African and Asian Dance

African and Asian Dance PDF

Author: Andrew Solway

Publisher: Heinemann-Raintree Library

Published: 2008-09-09

Total Pages: 56

ISBN-13: 9781432913793

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Which dancers dance through fire? Why does it take several hours to put on make-up for a kathakali dance? Which dance company uses tai chi, meditation, Chinese opera movement, martial arts, modern dance and ballet in its dancing? African and Asian Dance provides a detailed look at the development of African and Asian dancing, from the huge variety of traditional folk dances to the modern techniques used by choreographers such as Germaine Acogny and the Cloud Gate Theatre today. The book looks at how the choreography and improvisation differ from other styles of dance, and explores the part played by costumes and make-up.

African Dance

African Dance PDF

Author: Kariamu Welsh-Asante

Publisher: Infobase Publishing

Published: 2010

Total Pages: 137

ISBN-13: 1604134771

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The ancient tradition of African dance has influenced dance styles all over the world. It is used to commemorate many annual ceremonies and activities, such as rites of passage and the harvest, and it is also an important form of recreation, religious expression, and storytelling. In African Dance, Second Edition, the varied cultures of Africa and their respective dances are explored, along with the effects that colonialism had on the art form.

Drumbeat in Our Feet

Drumbeat in Our Feet PDF

Author: Patricia A. Keeler

Publisher: Lee & Low Books

Published: 2014-04-15

Total Pages: 0

ISBN-13: 9781620140796

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"Informative passages and lyrical verse explore the history and rhythmic qualities of traditional African dance as performed long ago and today. Note about Harlem-based African dance troupe Batoto Yetu, photographs, and map in backmatter"--Provided by publisher.

In Pursuit of an African Traditional Dance

In Pursuit of an African Traditional Dance PDF

Author: Thomas Jing

Publisher: African Books Collective

Published: 2022-02-28

Total Pages: 188

ISBN-13: 9956552313

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Africa is rich in (neo) traditional dances; yet, not much exists in the form of written literature on the subject. Even worse, existing documents date back to the colonial period and are often disparaging. Dance to Africans is what martial arts are to Asians. Embedded in them are some of the solutions to many of the problems wracking the African diaspora: gang violence, drug addiction, and high school dropout rates, etc. When Guinea's Ballets Africains first bursts on the international scene in the late fifties and sixties, the black revolution in the US was in full swing. The troupe's emancipatory message enkindled in African Americans a new sense of cultural pride and a return to their African roots. For once, dance became something else other than the ballet. With that burst of enthusiasm came the need to introduce African dances in the academia. Most of the research, however, focused mainly on dances which use drums (djembe). Departing from that tradition, in this detailed and richly choreographed ethnography on the Buum Oku Dance Yaounde, Thomas Jing's investigation into a xylophone-based dance opens up new research avenues and exposes the challenges involved. An Afrocentric theoretical framework to the research counters imperialist notions of African dances, thus setting them up as a tool for emancipation.

African Dance Trends

African Dance Trends PDF

Author: Tammy Gagne

Publisher: Mitchell Lane

Published: 2020-05-11

Total Pages: 60

ISBN-13: 1545751412

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This contemporary title explores African dance trends in today s health-oriented world. The teenage reader is exposed to the health and fitness perspective of African dance, African regional differences, dance meanings, and History, and is encouraged to draw conclusions as to the appropriateness of the activity in his or her life. Safety issues are presented where appropriate. African Dance Trends has been developed to encourage teens to analyze the information and satisfies many of the Common Core specific goals, higher level skills, and progressive strategies for middle grade and junior high level students.

