Accessories to Modernity

Accessories to Modernity PDF

Author: Susan Hiner

Publisher: University of Pennsylvania Press

Published: 2011-06-06

Total Pages: 298

ISBN-13: 0812205332

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Accessories to Modernity explores the ways in which feminine fashion accessories, such as cashmere shawls, parasols, fans, and handbags, became essential instruments in the bourgeois idealization of womanhood in nineteenth-century France. Considering how these fashionable objects were portrayed in fashion journals and illustrations, as well as fiction, the book explores the histories and cultural weight of the objects themselves and offers fresh readings of works by Balzac, Flaubert, and Zola, some of the most widely read novels of the period. As social boundaries were becoming more and more fluid in the nineteenth century, one effort to impose order over the looming confusion came, in the case of women, through fashion, and the fashion accessory thus became an ever more crucial tool through which social distinction could be created, projected, and maintained. Looking through the lens of fashion, Susan Hiner explores the interplay of imperialist expansion and domestic rituals, the assertion of privilege in the face of increasing social mobility, gendering practices and their relation to social hierarchies, and the rise of commodity culture and woman's paradoxical status as both consumer and object within it. Through her close focus on these luxury objects, Hiner reframes the feminine fashion accessory as a key symbol of modernity that bridges the erotic and proper, the domestic and exotic, and mass production and the work of art while making a larger claim about the "accessory" status—in terms of both complicity and subordination—of bourgeois women in nineteenth-century France. Women were not simply passive bystanders but rather were themselves accessories to the work of modernity from which they were ostensibly excluded.

Techniques of the Observer

Techniques of the Observer PDF

Author: Jonathan Crary

Publisher: MIT Press

Published: 1992-02-25

Total Pages: 190

ISBN-13: 9780262531078

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Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.

Endgames

Endgames PDF

Author: Albrecht Wellmer

Publisher: MIT Press

Published: 1998

Total Pages: 386

ISBN-13: 9780262731331

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A common theme of this set of thirteen essays by one of the major figures in contemporary German philosophy is the idea of a postmetaphysical modernity. In his preface Wellmer relates the title of his book, Endgames, to this common theme: The historical utopias of the Marxist tradition and the programs of ultimate justification in the Kantian tradition are both endgames within metaphysics, the deconstruction of those utopias and programs of ultimate justification are endgames played with metaphysics, and the game with an end as ultimate telos--the end(s) of history, the end(s) of knowledge, the end(s) of human life--is metaphysics. The title, Endgames, finally also refers polemically to postmodernist games with an end of modernity; as opposed to these, Wellmer defends the fragile moral and political substance of the modernity that postmodernists attempt to overcome--and that sense of what needs to be preserved of the modern tradition for a postmetaphysical modernity is what makes his writings unique. In the first of the book's three parts, "Negative and Communicative Freedom," Wellmer focuses on political philosophy, examining in particular the links and tensions between liberal basic rights and modern ideas of democracy. In Part II, "Postmetaphysical Perspectives," he attempts to develop a postmetaphysical perspective on aesthetics and metaphysics (with and against Adorno), on the problem of truth (with and against Richard Rorty, Jürgen Habermas, and Karl-Otto Apel), and on hermeneutics (with and against Hans-Georg Gadamer and Karl-Otto Apel). Part III, "Images of the Times," contains occasional pieces on Ludwig Wittgenstein, the Frankfurt School, Hans Jonas, and architecture. The book closes with an appended critical essay on Hannah Arendt, reflecting the importance of Arendt's political philosophy to Wellmer's work.

Fashion and Modernity

Fashion and Modernity PDF

Author: Christopher Breward

Publisher:

Published: 2005

Total Pages: 278

ISBN-13:

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What is the relationship between fashion and modernity, and how is this unique relationship manifested in the material world? This book considers how the relationship between fashion and modernity tests the very definition of modernity and enhances our understanding of the role of fashion in the modern world.

Tigersprung

Tigersprung PDF

Author: Ulrich Lehmann

Publisher: MIT Press

Published: 2000

Total Pages: 586

ISBN-13: 9780262621717

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The history of modernity written as a philosophy if fashion, set in the cultural framework of Paris.

The Dark Side of Modernity

The Dark Side of Modernity PDF

Author: Jeffrey C. Alexander

Publisher: John Wiley & Sons

Published: 2013-04-25

Total Pages: 184

ISBN-13: 0745665063

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In this book, one of the world’s leading social theorists presents a critical, alarmed, but also nuanced understanding of the post-traditional world we inhabit today. Jeffrey Alexander writes about modernity as historical time and social condition, but also as ideology and utopia. The idea of modernity embodies the Enlightenment’s noble hopes for progress and rationality, but its reality brings great suffering and exposes the destructive impulses that continue to motivate humankind. Alexander examines how twentieth-century theorists struggled to comprehend the Janus-faced character of modernity, which looks backward and forward at the same time. Weber linked the triumph of worldly asceticism to liberating autonomy but also ruthless domination, describing flights from rationalization as systemic and dangerous. Simmel pointed to the otherness haunting modernity, even as he normalized the stranger. Eisenstadt celebrated Axial Age transcendence, but acknowledged its increasing capacity for barbarity. Parsons heralded American community, but ignored modernity’s fragmentations. Rather than seeking to resolve modernity’s contradictions, Alexander argues that social theory should accept its Janus-faced character. It is a dangerous delusion to think that modernity can eliminate evil. Civil inclusion and anti-civil exclusion are intertwined. Alexander enumerates dangerous frictions endemic to modernity, but he also suggests new lines of social amelioration and emotional repair.

What is Modernity?

What is Modernity? PDF

Author: Yoshimi Takeuchi

Publisher: Columbia University Press

Published: 2005

Total Pages: 204

ISBN-13: 9780231133272

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Yoshimi questioned the very nature of thought, arguing that thinking is less a subjective act than an opening to alterity. His works were central in drawing Japanese attention to the problems inherent in Western colonialism & to the cultural importance of Asia.

Fashion and Orientalism

Fashion and Orientalism PDF

Author: Adam Geczy

Publisher: A&C Black

Published: 2013-02-28

Total Pages: 272

ISBN-13: 1847885993

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Explores the extent of the influence that the Orient had, and continues to have, on fashion.

Baroque Modernity

Baroque Modernity PDF

Author: Joseph Cermatori

Publisher: JHU Press

Published: 2021-11-16

Total Pages: 323

ISBN-13: 1421441543

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A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.