Ancient Song Recovered

Ancient Song Recovered PDF

Author: Mimi S. Daitz

Publisher: Pendragon Press

Published: 2004

Total Pages: 396

ISBN-13: 9781576470091

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Known for over thirty years in the Soviet Union and Eastern Europe, the music of Estonian composer Veljo Tormis (born 1930) was not heard in the West until the 1990s. Tormis has written more than 200 choral works, an opera, a ballet/cantata, thirty film scores, vocal and instrumental chamber music, solo songs, and several orchestral pieces. Educated at the Tallinn and Moscow Conservatories, Tormis has integrated the techniques of 20th-century art music with the melodies of the regilaul or ancient Estonian folksong.Ancient Song Recovered: The Life and Music of Veljo Tormis is the first book in a Western language about a master of 20th-century choral music. The book includes chapters on Estonian history (Tormis's music helped inspire the national independence movement), the regilaul, and the Estonian choral tradition, followed by the biography and discussion of major works. Also included ia an article by a leading Estonian scholar as well as an article by and an interview with Tormis, all of which appear for the first time in English. A works list, CD discography, glossary of names, and CD of sound examples conclude this volume by musicologist and choral conductor Mimi S. Daitz. It will interest scholars of contemporary music, the general music public, and persons concerned with Soviet cultural history

Music of the Soviet Era: 1917-1991

Music of the Soviet Era: 1917-1991 PDF

Author: Levon Hakobian

Publisher: Taylor & Francis

Published: 2016-11-25

Total Pages: 512

ISBN-13: 1317091876

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This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.