Johann Sebastian Bach Transcribed for Baritone Ukulele and Other Four Course Instruments

Johann Sebastian Bach Transcribed for Baritone Ukulele and Other Four Course Instruments PDF

Author: Michael Walker

Publisher: Lulu.com

Published: 2019-05-10

Total Pages: 182

ISBN-13: 0359652433

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Second Edition - Here are 46 Baroque compositions by Johann Sebastian Bach who is generally regarded as the greatest composer of all time transcribed for the baritone ukulele, Renaissance guitar, low G ukelele, and many other four-course instruments. Of course, they may all be played on the guitar.

Antonio Rotta Intabolatura de Lauto Lute Music of the Renaissance Transcribed for Baritone Ukulele and Other Four-Course Instruments

Antonio Rotta Intabolatura de Lauto Lute Music of the Renaissance Transcribed for Baritone Ukulele and Other Four-Course Instruments PDF

Author: Michael Walker

Publisher: Lulu.com

Published: 2020-03-05

Total Pages: 184

ISBN-13: 1678193593

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Here are 48 lute compositions from the Renaissance by Antonio Rotta, (1495-1549) who was an Italian lutenist, composer and music teacher of the Renaissance period in Padua which was part of the Republic of Venice and renowned for its university. Canon Scardeonius of Padua wrote in 1560 that Rotta was not only virtually unrivaled in Italy as a lutenist, but was also an excellent teacher and had grown quite rich by giving lessons on the lute.

Domenico Bianchini Lute Music of the Renaissance: Il Rosetto, Domenico Bianchini's Lute Book Transcribed for Baritone Ukulele and Other Four Course Instruments

Domenico Bianchini Lute Music of the Renaissance: Il Rosetto, Domenico Bianchini's Lute Book Transcribed for Baritone Ukulele and Other Four Course Instruments PDF

Author: Michael Walker

Publisher: Lulu.com

Published: 2018-11-29

Total Pages: 80

ISBN-13: 0359258891

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Here are 27 compositions by Domenico Bianchini from the 16th Century transcribed for the baritone ukulele, Renaissance guitar, low G ukelele, and many other four course instruments. Of course, they may all be played on the guitar.

Encyclopedia of Recorded Sound in the United States

Encyclopedia of Recorded Sound in the United States PDF

Author: Guy A. Marco

Publisher: New York : Garland Pub.

Published: 1993

Total Pages: 978

ISBN-13:

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This alphabetical reference covers the entire spectrum of the recording of sound, from Edison's experimental cylinders to contemporary high technology. The major focus is on the recorded sound industry in the US, with additional material on Canada, Europe, Australia, and New Zealand. The coverage is particularly strong on the earliest periods of recorded sound history--1877-1948, the 78 rpm era and 1949-1982, the LP era. In addition to performers and their work, entries also cover important commercial organizations, individuals who made significant technical contributions, societies and associations, sound archives and libraries, magazines, catalogs, award winners, technical topics, special and foreign terms, copyright laws, and other areas of interest. Annotation copyright by Book News, Inc., Portland, OR

Cannonball Adderley - Omnibook for E-flat Instruments

Cannonball Adderley - Omnibook for E-flat Instruments PDF

Author:

Publisher: Hal Leonard

Published: 2016-01-01

Total Pages: 541

ISBN-13: 1540083551

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(Jazz Transcriptions). Nearly 50 of Julian "Cannonball" Adderley's recorded solos transcribed exactly for E-flat instruments, including: Blue Funk * Cannonball * Easy to Love (You'd Be So Easy to Love) * Fiddler on the Roof * I Remember You * Love for Sale * Milestones * Oleo * On Green Dolphin Street * People Will Say We're in Love * So What * Somethin' Else * Stardust * Straight No Chaser * Things Are Getting Better * What Is This Thing Called Love? * Who Cares? (So Long As You Care for Me) * You Got It * and many more.

The Recorder

The Recorder PDF

Author: David Lasocki

Publisher: Yale University Press

Published: 2022-01-01

Total Pages: 387

ISBN-13: 0300118708

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The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.