Produce Your Play Without a Producer

Produce Your Play Without a Producer PDF

Author: Mark Hillenbrand

Publisher: Smith & Kraus

Published: 2001

Total Pages: 364

ISBN-13:

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Actors and playwrights, can self-produce. There is notable precedence for self-producing, from Moliere to Shaw, from Shepard to the hundreds of playwrights and actors backing their work today. The How to Produce a Play without a Producer: A Survival Guide for Actors and Playwrights will empower the actor or writer by clarifying the intricacies of theatre production. Topics include budgeting, theatre spaces, building artistic and technical teams, legal and tax issues, box office management, marketing, publicity, press agents, and transferring the play to a higher production level.

Earth Matters on Stage

Earth Matters on Stage PDF

Author: Theresa J. May

Publisher: Routledge

Published: 2020-08-09

Total Pages: 303

ISBN-13: 1000069982

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Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States. Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

Masks Or Faces?

Masks Or Faces? PDF

Author: William Archer

Publisher:

Published: 1888

Total Pages: 252

ISBN-13:

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Masks or Faces? : A Study in the Psychology of Acting by William Archer, first published in 1888, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

Producing Theatre

Producing Theatre PDF

Author: Donald C. Farber

Publisher: Amadeus Press

Published: 1987

Total Pages: 496

ISBN-13:

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For the professional and student here is a basic guide to raising money, obtaining rights and bringing a play to the stage. Appendices include actual examples of commonly used legal forms and contracts. .,."likely to remain for some time to come the authoritative reference in its field." -Variety

She Kills Monsters

She Kills Monsters PDF

Author: Qui Nguyen

Publisher: Concord Theatricals

Published: 2016

Total Pages: 84

ISBN-13: 057370564X

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Revised 2016 Edition. She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she finds herself catapulted into a journey of discovery and action-packed adventure in the imaginary world that was her sister’s refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

Fundamentals of Play Production

Fundamentals of Play Production PDF

Author: Emanuel D. Schonberger

Publisher:

Published: 1949

Total Pages: 268

ISBN-13:

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"This book is designed for use as a text in the teaching of play production and as a manual for inexperience directors of plays in church and community theaters."--Preface

Children's Theatre

Children's Theatre PDF

Author: Jed Horace Davis

Publisher:

Published: 1960

Total Pages: 522

ISBN-13:

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Includes playwriting, directing, designing, producing, and managing of theatres for children.

Local Acts

Local Acts PDF

Author: Jan Cohen-Cruz

Publisher: Rutgers University Press

Published: 2005-03-25

Total Pages: 228

ISBN-13: 0813537584

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An eclectic mix of art, theatre, dance, politics, experimentation, and ritual, community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.

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