interplay of realism and authenticity, and shows how Reitz dramatizes the confrontation between modernity and rural communities, while consciously alluding to the problematic and much-derided Heimat genre.

The BFI Companion to German Cinema

The BFI Companion to German Cinema PDF

Author: Thomas Elsaesser

Publisher: British Film Institute

Published: 1999

Total Pages: 294

ISBN-13:

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"Over two hundred entries on film actors, directors, producers, cinematographers, critics, film industry, film movements and festivals cover the entire spectrum of German-speaking cinema from the 1890s to the popular comedies of the 1990s. In-depth articles consider the artistic peaks of Weimer cinema, the emigre directors, film politics, and the star system of Nazi cinema, women and film, the New German Cinema and the revival of genre cinema since. Entries evaluate such notables as Fritz Lang, Marlene Dietrich, Leni Riefenstahl, Erich Pommer, Conrad Veidt, Wim Wenders and R.W. Fassbinder, as well as popular genres (the "Heimat" film, literary adaptations, musicals) alongside the major studios (UFA and DEFA) and international personalities such as Klaus Kinski, Wolfgang Petersen, and Michael Ballhaus. Leading international scholar Thomas Elsaesser also contributes an introductory essay on developments in post-unification German cinema, placing it in the context of its recent history and of general relations between Hollywood and European cinema."--Publisher description.

German National Cinema

German National Cinema PDF

Author: Sabine Hake

Publisher: Routledge

Published: 2013-01-11

Total Pages: 288

ISBN-13: 1136020543

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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.