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Rhetorical Crossover

Author: Cedric Burrows

Publisher: University of Pittsburgh Press

Published: 2020-10-27

Total Pages: 229

ISBN-13: 0822987619

In music, crossover means that a song has moved beyond its original genre and audience into the general social consciousness. Rhetorical Crossover uses the same concept to theorize how the black rhetorical presence has moved in mainstream spaces in an era where African Americans were becoming more visible in white culture. Cedric Burrows argues that when black rhetoric moves into the dominant culture, white audiences appear welcoming to African Americans as long as they present an acceptable form of blackness for white tastes. The predominant culture has always constructed coded narratives on how the black rhetorical presence should appear and behave when in majority spaces. In response, African Americans developed their own narratives that revise and reinvent mainstream narratives while also reaffirming their humanity. Using an interdisciplinary model built from music, education, film, and social movement studies, Rhetorical Crossover details the dueling narratives about African Americans that percolate throughout the United States.

On African-American Rhetoric

Author: Keith Gilyard

Publisher: Routledge

Published: 2018-04-17

Total Pages: 232

ISBN-13: 1351610635

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On African-American Rhetoric traces the arc of strategic language use by African Americans from rhetorical forms such as slave narratives and the spirituals to Black digital expression and contemporary activism. The governing idea is to illustrate the basic call-response process of African-American culture and to demonstrate how this dynamic has been and continues to be central to the language used by African Americans to make collective cultural and political statements. Ranging across genres and disciplines, including rhetorical theory, poetry, fiction, folklore, speeches, music, film, pedagogy, and memes, Gilyard and Banks consider language developments that have occurred both inside and outside of organizations and institutions. Along with paying attention to recent events, this book incorporates discussion of important forerunners who have carried the rhetorical baton. These include Frederick Douglass, Harriet Jacobs, Sojourner Truth, Anna Julia Cooper, W. E. B. Du Bois, Zora Neale Hurston, Malcolm X, Martin Luther King, Jr., Toni Cade Bambara, Molefi Asante, Alice Walker, and Geneva Smitherman. Written for students and professionals alike, this book is powerful and instructive regarding the long African-American quest for freedom and dignity.

African American Rhetoric(s)

Author: Elaine B Richardson

Publisher: SIU Press

Published: 2007-02-12

Total Pages: 332

ISBN-13: 9780809327454

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African American Rhetoric(s): Interdisciplinary Perspectives is an introduction to fundamental concepts and a systematic integration of historical and contemporary lines of inquiry in the study of African American rhetorics. Edited by Elaine B. Richardson and Ronald L. Jackson II, the volume explores culturally and discursively developed forms of knowledge, communicative practices, and persuasive strategies rooted in freedom struggles by people of African ancestry in America. Outlining African American rhetorics found in literature, historical documents, and popular culture, the collection provides scholars, students, and teachers with innovative approaches for discussing the epistemologies and realities that foster the inclusion of rhetorical discourse in African American studies. In addition to analyzing African American rhetoric, the fourteen contributors project visions for pedagogy in the field and address new areas and renewed avenues of research. The result is an exploration of what parameters can be used to begin a more thorough and useful consideration of African Americans in rhetorical space.

The Routledge Reader of African American Rhetoric

Author: Michelle Robinson

Publisher: Routledge

Published: 2017

Total Pages: 608

ISBN-13: 9780415731065

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The Routledge Anthology of African American Rhetoric is a compendium of primary texts, including dialogues, creative works, critical articles, essays, folklore, interviews, news stories, songs, raps, and speeches that are performed or written by African Americans. Both the book as a whole and the various selections in it speak directly to the artistic, cultural, economic, social, and political condition of African Americans from the enslavement period in America to the present, as well as to the Black Diaspora. The focal point of this project will be the reader�s companion website that will encourage students and instructors to copious amounts of supplemental material. The standard student/instructor resources are planned (further readings, syllabi, links, etc.) but the editors wish to feature materials that mirror the content in the text. We�ve explored the inclusion of music playlists that will showcase musical selections mentioned in the book. There will be YouTube and various multimedia clips of film, television, and music videos. Finally, there will be excerpts from literature (fiction and non-fiction) along with poetry and other applicable readings.

Keepin' it Hushed

Author: Vorris Nunley

Publisher: Wayne State University Press

Published: 2011

Total Pages: 228

ISBN-13: 9780814333488

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Examines the barbershop as a rhetorical site in African American culture across genres, including fiction, film, poetry, and theater.

Rhetorical Healing

Author: Tamika L. Carey

Publisher: SUNY Press

Published: 2016-10-04

Total Pages: 226

ISBN-13: 1438462433

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Reveals the rhetorical strategies African American writers have used to promote Black womens recovery and wellness through educational and entertainment genres and the conservative gender politics that are distributed when these efforts are sold for public consumption. Since the Black womens literary renaissance ended nearly three decades ago, a profitable and expansive market of self-help books, inspirational literature, family-friendly plays, and films marketed to Black women has emerged. Through messages of hope and responsibility, the writers of these texts develop templates that tap into legacies of literacy as activism, preaching techniques, and narrative formulas to teach strategies for overcoming personal traumas or dilemmas and resuming ones quality of life. Drawing upon Black vernacular culture as well as scholarship in rhetorical theory, literacy studies, Black feminism, literary theory, and cultural studies, Tamika L. Carey deftly traces discourses on healing within the writings and teachings of such figures as Oprah Winfrey, Iyanla Vanzant, T. D. Jakes, and Tyler Perry, revealing the arguments and curricula they rely on to engage Black women and guide them to an idealized conception of wellness. As Carey demonstrates, Black womens wellness campaigns indicate how African Americans use rhetorical education to solve social problems within their communities and the complex gender politics that are mass-produced when these efforts are commercialized.

Black or Right

Author: Louis M. Maraj

Publisher: University Press of Colorado

Published: 2020-12-01

Total Pages: 209

ISBN-13: 1646421477

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Black or Right: Anti/Racist Campus Rhetorics explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.

Black Rhetorical Traditions in the Civil Rights Movement

Author: Herman Kelly

Publisher:

Published: 2017-11-10

Total Pages: 276

ISBN-13: 9781516557356

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The carefully curated readings in Black Rhetorical Traditions in the Civil Rights Movement: Voices of Struggle and Strength guide students through troubled times and show how the Black rhetorical tradition both informed and empowered African Americans. The collected works highlight voices that spoke out, even when confronting great danger. As they engage with the selections, students become familiar with the power, purpose, and passion that are part of this rhetorical tradition, and how it has long been manifested in song and sermon, speech, dance, and poetry. The experiences of African Americans come to life in works on the roots of lynching, African American religion, school desegregation, African emigration, the Jim Crow era, and more. The material is further enhanced by the inclusion of personal experiences of the author-editor and his family. Sensitive and powerful, Black Rhetorical Traditions in the Civil Rights Movement is the story of voices that would not be silenced in the face of slavery, racism, and discrimination. The anthology is an excellent choice for courses in African American studies, African American religious traditions, and history. Herman Kelly earned his doctoral degree in ministry at Memphis Theological Seminary, and now serves at Louisiana State University. Dr. Kelly teaches in both the School of Education and the African and African American Studies Program, for which he is the co-chair of the finance committee. His courses include the history of the civil rights movement and Black rhetorical traditions. He has most recently published Moments of Meditation Celebrating the Bicentennial of the African Methodist Episcopal Church, in Times Like These. Dr. Kelly is a past recipient of the NAACP Man of the Year Award.