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Author: Jason Kandybowicz
Publisher: Oxford Studies Comparative Syn
Published: 2020
Total Pages: 177
ISBN-13: 0197509738
DOWNLOAD EBOOK →Introduction -- Prosodic entanglement and the anti-contiguity of wh- and c -- An anti-contiguity approach to Tano in-situ interrogative distribution -- An anti-contiguity approach to Nupe interrogative distribution.
Author: Jason Kandybowicz
Publisher:
Published: 2020
Total Pages: 152
ISBN-13: 9780197509777
DOWNLOAD EBOOK →"This book develops a theory of wh- prosody according to which wh- expressions must avoid forming prosodic constituents with overt complementizers at the level of Intonational Phrase. The theory is inspired by Richards' (2010, 2016) Contiguity Theory and is based empirically on asymmetries in the distribution of wh- items in five West African languages: Krachi (Kwa: Ghana), Bono (Kwa: Ghana), Wasa (Kwa: Ghana), Asante Twi (Kwa: Ghana), and Nupe (Benue-Congo: Nigeria). The observations and analyses stem from original fieldwork on all five languages and represent some of the first prosodic descriptions of the languages. The theory is shown to successfully derive a number of famous and less well-known asymmetries in wh- in-situ distribution in a variety of languages unrelated to those the theory was originally designed to analyse. Against the backdrop of data from eighteen languages, the theory is parameterized to account for wh- item distribution across typologically diverse languages"--
Author:
Publisher:
Published: 1921
Total Pages: 796
ISBN-13:
DOWNLOAD EBOOK →Vols. 3-8, 3d ser., include the 16th-21st annual reports of the British and foreign anti-slavery society. The 22d-24th annual reports are appended to v. 9-11, 3d ser. Series 4 contains annual reports of the British and Foreign Anti-Slavery Society. Series 5 contains annual reports of the Anti-Slavery and Aborigines Protection Society.
Author: Kornelia Freitag
Publisher: Universitatsverlag Winter
Published: 2006
Total Pages: 396
ISBN-13:
DOWNLOAD EBOOK →Contemporary experimental poetry? By women? But is this women's writing? The type of poetry that is central to this book has long been met with surprise, if not rejection, by both critics and the general public. This volume is an introduction to recent developments in women's poetic experiments, an area that has grown from rather marginalized and isolated beginnings into a thriving and highly visible field. Women's experimental texts can no longer be ignored, but they remain a challenge to readers and critics: this study examines some of the reasons why recognition has been delayed, and it also provides a range of new readings. With particular focus on poetry by Rosmarie Waldrop, Lyn Hejinian, and Susan Howe, women's poetic experiments are shown to be a critique of current practices of cultural representation that relegate women's poetry and experimental writing to separate spheres.
