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Author: Yoshinobu Hakutani
Publisher: Lexington Books
Published: 2020-11
Total Pages:
ISBN-13: 9781793634528
DOWNLOAD EBOOK →"This book traces the genesis and development of haiku in Japan and its history as one of the most popular East-West artistic, cultural, and literary exchanges in modern and postmodern times"--
Author: Yoshinobu Hakutani
Publisher: Rowman & Littlefield
Published: 2020-10-29
Total Pages: 237
ISBN-13: 1793634513
DOWNLOAD EBOOK →American Haiku, Eastern Philosophies, and Modernist Poetics traces the genesis and development of haiku in Japan as it transformed over the years and eventually made its way to the Western world. Yoshinobu Hakutani analyzes the prominent Eastern philosophies expressed through haiku, such as Confucianism and Zen, and the aesthetic principles of yugen, sabi, and wabi. Hakutani discusses several reinventions of haiku, from Matsuo Basho’s transformation of the classic haiku, to Masaoka Shiki’s modernist perspectives expressing subjective thoughts and feelings, and eventually to Yone Noguchi’s introduction of haiku to the Western world through W. B. Yeats and Ezra Pound. Hakutani argues that the adoption and transformation of haiku is one of the most popular East-West artistic, cultural, and literary exchanges to have taken place in modern and postmodern times.
Author: Y. Hakutani
Publisher: Springer
Published: 2009-08-31
Total Pages: 195
ISBN-13: 0230100910
DOWNLOAD EBOOK →This book examines the genesis and development of haiku in Japan and traces its impact on modernist poetics. This study shows that the most pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses some of the finest haiku written by Jack Kerouac, Richard Wright, Sonia Sanchez, and James Emanuel.
Author: Toru Kiuchi
Publisher: Lexington Books
Published: 2017-11-30
Total Pages: 364
ISBN-13: 1498527183
DOWNLOAD EBOOK →American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).
Author: Bruce Ross
Publisher: Tuttle Publishing
Published: 2011-12-27
Total Pages: 372
ISBN-13: 1462903193
DOWNLOAD EBOOK →Kagero Nikki, translated here as The Gossamer Years, belongs to the same period as the celebrated Tale of Genji by Murasaki Shikuibu. This remarkably frank autobiographical diary and personal confession attempts to describe a difficult relationship as it reveals two tempestuous decades of the author's unhappy marriage and her growing indignation at rival wives and mistresses. Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.
Author: Yoshinobu Hakutani
Publisher: Ohio State University Press
Published: 2006
Total Pages: 262
ISBN-13: 0814210309
DOWNLOAD EBOOK →Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright's literary manifesto "Blueprint for Negro Writing" in 1937. Hakutani dissects and discusses the cross-cultural influences on the then-burgeoning discipline in three stages: American dialogues, European and African cultural visions, and Asian and African American cross-cultural visions. In writing Black Boy, the centerpiece of the Chicago Renaissance, Wright was inspired by Theodore Dreiser. Because the European and African cultural visions that Wright, Ralph Ellison, Alice Walker, and Toni Morrison acquired were buttressed by the universal humanism that is common to all cultures, this ideology is shown to transcend the problems of society. Fascinated by Eastern thought and art, Wright, Walker, Sonia Sanchez, and James Emanuel wrote highly accomplished poetry and prose. Like Ezra Pound, Wright was drawn to classic haiku, as reflected in the 4,000 haiku he wrote at the end of his life. As W. B. Yeats's symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel's jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music. The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers whose works also thrive on their cross-cultural visions, such as Amiri Baraka, Ishmael Reed, Charles Johnson, and haiku poet Lenard Moore.
