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After Wagner

Author: Mark Berry

Publisher: Boydell & Brewer Ltd

Published: 2014

Total Pages: 327

ISBN-13: 1843839687

This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.

Modernism After Wagner

Author: Juliet Koss

Publisher:

Published: 2010

Total Pages: 381

ISBN-13: 9780816651580

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This is a critical history of Wagner's concept of the 'Gesamtkunstwerk' and its impact on European modernism. Koss explores the legacy of Wagner's concept, laying out its genealogy and the political, aesthetic, and cultural context from which it emerged.

Tristan's Shadow

Author: Adrian Daub

Publisher: University of Chicago Press

Published: 2013-11-25

Total Pages: 237

ISBN-13: 022608227X

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Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on sexuality—like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow.

A House Divided

Author: Anne M. Wagner

Publisher: Univ of California Press

Published: 2012-02-14

Total Pages: 301

ISBN-13: 0520268474

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“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL “In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art

After the Blast

Author: Eric Wagner

Publisher: University of Washington Press

Published: 2020-04-20

Total Pages: 266

ISBN-13: 0295746947

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A CHOICE OUTSTANDING ACADEMIC TITLE On May 18, 1980, people all over the world watched with awe and horror as Mount St. Helens erupted. Fifty-seven people were killed and hundreds of square miles of what had been lush forests and wild rivers were to all appearances destroyed. Ecologists thought they would have to wait years, or even decades, for life to return to the mountain, but when forest scientist Jerry Franklin helicoptered into the blast area a couple of weeks after the eruption, he found small plants bursting through the ash and animals skittering over the ground. Stunned, he realized he and his colleagues had been thinking of the volcano in completely the wrong way. Rather than being a dead zone, the mountain was very much alive. Mount St. Helens has been surprising ecologists ever since, and in After the Blast Eric Wagner takes readers on a fascinating journey through the blast area and beyond. From fireweed to elk, the plants and animals Franklin saw would not just change how ecologists approached the eruption and its landscape, but also prompt them to think in new ways about how life responds in the face of seemingly total devastation.

Disturbing the Peace

Author: Bryan Wagner

Publisher: Harvard University Press

Published: 2010-02-28

Total Pages: 318

ISBN-13: 0674054768

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W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary - in Disturbing the Peace, Bryan Wagner revises the history of the black vernacular tradition and gives a new account of black culture by reading these myths in the context of the tradition's ongoing engagement with the law.

Creating Innovators

Author: Tony Wagner

Publisher: Simon and Schuster

Published: 2012-04-17

Total Pages: 304

ISBN-13: 1451611498

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Reveals the importance of innovation in American global competitiveness, profiling some of today's most compelling young innovators while explaining how they have succeeded through the unconventional methods of parents, teachers, and mentors.

After the Apostles

Author: Walter H. Wagner

Publisher: Fortress Press

Published:

Total Pages: 312

ISBN-13: 9781451419863

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Through deft use of available data and texts, Wagner brings the enigmatic second century to life. Selecting five fateful challenges--issues of Creation, human nature, Jesus' identities, roles of the church, and Christians in society--he shows what was at stake for emerging Christianity and how its five key players responded. Map; glossary; bibliography.

Houseraising

Author:

Publisher:

Published: 2018-07-10

Total Pages: 0

ISBN-13: 9781942084501

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Photographs of rebuilt bungalows and mansions on the Jersey Shore waiting for the next storm.

The Empty Chair

Author: Bruce Wagner

Publisher: Penguin

Published: 2014-12-30

Total Pages: 306

ISBN-13: 0142181234

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A profound and heart-wrenching work of spiritual storytelling from the internationally acclaimed author of Dead Stars Celebrated for his “up-to-the-nanosecond insider’s knowledge of the L.A. scene” (The Washington Post), Bruce Wagner takes his storytelling in a radically new direction with two linked novellas. In First Guru, a gay Buddhist living in Big Sur achieves enlightenment in the horrific aftermath of his child’s suicide. In Second Guru, Queenie, an aging wild child, returns to India to complete the spiritual journey of her youth. Told in ravaged, sensuous detail to a fictional Wagner by two strangers on opposite sides of the country, years apart from each other, these stories illuminate the random, chaotic nature of human suffering and the miraculous strength of the human spirit.