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Aesthetics and Rock Art

Author: Thomas Heyd

Publisher: Ashgate Publishing

Published: 2005

Total Pages: 0

ISBN-13: 9780754639244

Rock art research, the study of painting and drawing on rock surfaces made by peoples from time immemorial up to the present, is a field that is growing in importance in such disciplines as archaeology, anthropology, and art history. This book is the first treatment of the subject to analyze it from the perspective of aesthetics. Divided into three parts, The Role of Aesthetics in Rock Art Research, Aesthetic Appreciation of Rock Art: Constitutive Factors, and Case Studies: Opportunities and Tensions in Cross-Cultural Appreciation, the editors have collected essays by leading authorities in aesthetics and rock art. The book includes contributions from Peter Lamarque on Palaeolithic Cave Painting: a Test Case for Trans-Cultural Aesthetics, John Coles on Illuminations and Reflections: Looking at Scandinavian Rock Carvings, Howard Morphy on Aesthetics across Time and Place: An Anthropological Perspective on Archaeology, and Sven Ouzman on Seeing is Deceiving: Rock Art and the Non-Visual. These essays illustrate how an approach stemming from aesthetics adds to the understanding of rock art and also show how a focus on rock art can contribute to new perspectives in aesthetics.

Aesthetics and Rock Art III

Author: Thomas Heyd

Publisher: British Archaeological Reports

Published: 2008

Total Pages: 128

ISBN-13:

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Thirteen papers from the third symposium on aesthetics and rock art organised by the editors, and held at the UISPP meeting in Lisbon in 2006.

The Aesthetics Of Rock

Author: Richard Meltzer

Publisher: Da Capo Press

Published: 1987-03-22

Total Pages: 384

ISBN-13: 9780306802874

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This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed every "papa-ooma-mow-mow" in the Trashmen's “Surfin' Bird.”From Dionne Warwick to Plato, Jim Morrison to Bert Brecht, Conway Twitty to Miguel de Unamuno, Meltzer subverts high and low culture in his search for meaning, emotion, and codes in popular music. At once an earnest investigation and a crypto put-on, the book can be read for its nuggets of information and insights or for its humor. Here with Greil Marcus's new introduction, yet another generation of readers can be outraged and inspired.

Open-Air Rock-Art Conservation and Management

Author: Timothy Darvill

Publisher: Routledge

Published: 2014-06-20

Total Pages: 353

ISBN-13: 1135014728

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While much has been achieved in understanding and managing weather effects and erosion phenomena affecting ancient imagery within the relatively protected environments of caves and rock-shelters, the same cannot be said of rock-art panels situated in the open-air. Despite the fact that the number of known sites has risen dramatically in recent decades there are few examples in which the weathering and erosion dynamics are under investigation with a view to developing proposals to mitigate the impact of natural and cultural processes. Most of the work being done in different parts of the world appears to be ad-hoc, with minimal communication on such matters between teams and with the wider archaeological community. This richly illustrated book evaluates rock-art conservation in an holistic way, bringing together researchers from across the world to share experiences of work in progress or recently completed. The chapters focus on a series of key themes: documentation projects and resource assessments; the identification and impact assessment of weathering/erosion processes at work in open-air rock-art sites; the practicalities of potential or implemented conservation interventions; experimentation and monitoring programs; and general management issues connected with public presentation and the demands of ongoing research investigations. Consideration is given to the conservation of open-air rock-art imagery from many periods and cultural traditions across the Old and New Worlds. This timely volume will be of interest to conservators, managers, and researchers dealing with aesthetic and ethical issues as well as technical and practical matters regarding the conservation of open-air rock-art sites.

Games

Author: C. Thi Nguyen

Publisher: Oxford University Press, USA

Published: 2020

Total Pages: 253

ISBN-13: 0190052082

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"Games are a unique art form. The game designer doesn't just create a world; they create who you will be in that world. They tell you what abilities to use and what goals to take on. In other words, they specify a form of agency. Games work in the medium of agency. And to play them, we take on alternate agencies and submerge ourselves in them. What can we learn about our own rationality and agency, from thinking about games? We learn that we have a considerable degree of fluidity with our agency. First, we have the capacity for a peculiar sort of motivational inversion. For some of us, winning is not the point. We take on an interest in winning temporarily, so that we can play the game. Thus, we are capable of taking on temporary and disposable ends. We can submerge ourselves in alternate agencies, letting them dominate our consciousness, and then dropping them the moment the game is over. Games are, then, a way of recording forms of agency, of encoding them in artifacts. Our games are a library of agencies. And exploring that library can help us develop our own agency and autonomy. But this technology can also be used for art. Games can sculpt our practical activity, for the sake of the beauty of our own actions. Games are part of a crucial, but overlooked category of art - the process arts. These are the arts which evoke an activity, and then ask you to appreciate your own activity. And games are a special place where we can foster beautiful experiences of our own activity. Because our struggles, in games, can be designed to fit our capacities. Games can present a harmonious world, where our abilities fit the task, and where we pursue obvious goals and act under clear values. Games are a kind of existential balm against the difficult and exhausting value clarity of the world. But this presents a special danger. Games can be a fantasy of value clarity. And when that fantasy leaks out into the world, we can be tempted to oversimplify our enduring values. Then, the pleasures of games can seduce us away from our autonomy, and reduce our agency."--

The Oxford Handbook of the Archaeology and Anthropology of Rock Art

Author: Bruno David

Publisher: Oxford Handbooks

Published: 2018

Total Pages: 1185

ISBN-13: 0190607351

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This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.