American Film Comedy
Author: Scott Siegel
Publisher: Prentice Hall
Published: 1994
Total Pages: 342
ISBN-13:
DOWNLOAD EBOOK →An A to Z guide to film comedies. Illus.
Lanterna Rally
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High Comedy in American Movies
Author: Steve Vineberg
Publisher: Rowman & Littlefield
Published: 2005
Total Pages: 230
ISBN-13: 9780742526341
DOWNLOAD EBOOK →High Comedy in American Movies explores the 'comedy of manners' film throughout the twentieth century, from the advent of movie sound to recent films, and shows how class comedy's inside view of the aristocratic lifestyle has been influenced by the culture and times in which the movies are produced. Outlining the conventions of class comedy, Steve Vineberg discusses its British roots and analyzes how many American filmmakers have modified the genre, creating a distinctly American approach to class. Easily accessible, High Comedy in American Movies makes an engaging supplement to courses in American film, film genre, and film studies.
American Comedies
American Comedies: ... Contents: The Bucktails, or Americans in England; The Noble Exile; Madmen all, or the Cure of Love; Antipathies, or the Enthusiasts by the Ears
Author: James Kirke PAULDING (and PAULDING (William Irving))
Publisher:
Published: 1847
Total Pages: 300
ISBN-13:
DOWNLOAD EBOOK →Class, Language, and American Film Comedy
Author: Christopher Beach
Publisher: Cambridge University Press
Published: 2002-02-11
Total Pages: 254
ISBN-13: 9780521002097
DOWNLOAD EBOOK →This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis.
The Top 100 American Situation Comedies
Author: Mitchell E. Shapiro
Publisher: McFarland
Published: 2015-10-16
Total Pages: 293
ISBN-13: 1476664048
DOWNLOAD EBOOK →A number of books and articles have been written ranking the best situation comedies of all time. These have all had something in common--subjective criteria based on the authors' opinions. This book attempts an objective ranking of the best 100 American sitcoms, based on a mathematical formula taking into account four factors: ratings, longevity, peer acceptance and spawning of other programs (spin-offs). The authors considered a field of 377 series which met at least one of four criteria: aired for at least three seasons; rated among top 30 series in at least one season; received at least one major Emmy nomination; or spawned at least one other series. A critical essay is provided for each series, along with air dates and cast listings.
Early American Comedy
Film Comedy and the American Dream
Author: Zach Sands
Publisher: Routledge
Published: 2017-09-13
Total Pages: 170
ISBN-13: 135160029X
DOWNLOAD EBOOK →Film Comedy and the American Dream is an examination of national identity in the era of the American superpower as projected in popular comedic films that center on issues of upward mobility. It is the story of what made audiences laugh and why, and what this says about the changing shape of the American Dream from the end of the Second World War through the first part of the twenty-first century. Through a combination of narrative and thematic analyses of popular comedic films, contextualized within a dynamic historical framework, the book traces the increasing disillusionment with this central ideology in the face of multiple forms of systemic exclusion. It argues that film comedy is a major component of the discourse surrounding the American Dream because these movies often evoke humor by highlighting the incongruities that exist between the ideals that define this nation versus the actual lived experiences of its citizens.
Reeling with Laughter
Author: Michael V. Tueth
Publisher: Scarecrow Press
Published: 2012-05-03
Total Pages: 230
ISBN-13: 0810883686
DOWNLOAD EBOOK →Film comedy has been around as long as cinema itself. Over the years, particular forms of the genre have emerged, evolved, and spawned other branches of comedy. While these subgenres may vary in their approach to humor, all of them have the same goal: amusing audiences. In Reeling with Laughter: American Film Comedies—From Anarchy to Mockumentary, Michael V. Tueth examines some of the most enjoyable comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific subgenre through a representative film. Along with the Marx Brothers’ classic, other subgenres discussed in this volume include romantic comedy (It Happened One Night), screwball comedy (Bringing Up Baby and What’s Up, Doc?), musical comedy (Singin’ in the Rain), sex farce (Some Like It Hot), satire (Dr. Strangelove), parody (Young Frankenstein), neurotic comedy (Annie Hall), Dionysian comedy (Animal House), mockumentary (Waiting for Guffman), and animated comedy (South Park: Bigger, Longer & Uncut). In this volume, Tueth provides the background of each film’s production and discusses their audience reception, critical appraisal, and the qualities that have characterized these enduring works. Reeling with Laughter will appeal to film students, as well as the general public eager to revisit these great American films.
American Theatre: A Chronicle of Comedy and Drama 1914-1930
Author: Gerald Bordman
Publisher: Oxford University Press
Published: 1995
Total Pages: 460
ISBN-13: 9780195090789
DOWNLOAD EBOOK →The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.
