American Voices of the Chicago Renaissance

American Voices of the Chicago Renaissance PDF

Author: Lisa Woolley

Publisher:

Published: 2000

Total Pages: 178

ISBN-13: 9780875802589

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Sherwood Anderson's plain spoken language typifies the spirit of the Chicago Renaissance, a movement that expressed the new tone and pace of American life in the twentieth century. Challenging established English usage by boldly experimenting with a variety of dialects, Chicago authors created a modern urban idiom. Woolley expands the story of the Chicago Renaissance to encompass women and African American writers, including reformers Jane Addams and Ida B. Wells, magazine founders Harriet Monroe and Margaret Anderson, and Bronzeville poet Fenton Johnson, in addition to famous writers such as Carl Sandburg and Vachel Lindsay. These newly recognized authors probed the boundaries of language to convey simplicity, democracy, and Americanness--qualities that have come to be associated with the Chicago Renaissance. Known primarily as journalists by profession, most of these Chicago writers learned the language of common folk through social work, oratory, editing, live performance, and the creation of an African American literary aesthetic. These experiences helped to teach them how American literature should sound. Shedding fresh light on a critical period in the history of American letters, Woolley's groundbreaking study illuminates the distinctly American character of Chicago writing and shows us how to listen to the diversity of its voices.

The Black Chicago Renaissance

The Black Chicago Renaissance PDF

Author: Darlene Clark Hine

Publisher: University of Illinois Press

Published: 2012-06-15

Total Pages: 273

ISBN-13: 0252094395

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Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.

A Renaissance in Harlem

A Renaissance in Harlem PDF

Author: Lionel C. Bascom

Publisher: Amistad Press

Published: 2001

Total Pages: 0

ISBN-13: 9780380799022

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Newly recovered from the vaults of the Library of Congress, this rich and varied collection of 45 essays recall the vibrant world of 1930s Harlem, and documents the everyday life in the thriving African-American community.

Chicago Renaissance

Chicago Renaissance PDF

Author: Liesl Olson

Publisher: Yale University Press

Published: 2017-08-22

Total Pages: 397

ISBN-13: 030023113X

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A fascinating history of Chicago’s innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago’s cultural development from the 1893 World’s Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson’s enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic “renaissance” moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago’s editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago’s unique culture of artistic experimentation. Cover art by Lincoln Schatz

The Genesis of the Chicago Renaissance

The Genesis of the Chicago Renaissance PDF

Author: Mary Hricko

Publisher: Routledge

Published: 2013-09-05

Total Pages: 234

ISBN-13: 1136085386

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This study examines the genesis of Chicago's two identified literary renaissance periods (1890-1920 and 1930-1950) through the writings of Dreiser, Hughes, Wright, and Farrell. The relationship of these four writers demonstrates a continuity of thought between the two renaissance periods. By noting the affinities of these writers, patterns such as the rise of the city novel, the development of urban realism, and the shift to modernism are identified as significant connections between the two periods. Although Dreiser, Wright, and Farrell are more commonly thought of as Chicago writers, this study argues that Langston Hughes is a transitional, pivotal figure between the two periods. Through close readings and contextualization, the influence of Chicago writing on American literature--in such areas as realism and naturalism, as well as proletarian and ethnic fiction--becomes apparent.

The Black Chicago Renaissance

The Black Chicago Renaissance PDF

Author: Darlene Clark Hine

Publisher: University of Illinois Press

Published: 2012-06-25

Total Pages: 250

ISBN-13: 0252078586

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"The "New Negro" consciousness with its roots in the generation born in the last and opening decades of the 19th and 20th centuries replenished and nurtured by migration, resulted in the Harlem Renaissance in the 1920s then reemerged transformed in the 1930s as the Black Chicago Renaissance. The authors in this volume argue that beginning in the 1930s and lasting into the 1950s, Black Chicago experienced a cultural renaissance that rivaled the cultural outpouring in Harlem. The Black Chicago Renaissance, however, has not received its full due. This book addresses that neglect. Like Harlem, Chicago had become a major destination for black southern migrants. Unlike Harlem, it was also an urban industrial center that gave a unique working class and internationalist perspective to the cultural work that took place here. The contributors to Black Chicago Renaissance analyze a prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Each author discusses forces that distinguished and link the Black Chicago Renaissance to the Harlem Renaissance as well as placing the development of black culture in a national and international context by probing the histories of multiple (sequential and overlapping--Philadelphia, Cleveland, Detroit, Los Angeles, Memphis) black renaissances. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, as well as the American Negro Exposition of 1940"--

Writers of the Black Chicago Renaissance

Writers of the Black Chicago Renaissance PDF

Author: Steven C. Tracy

Publisher: University of Illinois Press

Published: 2011-11-01

Total Pages: 538

ISBN-13: 0252093429

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Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collection of subjects, including many important writers such as Richard Wright, Gwendolyn Brooks, and Lorraine Hansberry as well as cultural products such as black newspapers, music, and theater. The book includes individual entries by experts on each subject; a discography and filmography that highlight important writers, musicians, films, and cultural presentations; and an introduction that relates the Harlem Renaissance, the White Chicago Renaissance, the Black Chicago Renaissance, and the Black Arts Movement. Contributors are Robert Butler, Robert H. Cataliotti, Maryemma Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King, Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott, James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara, Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.

Voices from the Harlem Renaissance

Voices from the Harlem Renaissance PDF

Author: Nathan Irvin Huggins

Publisher: Oxford University Press, USA

Published: 1995

Total Pages: 454

ISBN-13: 9780195093605

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Nathan Irvin Huggins showcases more than 120 selections from the political writings and arts of the Harlem Renaissance. Featuring works by such greats as Langston Hughes, Aaron Douglas, and Gwendolyn Bennett, here is an extraordinary look at the remarkable outpouring of African-American literature and art during the 1920s.