Author: Yoshinobu Hakutani
Publisher: University of Missouri Press
Published: 2017-06-30
Total Pages: 336
ISBN-13: 0826273947
DOWNLOAD EBOOK →This study traces the shaping presence of cultural interactions, arguing that American literature has become a hybridization of Eastern and Western literary traditions. Cultural exchanges between the East and West began in the early decades of the nineteenth century as American transcendentalists explored Eastern philosophies and arts. Hakutani examines this influence through the works of Emerson, Thoreau, and Whitman. He further demonstrates the East-West exchange through discussions of the interactions by modernists such as Yone Noguchi, Yeats, Pound, Camus, and Kerouac. Finally, he argues that African American literature, represented by Richard Wright, Ralph Ellison, Alice Walker, Toni Morrison, and James Emanuel, is postmodern. Their works exhibit their concerted efforts to abolish marginality and extend referentiality, exemplifying the postmodern East-West crossroads of cultures. A fuller understanding of their work is gained by situating them within this cultural conversation. The writings of Wright, for example, take on their full significance only when they are read, not as part of a national literature, but as an index to an evolving literature of cultural exchanges.
Author: William Howard Cohen
Publisher: Tuttle Publishing
Published: 2004-09-15
Total Pages: 104
ISBN-13: 1462912117
DOWNLOAD EBOOK →To Walk in Seasons is designed to help the beginner discover haiku for himself, and eventually create his own haiku poems. It includes a lively and sensitive introduction on the nature of haiku. For individual study, or for use in the classroom, it also contains a study guide aimed at recreating the thought processes behind this terse, concentrated form. Mr. Cohen's poetry like his anthology illuminates poetic experience: To walk in seasons is to discover what's inside a split instant To walk in seasons; passing through a dry gate into a rainstorm. To walk in seasons is to wake and find you really are. Mr. Cohen's haiku and other poems have appeared in many well-known literary periodicals such as Literature East and West and American Haiku. He is the author of The Hill Way Home and A House in the Country, and his works have been praised by such eminent poets as Peter Viereck and Mark Van Doren. (He was elected in 1963 to membership in the Poetry Society of America) Mr. Cohen won the title of United States Olympic Poet, representing the United States in Mexico City in 1968, and in 1969 he honored at the World Congress of Poets in Manila.
Author: Robb Hasencamp
Publisher: Christian Faith Publishing, Inc.
Published: 2022-09-13
Total Pages: 60
ISBN-13: 1639036474
DOWNLOAD EBOOK →Modern American haiku is both elusive and enchanting. It is a beautiful art form that invites the reader into the mysteries of nature and poignant flashes of deeper everyday life. Borne of traditional Japanese haiku in the seventeenth century, modern Haiku is beguiling poetry that draws us into captivating, surprising insights. There is no room for predictability or easy assurance. Rather, when reading, we are urged to trust the lightness of the poem to lift our hearts into obscure realms of delight. These verses were composed with this pleasure in mind.
Author: Yoshinobu Hakutani
Publisher:
Published: 2019
Total Pages: 0
ISBN-13: 9781498558273
DOWNLOAD EBOOK →Jack Kerouac and the Traditions of Classic and Modern Haiku is a reading of the haiku collected in Jack Kerouac's Book of Haikus, edited by Regina Weinreich, (2003), one of the two largest collections of English haiku. "Above all," Kerouac wrote in his journal, "a Haiku must be very simple and free of all poetic trickery and makes a little picture and yet be as airy and graceful as a Vivaldi Pastorella." Before trying his hand at composing haiku, Kerouac learned, as did Wright, the theory and technique of haiku from R. H. Blyth, the most influential haiku scholar and critic. Most of Kerouac's haiku reflect eastern philosophies―Confucianism, Buddhist ontology, and Zen―, as do classic haiku. A son of devout French Canadian Catholic parents, the young Kerouac was impressed with Christian doctrine, but later was inspired by Buddhism. In his haiku Kerouc conflates Christian doctrine of mercy with that of Buddhism. Classic haiku taught Kerouac that not only must human beings treat their fellow human beings with respect and compassion, but they must also treat nonhuman beings such as animals, insects, plants, and flowers as their equals. Many of Kerouac's haiku can be read as modern haiku for the technique of beat poetics he applied. All in all, Kerouac's haiku express the worldview that human beings are not at the center of the universe.