History Dances

History Dances PDF

Author: Ofosuwa M. Abiola

Publisher: Routledge

Published: 2018-11-16

Total Pages: 156

ISBN-13: 0429767846

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The field of history is founded on the interrogation of written documents from the past. However, culture is the center of life in Africa. As a result, in the past – and to a degree in the present – the process for documenting events in Africa was not written, it was performed. History Dances: Chronicling the History of Traditional Mandinka Dance argues that a wealth of information is housed within traditional Mandinka dance and, consequently, the dances can be used as an African-derived primary source for writing African history. Ofosuwa M. Abiola highlights the overall value of studying Mandinka dance history specifically, and African dance history generally, as well as addressing the issue of scarcity with regard to primary sources for writing African history. History Dances proves to be a vital read for both undergraduate students and scholars in the fields of dance history, African history, performance studies, and cultural anthropology.

Afro-Mexico

Afro-Mexico PDF

Author: Anita González

Publisher: University of Texas Press

Published: 2010-12-01

Total Pages: 185

ISBN-13: 0292739567

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While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—of dance, music, and theatrical events—reveal the influence of African people and their cultural productions on Mexican society. In this work, Anita González articulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance. Festival dances and, sometimes, professional staged dances point to a continuing negotiation among Native American, Spanish, African, and other ethnic identities within the evolving nation of Mexico. These performances embody the mobile histories of ethnic encounters because each dance includes a spectrum of characters based upon local situations and historical memories.

Umfundalai

Umfundalai PDF

Author: Kariamu Welsh-Asante

Publisher:

Published: 1997

Total Pages: 148

ISBN-13: 9780865434905

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Umfundalai, a Kiswahili word meaning "essence" or "essential", is now also the name of an innovative dance technique discovered and developed by the author of this book to enable anyone to perform traditional African dances. In 1970-71, as an eager young student, the author set about organizing the complex multiplicity of rhythms and movements displayed in the various traditional dances still practiced in rural villages throughout the continent of Africa. In the process, she isolated the elements essential to all African dances: the circle (the earliest form of dance, symbol of the unified whole); repetition (a necessary extension of rhythm); rattling and ululation (natural accompaniments of rhythm). She also discovered their wider, social and political symbolism; the unique power inherent in rhythm; the responsibilities inherent in leadership and control; and the political and moral standards inherent in human society. Then, after a crucial, challenging encounter with a master teacher of dance, she delved deeply into the histories, the arts, and the philosophies of successive African civilizations-Pharaonic, Sudanese, Colonial, Diasporic, Post-Colonial, Pre-Independent, and Independent. Now, from the crucible of time and one woman's personal voyage of discovery, there has emerged not only a fresh and vibrant vehicle for the self-expression of a people, but also a powerful political and moral instrument of immense contemporary impact. Umfundalai not only mirrors the rich and variegated African dance aesthetic...it not only incarnates a wealth of African history, philosophy, and art...it actually serves and empowers the dancer, the artist, and the audience by invoking the communal powerof African dance to stimulate political and social action. More than a technique, Umfundalai is an organic and exhilarating series of rhythms, movements, and sounds that affirms life's passages (birth, marriage, death, rebirth, etc.), celebrates a holistic system of beliefs and values, and salutes the universal and unifying life force that is Africa's most precious resource.

Dooplé : the Eternal Law of African Dance

Dooplé : the Eternal Law of African Dance PDF

Author: Alphonse Tiérou

Publisher: Psychology Press

Published: 1992

Total Pages: 110

ISBN-13: 3718653060

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The African dancer requires complete technical mastery and must respect the precise rules handed down by the society of the Masques de Sagesse. Alphonse Tirou is from the Ouenon people of the Ivory Coast. His major study is the first written record of this oral tradition and it explains the movements, codes and meanings of the traditional African dance. It is extremely valuable reading for all those studying or interested in Africa, as dance is such an essential part of this continent's cultural heritage.A former student of the National Institute of Arts at Abidjan, Alphonse Tirou has been a senior dignitary in the Kman of the Masques de Sagesse for over twenty years. He is currently teaching at the Bloa Nam (Movements) dance school in Nmes, which he founded in 1979 and which is still the only school worldwide to research African dance.