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Anglo-Saxon Styles

Author: Catherine E. Karkov

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 329

ISBN-13: 0791486141

Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.

Anglo-Saxon Art

Author: Leslie Webster

Publisher:

Published: 2012

Total Pages: 260

ISBN-13:

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The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a dramatic shift from a barbarian society to a recognizably medieval civilization. This book traces the changing nature of that art, the different roles it played in Anglo-Saxon culture, and the various ways it both reflected and influenced the changing context in which it was created.

Insular & Anglo-Saxon Art and Thought in the Early Medieval Period

Author: Colum Hourihane

Publisher: Index of Christian Art Department of Art and Archeology Princeton

Published: 2011

Total Pages: 0

ISBN-13: 9780983753704

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An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.

Celtic and Anglo-Saxon Art

Author: Derek Hull

Publisher: Liverpool University Press

Published: 2003-01-01

Total Pages: 266

ISBN-13: 9780853235491

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Much of early medieval Celtic and Anglo-Saxon art is based on the display of motifs – key, interlacing, spiral and zoomorphic – in well-defined panels in simple and complex arrays. A study of the arrangement of the panels and the fine detail of the motifs indicates that the artists relied on geometric methods and principles first used by Egyptians and Greeks. This book reflects Derek Hull’s life-long interest in interpreting the exciting and exotic patterns revealed by scientific studies using light and electron microscopes. His interest in Celtic and Anglo-Saxon art started with a casual observation of an interlacing pattern on an early medieval stone cross set in a churchyard. There followed many years of exploration of art in metal, stone and vellum from all parts of the British Isles and Ireland, resulting in some fascinating discoveries. Celtic and Anglo-Saxon Art reveals new and intriguing facets of these works that add to our appreciation of the beauty of the art and the skills of the artists. "This is a book for lovers of Celtic art, design and calligraphy, and will both delight and captivate... A must-have for both the cognoscenti and enthusiasts of Celtic religious art."—Cambria

The Making of England

Author: Marion Archibald

Publisher:

Published: 1991

Total Pages: 320

ISBN-13:

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The Quoit Brooch Style and Anglo-Saxon Settlement

Author: Seiichi Suzuki

Publisher: Boydell & Brewer

Published: 2000

Total Pages: 266

ISBN-13: 9780851157498

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The quoit brooch style, a decorative style of animal and geometric motifs, is unique to southern England in the 5th century AD, with the greatest concentration of such items occurring in Kent. The author defines the style through an analysis of its design organization, and, by comparing it with near-contemporary styles in England and on the continent, he identifies those features which make it unique.

The Art of Anglo-Saxon England

Author: Catherine E. Karkov

Publisher: Boydell Press

Published: 2011

Total Pages: 350

ISBN-13: 1843836289

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Providing a fresh appraisal of the art of Anglo-Saxon England, this text looks at its influence upon the creation of an identity as a nation.

Anglo-Saxon Crafts

Author: Kevin Leahy

Publisher: Revealing History (Paperback)

Published: 2003

Total Pages: 216

ISBN-13:

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While the art and craftsmanship of the Anglo-Saxons is much admired, the background to this superb work is little understood. Kevin Leahy, a trained craftsman and archaeologist, looks at how the artifacts were made--at the materials, the tools, and techniques that were used. His survey ranges from casting a brooch to making a sword, from pottery and weaving to woodworking and building.

Anglo-Saxon Art to A.D. 900

Author: T.D. Kendrick

Publisher: Taylor & Francis

Published: 2023-08-10

Total Pages: 361

ISBN-13: 100092081X

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Anglo-Saxon Art to A.D. 900 (1972) was the first account to be written of art in England in the period of Celtic, Romano-British and Anglo-Saxon styles. Famous illuminated manuscripts, the best of the sculptured stone crosses, and many splendid pieces early metalwork are examined in this extensively-illustrated survey.

Dress in Anglo-Saxon England

Author: Gale R. Owen-Crocker

Publisher: Boydell & Brewer

Published: 2004

Total Pages: 422

ISBN-13: 184383572X

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Splendid . . . the major overview of Anglo-Saxon clothing and textile from the 5th to 11th centuries. . . . Owen-Crocker has become the authority reconstructors call upon. . . . A wise and scholarly book. TOEBI Newsletter Based on the revised and expanded edition of 2004, this paperback is an encyclopaedic study of English dress from the fifth to the eleventh centuries, drawing evidence from archaeology, text and art (manuscripts, ivories, metalwork, stone sculpture, mosaics), and also from re-enactors' experience. It examines archaeological textiles, cloth production and the significance of imported cloth and foreign fashions. Dress is discussed as a marker of gender, ethnicity, status and social role - in the context of a pagan burial, dress for holy orders, bequests of clothing, commissioning a kingly wardrobe, and much else - and surviving dress fasteners and accessories are examined with regardto type and to geographical/chronological distribution. There are colour reconstructions of early Anglo-Saxon dress and a cutting pattern for a gown from the Bayeux tapestry; Old English garment names are discussed, and there isa glossary of costume and other relevant terms. GALE OWEN-CROCKER is Professor of Anglo-Saxon Culture at the University of Manchester. She has a special interest in dress throughout the medieval period - she advises ondress entries to the Toronto Old English Dictionary and has consulted for many museums and television companies. She is co-editor of the journal Medieval Clothing and Textiles.