Law and the Image

Law and the Image PDF

Author: Costas Douzinas

Publisher: University of Chicago Press

Published: 1999-06

Total Pages: 292

ISBN-13: 9780226569543

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Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.

Law and Art

Law and Art PDF

Author: Oren Ben-Dor

Publisher: Routledge

Published: 2012-03-29

Total Pages: 322

ISBN-13: 113671975X

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The contributions to Law and Art address the interaction between law, justice, the ethical and the aesthetic.

Law and Aesthetics

Law and Aesthetics PDF

Author: Adam Gearey

Publisher: Hart Publishing

Published: 2001-06

Total Pages: 152

ISBN-13: 1841132438

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This book takes as its starting point Shelley's assertion that poets are legislators and then tracks this aesthetic.

The Aesthetics of International Law

The Aesthetics of International Law PDF

Author: Edward M. Morgan

Publisher: University of Toronto Press

Published: 2007-01-01

Total Pages: 289

ISBN-13: 0802092519

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In The Aesthetics of International Law, Ed Morgan engages in a literary parsing of international legal texts. In order to demonstrate how these types of legal narratives are imbued with modernist aesthetics, Morgan juxtaposes international legal documents and modern (as well as some immediately pre- and post-modern) literary texts.

The Criminal Spectre in Law, Literature and Aesthetics

The Criminal Spectre in Law, Literature and Aesthetics PDF

Author: Peter J. Hutchings

Publisher: Routledge

Published: 2014-06-23

Total Pages: 234

ISBN-13: 1317797515

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This book analyses the legal and aesthetic discourses that combine to shape the image of the criminal, and that image's contemporary endurance. The author traces the roots of contemporary ideas about criminality back to legal, philosophical and aesthetic concepts originating in the nineteenth century. Building on the ideas of Foucault and Walter Benjamin, Hutchings argues that the criminal, as constructed in places such as popular crime stories or the law of insanity, became an obsession which haunted nineteenth century thought.

The Art of Environmental Law

The Art of Environmental Law PDF

Author: Benjamin J Richardson

Publisher: Bloomsbury Publishing

Published: 2019-12-12

Total Pages: 384

ISBN-13: 1509924612

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Environmental law has aesthetic dimensions. Aesthetic values have shaped the making of environmental law, and in turn such law governs many of our nature-based sensory experiences. Aesthetics is also integral to understanding the very fabric of environmental law, in its institutions, procedures and discourses. The Art of Environmental Law, the first book of its kind, brings new insights into the importance of aesthetic issues in a variety of domains of environmental governance around the world, from climate change to biodiversity conservation. It also argues for aesthetics, and relatedly the arts, to be taken more seriously in the practice of environmental law so as to improve our emotional and ethical capacities to address the upheavals of the Anthropocene.

Parodies of Ownership

Parodies of Ownership PDF

Author: Richard L. Schur

Publisher: University of Michigan Press

Published: 2009-06-04

Total Pages: 253

ISBN-13: 0472050605

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An intriguing interdisciplinary examination of hip hop aesthetics

On Comics and Legal Aesthetics

On Comics and Legal Aesthetics PDF

Author: Thomas Giddens

Publisher: Routledge

Published: 2018-04-17

Total Pages: 230

ISBN-13: 1315310112

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What are the implications of comics for law? Tackling this question, On Comics and Legal Aesthetics explores the epistemological dimensions of comics and the way this once-maligned medium can help think about – and reshape – the form of law. Traversing comics, critical, and cultural legal studies, it seeks to enrich the theorisation of comics with a critical aesthetics that expands its value and significance for law, as well as knowledge more generally. It argues that comics’ multimodality – its hybrid structure, which represents a meeting point of text, image, reason, and aesthetics – opens understanding of the limits of law’s rational texts by shifting between multiple frames and modes of presentation. Comics thereby exposes the way all forms of knowledge are shaped out of an unstructured universe, becoming a mask over this chaotic ‘beyond’. This mask of knowing remains haunted – by that which it can never fully capture or represent. Comics thus models knowledge as an infinity of nested frames haunted by the chaos without structure. In such a model, the multiple aspects of law become one region of a vast and bottomless cascade of perspectives – an infinite multiframe that extends far beyond the traditional confines of the comics page, rendering law boundless.