Symbolic Scores

Symbolic Scores PDF

Author: Willem Elders

Publisher: BRILL

Published: 2024-01-08

Total Pages: 282

ISBN-13: 9004617175

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Symbolic Scores is the first monograph on Renaissance music devoted to discussing more than 150 compositions which involve symbolism inspired by ideas and themes inherent in the musical culture of the time. The introduction describes the historical and theoretical premises of the use of the terms 'allegory', 'sign', and 'symbol', and goes into the aspect of number symbolism as well as the aims, limits, and principles of musico-symbolical analysis. Other studies concentrate on Dufay and Josquin, deal with the symbolical application of soggetto ostinato and canon technique, or treat such themes as music for the dead and the Holy Virgin. The final study is about the conception of heavenly music and musical composition. Symbolic Scores is finely illustrated and includes musical examples, and indices of compositions and names.

Emblemata

Emblemata PDF

Author: Robin Raybould

Publisher: Grolier, Incorporated

Published: 2009

Total Pages: 0

ISBN-13: 9781605830230

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Catalogue of an exhibition at the Grolier Club, September 11 - November 6, 2009.

Animals as Disguised Symbols in Renaissance Art

Animals as Disguised Symbols in Renaissance Art PDF

Author: Simona Cohen

Publisher: BRILL

Published: 2008

Total Pages: 360

ISBN-13: 9004171010

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The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels.Brill's Studies on Art, Art History, and Intellectual History, vol. 2

Symbols and Allegories in Art

Symbols and Allegories in Art PDF

Author: Matilde Battistini

Publisher: Getty Publications

Published: 2005

Total Pages: 384

ISBN-13: 9780892368181

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"The purpose of this volume is to provide today's readers and museum-goers with a tool for orienting themselves in the world of images and learning to read the hidden meanings of certain famous paintings."--Introduction.

The Secret Language of the Renaissance

The Secret Language of the Renaissance PDF

Author: Richard Stemp

Publisher: Sterling Publishing Company, Inc.

Published: 2006

Total Pages: 276

ISBN-13: 9781844833221

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Magnificently illustrated throughout, and with a six-color gold-foil cover, this remarkable book provides an all-encompassing survey of the literature, painting, sculpture, architecture, and decorative arts of the Renaissance.

The Emblematic Queen

The Emblematic Queen PDF

Author: D. Barrett-Graves

Publisher: Springer

Published: 2013-05-07

Total Pages: 234

ISBN-13: 1137303107

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This study examines representations of early modern female consorts and regnants via extra-literary emblematics such as paintings, jewelry, miniature portraits, carvings, placards, masques, funerary monuments, and imprese.

Renaissance Perspectives in Literature and the Visual Arts

Renaissance Perspectives in Literature and the Visual Arts PDF

Author: Murray Roston

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 395

ISBN-13: 1400858461

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Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF

Author: Marina Belozerskaya

Publisher: Getty Publications

Published: 2005-10-01

Total Pages: 292

ISBN-13: 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.