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Africa's Lost Classics

Author: Lizelle Bisschoff

Publisher: Routledge

Published: 2017-07-05

Total Pages: 363

ISBN-13: 1351577387

Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.

Africa's Lost Classics

Author: Lizelle Bisschoff

Publisher: Routledge

Published: 2017-07-05

Total Pages: 217

ISBN-13: 1351577395

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The Lost Classics

Author: Robert Ruark

Publisher: Rowman & Littlefield

Published: 2024-03-26

Total Pages: 287

ISBN-13: 1493083600

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A collection of magazine stories that Ruark wrote in the 1950s and 1960s, but were never published in book form.

Search Sweet Country

Author: Kojo Laing

Publisher: Penguin Classics

Published: 2019-08

Total Pages: 0

ISBN-13: 9780241370094

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Winner of the Valco Fund Literary Award for Fiction and the Ghana Book Award Search Sweet Country follows the lives of an eclectic, interconnected group of Ghanaians living in and around the sprawling, chaotic city of Accra in the mid-1970s. Bringing the city to life in dizzying, lyrical prose, Laing weaves a story filled with bizarre and often melancholy characters- an idealistic professor, a lovely young witch, a wide-eyed student, a corrupt politician and his hack sidekick, a business-savvy young woman, a healer, a bishop and a crazy man intent on founding his own village. Their collective narratives create a portrait of a country where colonialism is dying, but democracy remains elusive. Search Sweet Country is a timeless, near-forgotten gem by a virtuosic writer, as necessary now as when the book was first published. Like Joyce's Dublin and Dickens's London, Laing's Accra brims with both lush specificity and universal relevance.

A Companion to African Cinema

Author: Kenneth W. Harrow

Publisher: John Wiley & Sons

Published: 2018-09-18

Total Pages: 550

ISBN-13: 1119099854

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An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.

African Film Cultures

Author: Añuli Agina

Publisher: Cambridge Scholars Publishing

Published: 2017-08-21

Total Pages: 267

ISBN-13: 1527500578

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The growing body of films in and around Africa, and the seemingly incongruent growth in African film scholarship, suggests the need for new perspectives, approaches and insights into film cultures in Africa. Although it is impossible to capture the entire diversity of existing African film cultures, this collection, which has resulted from African film conferences organized by the University of Westminster, United Kingdom, has recognized the significance and urgency of this task. The book offers a unique engagement with widened African film ‘cultures’ in the context of diverse peoples, histories, geographies, languages and changing film production cultures shaped by audiences and users at home and in the diaspora. The volume is a significant contribution to the processes of representing the self and other, as well as the emergence of alternative, non-official dialogues, circulation and consumption, including on social media. Students, researchers, film policy makers, film producers, distributors and anyone else with an interest in African screen media will find in the book useful and readable analyses of socio-political factors that affect and are shaped by African film.

Petrocinema

Author: Marina Dahlquist

Publisher: Bloomsbury Publishing USA

Published: 2021-01-28

Total Pages: 267

ISBN-13: 1501354140

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Petrocinema presents a collection of essays concerning the close relationship between the oil industry and modern media-especially film. Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films include documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed over the past decade. Contributing to this burgeoning field of sponsored and educational film scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and media history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or “spills” in the 20th century to today's post industrial “petromelancholia.”

Mapping Movie Magazines

Author: Daniel Biltereyst

Publisher: Springer Nature

Published: 2020-03-30

Total Pages: 343

ISBN-13: 3030332772

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Movie magazines are crucial but widely underused sources for writing the history of films and cinema. This volume brings together for the first time a wide variety of historic research of movie magazines and film trade journals, reflecting on the issue of using these sources for film/cinema historiography and on the impact of digitization processes. Mapping Movie Magazines explores this debate from different disciplinary perspectives, enlightened by case studies from the use of early film trade press to pedagogical uses of digitized periodicals. The volume explores Hollywood’s grip on movie magazines, gender in film journalism, typologies of unknown trade press and movie magazine markets, and subversive Tijuana bibles.

Ethics and Aesthetics in Contemporary African Cinema

Author: James S. Williams

Publisher: Bloomsbury Publishing

Published: 2019-03-21

Total Pages: 376

ISBN-13: 1350105058

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Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema.