Jazz Poems

Jazz Poems PDF

Author: Kevin Young

Publisher: Everyman's Library

Published: 2006

Total Pages: 260

ISBN-13:

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A vital and surprising hardcover collection of poems about, and inspired by, jazz music. AN EVERYMAN'S LIBRARY POCKET POET. Selected and Edited by Kevin Young. Ever since its first flowering, jazz has had a powerful influence on American poetry; this scintillating anthology offers a treasury of poems that are as varied and as vital as the music that inspired them. From the Harlem Renaissance to the beat movement, from the poets of the New York school to the contemporary poetry scene, the jazz aesthetic has been a compelling literary force—one that Jazz Poems makes palpable. We hear it in the poems of Langston Hughes, E. E. Cummings, William Carlos Williams, Frank O’Hara, and Gwendolyn Brooks, and in those of Yusef Komunyakaa, Charles Simic, Rita Dove, Ntozake Shange, Mark Doty, William Matthews, and C. D. Wright. Here are poems that pay tribute to jazz’s great voices, and poems that throb with the vivid rhythm and energy of the jazz tradition, ranging in tone from mournful elegy to sheer celebration. Includes: • “Jazz Band in a Parisian Cabaret” by Langston Hughes • “God Bless the Child” by Billie Holiday and Arthur Herzog, Jr. • “Jazz Fantasia” by Carl Sandburg • “Ol’ Bunk’s Band” by William Carlos Williams • “We Real Cool” by Gwendolyn Brooks • “Chasing the Bird” by Robert Creeley • “Victrola” by Robert Pinsky • “Pres Spoke in a Language” by Amiri Baraka • “The Day Lady Died” by Frank O’Hara • “Art Pepper” by Edward Hirsch • “Snow” by Billy Collins Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Jazz Griots

Jazz Griots PDF

Author: Jean-Philippe Marcoux

Publisher: Lexington Books

Published: 2012-06-27

Total Pages: 244

ISBN-13: 0739166743

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This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka.

Some Jazz a While

Some Jazz a While PDF

Author: Miller Williams

Publisher: University of Illinois Press

Published: 1998

Total Pages: 308

ISBN-13: 9780252067747

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Here one of our best-loved poets gathers his most representative work from twelve collections and adds some new pieces as well. An American original, Miller Williams involves the readers emotions and imagination with an effective illusion of plain talk, continually rediscovering what is vital and musical in the language we speak and imagine by.

Dazz & All That Jazz

Dazz & All That Jazz PDF

Author: Sabine Simon

Publisher: AuthorHouse

Published: 2017-03-02

Total Pages: 140

ISBN-13: 1524672505

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My friendly warning to the fortunate readers of Dazz & All That Jazz is to buckle up; you are about to read a fascinating and historical book of poetry by Sabine Simon, also known as Dazz. Dazz will show you how a young woman from the island of Haiti can turn into a charismatic poet and share with you her true love experiences in America where she started her writing journey in 1996. Like a lot of poets, writing becomes a therapy after losing a loved one and after a painful break up with someone you love. When you try very hard to escape the pain, what can you do? You write about it. In this poem Escaping Pain, the author talks about her wrist, her knife, her blood, and her life. It is very unfortunate when you aimed for the best and you end up facing the worst relationship of your life. Would I Be Wrong is another title of one of the poems in this book that will give you hope when you are down. This poem will place you in a church praising God, regardless if you were willing to do so or not. Would I be wrong to want to be on the mountaintop? How wrong can I be when I walk with the one who possesses eternity? I Am Sorry is another title that shows the inner conscience of the poetess, that she is human, she has a big heart, and she is willing to forgive. But the pains will never be forgotten because of the scars that keep on reminding you of the sorrowful moments in your life. This kaleidoscopic summary of countless events that you are about to read from Dazzs poetry is breathtaking and is indeed textually significant vis--vis anyone who has been in good/bad relationship. Dazzs poetry was written with an innate passion and unconditional love. This book was written in raw accuracy of what you, the reader, could have been or are dealing with in your relationships as we speak.

All What Jazz

All What Jazz PDF

Author: Philip Larkin

Publisher: Farrar, Straus and Giroux

Published: 1985-10-01

Total Pages: 322

ISBN-13: 9780374519087

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Compilation of articles by the leading jazz reviewer offers a lively commentary of the record world and its personalities in the 1960's

All That Jazz

All That Jazz PDF

Author: Kevin Rabas

Publisher:

Published: 2017-06

Total Pages: 72

ISBN-13: 9781946642073

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Kevin Rabas chairs the Department of English, Modern Languages, and Journalism at Emporia State and leads the poetry and playwriting tracks. He has eight books, includ- ing Bird's Horn, Lisa's Flying Electric Piano, a Kansas Notable Book and Nelson Poetry Book Award winner, Sonny Kenner's Red Guitar, also a Nelson Poetry Book Award winner, Green Bike, Eliot's Violin, Late for Cymbal Line, Spider Face: stories, and Songs for My Father: poems & stories. Rabas writes regularly for Kansas City's Jazz Ambassador Magazine (JAM). Rabas's plays have been produced across Kansas and in North Carolina and San Diego. His work has been nominated for the Pushcart Prize ve times, and Rabas is the winner of the Langston Hughes Award for Poetry, the Victor Contoski Poetry Award, the Jerome Johanning Playwriting Award, and the Salina New Voice Award.

Jazz A-B-Z

Jazz A-B-Z PDF

Author: Wynton Marsalis

Publisher: Candlewick Press

Published: 2005-10-25

Total Pages: 86

ISBN-13: 9780763621353

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Profiles twenty-six of the jazz greats of all time, from Count Basie to Louis Armstrong, through a review of their work, their life stories, and their greatest hits by one of today's top jazz performers. A is for "almighty" Louis Armstrong, whose amazingartistry unfolds in an accumulative poem shaped like the letter he stands for. As for sax master Sonny Rollins, whose "robust style radiates roundness," could there be a better tribute than a poetic rondeau? In an extraordinary feat, Pulitzer Prize-winning jazz composer Wynton Marsalis harmonizes his love and knowledge of jazz's most celebrated artists with an astounding diversity of poetic forms-from simple blues (Count Basie) to a complex pantoum (Charlie Parker), from a tender sonnet (Sarah Vaughan) to a performance poem snapping the rhythms of Art Blakey to life.

Black Pow-Wow

Black Pow-Wow PDF

Author: Ted Joans

Publisher: Macmillan

Published: 1969

Total Pages: 146

ISBN-13: 0809000938

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"Jazz is my religion, and surrealism is my point of view." Ted Joans was one of the first Beat poets in the Greenwich Village arts scene, pioneering a movement that often overlooked his profound contributions. His poetry mixes the rhythms of jazz music with “hand grenades” of truth, and his live reading performance style anticipated the spoken word movement. Black Pow-Wow is a collection of the best of Joans’ early poetry, including such well-known poems as “Jazz Is My Religion,” “Passed On Blues: Homage to a Poet,” and “The Nice Colored Man.” Many of his poems speak to his friends and contemporaries--including Charlie Parker, Jack Kerouac, Allan Ginsberg, Bob Kaufman, Salvador Dali, Andre Breton, and particularly Langston Hughes--as well as his extensive travels across the African continent and around the world. His avante-garde poems also reflect his style as a painter and collage artist, call for social protest, and denounce racism, sexual repression, and injustice. This groundbreaking collection, one of only two mainstream publications Joans produced, perfectly captures the pulse of the Beat Generation and the rhythms of blues.

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